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“Now, there are a few dryadologists who could resist the opportunity to sample faerie food, the enchanted sort served at the tables of the courtly fae---I know several who have dedicated their careers to the subject and would hand over their eye teeth for the opportunity. I stopped at a stand offering toasted cheese---a very strange sort of cheese, threaded with glittering mold. It smelled divine, and the faerie merchant rolled it in crushed nuts before handing it over on a stick, but as soon as it touched my palm, it began to melt. The merchant was watching me, so I put it in my mouth, pantomiming my delight. The cheese tasted like snow and melted within seconds. I stopped next at a stand equipped with a smoking hut. The faerie handed me a delicate fillet of fish, almost perfectly clear despite the smoking. I offered it to Shadow, but he only looked at me with incomprehension in his eyes. And, indeed, when I popped it into my mouth, it too melted flavorlessly against my tongue. I took a wandering course to the lakeshore, conscious of the need to avoid suspicion. I paused at the wine merchant, who had the largest stand. It was brighter than the others, snow piled up behind it in a wall that caught the lantern light and threw it back in a blinding glitter. I had to look down at my feet, blinking back tears, as one of the Folk pressed an ice-glass into my hand. Like the food, the wine smelled lovely, of sugared apples and cloves, but it slid eerily within the ice, more like oil than wine. Shadow kept growling at it, as he had not with the faerie food, and so I tipped it onto the snow. Beside the wine merchant was a stand offering trinkets, frozen wildflowers that many of the Folk threaded through their hair or wove through unused buttonholes on their cloaks, as well as an array of jewels with pins in them. I could not compare them to any jewels I knew; they were mostly in shades of white and winter grey, hundreds of them, each impossibly different from the next. I selected one that I knew, without understanding how, was the precise color of the icicles that hung from the stone ledges of the Cambridge libraries in winter. But moments after I pinned it to my breast, all that remained was a patch of damp.”

“Wait," I said. He tilted his head in exasperation, clearly anticipating some sort of lecture. He went completely still when I strode up to him and kissed him. For one strange moment, I felt like laughing, because it was so clear that I had shocked him. I soon forgot about that, though, as well as everything else. I had not kissed him since Ljosland, and that barely counted; the first time, I had been so nervous that I barely touched him, while the second he had been in his other, oiche sidhe form. Perhaps it was the leaves rustling invisibly or the breeze that plucked at my hair, but I had the sense that I had left the mortal realm somehow, and that when I opened my eyes, I would find myself in some enchanted grove surrounded by faerie lights. This impression was so strong that I pulled away, dizzy.”

“She was clad in a tea-colored dress and white apron, and on her head was an enormous buttercup worn like a kerchief, two of the petals pinned together beneath her hair. Her face was very red, very shiny and very plump. She looked, I thought, a little like a lost doll, though not one mortal children would enjoy playing with; her eyes were the usual all black, and she appeared to be a type of faun, with large and intimidatingly sharp black horns that curved backwards out of her head, and legs that ended in hairy hooves. "A butter faerie," Niamh said. "The queen had several in her service--- this one, I am told, had the queen's particular affections due to the quality of her product." "Fascinating," I said, wishing I had time to make a sketch. My encyclopaedia's entry on butter faeries had been sorely lacking in detail. "I have never encountered one before." "They're quite rare," Niamh said. "A good thing, I've always thought. They are peevish, half-mad little things, particularly if you remove them from their creameries." "I did not know they were found in Ireland," I said. "Most of the tales of butter faeries are from Somerset, are they not?" "Ah!" Niamh said, her face alight with scholarly enthusiasm. "Indeed they are. But once upon a time, as you know, Where the Trees Have Eyes had several doors leading to British faerie realms. One of these, I'm told, led to a pretty corner of Somerset. I theorize that the creatures used to go to and fro before the door collapsed, trapping several of them in this realm.”

“The faerie's creamery was not too deep, happily, or at least it did not feel so; a chimneylike skylight cut into the stone roof admitted the warm gold-green light of the forest. Given the faerie's size, the workspace was expansive--- even Wendell, the tallest among us, did not need to duck--- with a hard-packed earthen floor and an array of shelves, some of which held blocks of butter wrapped in paper and twine. In the middle of the workshop was the butter churn, beside which was a tin bucket of milk with condensation forming on the side--- which I think is what the faerie had been worrying about, for she immediately rushed over to it and carried it into her cellar. The air was cool, on the edge of cold, and the smell of the place made my mouth water. Not only of butter, but thyme and lavender, strawberries and honey, which the faerie used to flavor some of the blocks. Those on the nearest shelf had leaves tucked beneath the twine--- basil, I think.”

“We seemed to have emerged upon a snowy curve of mountainside below a glacier--- I believe we were in Faerie, for there were two little stone houses tucked in amongst the jagged icicles at the glacier's edge, with smoke curling from their chimneys. One had an apple tree in its yard, the apples coated in a rind of ice. The icicles themselves were like a forest of glittering trees, through which the fox faerie was darting, deeper into the glacier. "Hurry up!" the faerie called. I hurried, against my better judgment I might add, but then that is almost always the case when interacting with the Folk; stumbling into an impossible forest of icicles is not the most ill-advised thing I have done in my career. The forest made little plinking sounds and reflected our darting shapes strangely. In the distance, there was music.”

“Wendell pushed the door open. Light. It was full morning, and my vision flooded with color. Primarily green, but there was also the yellow of moss and lichened stone, the violet of bluebells clustered at the edge of the forest, the gold of sunbeams, and the rich azure of the sky. The door opened onto a hill in a small clearing, beyond which a wall of trees nodded their boughs in the wind, as if in greeting. The air was wet from a recent rain and heavy with the smell of green and growing things--- all as I remembered.”

“I spotted Poe immediately. He was raking the leaves around his tree home, a lovely aspen. The whiteness of its bark seemed brighter than the other trees, the knotholes darker; the moss creeping up the south side was luxurious with fat purple flowers, and the leaves were a riot of green in every shade with veins of pure gold. It was, in short, the prettiest tree in the Kyrrðarskogur, which was Wendell's doing, but Poe was clearly taking his responsibilities as the owner of such a fine specimen seriously. He had built a trellis against the tree, up which climbed a vine of wild roses, and he had made little furrows in the ground to irrigate the tree's roots.”

“Looking back now, I wonder if I was observant enough. Certainly I was alert---I always am, during fieldwork---but I suspect that the unfamiliarity of the landscape, the high, dark mountains swaddled in snow, lulled me into a belief that no living thing could accost me here, certainly nothing fae, creatures I have spent my career associating with greenery and water and life. Fortunately, my reflexes are sharp. The instant the light flared through the trees, I halted and gripped my coin. It was a grayish light with no warmth in it, like a star. A wind moved through the trees, and there came a whisper of bells. Had I not been touching metal, I might have been bespelled, and as it was my head still spun a little, but I am used to brushing against faerie enchantments and stood my ground.”

“A faerie crouched beside me. It was very small, its frame skeletal with a face full of teeth and two sharp black stones for eyes tucked beneath a ravenskin that it seemed to wear as a sort of cloak, but the skin had been poorly cleaned and the eyes were absent. It had all the substance of cobwebs and was both there and not there; viewed from certain angles, it was merely the shadow of a stone, and from others, a live raven. It was digging around in my pockets with fingernails the length again of its spindly arms and sharp enough to slit my throat without my noticing the injury immediately.”

“The mountains I saw through the break in the fog were familiar, and yet something was off about them. They seemed too dark, somehow, and the nearest was riddled with hollows where tiny lights glimmered. The fog shifted again, and I was gazing at a luxuriant rose garden. The flowers were fat and healthy, but the garden itself was overgrown and had the air of abandonment, the rosebushes almost swallowing their trellises, some of which had collapsed. A little wind blew back the heads of the nearest roses, and I felt as if they were turning to gaze at me.”

“Naturally, Wendell's apartments are absurdly comfortable, and somehow there is the atmosphere of a forest about them, though I know this makes little sense. The ceilings are very high, rather like the canopy of an ancient grove--- I suspect he has enchanted them somehow--- and always there is the sound of rustling leaves, though this abruptly ceases if you listen too closely. I would have expected a lot of luxurious frippery from faerie royalty, but his furnishings are simple--- a scattering of sofas, impossible soft; a huge oak table; three magnificent inglenook fireplaces; and a great deal of empty floor through which an impossible little breeze is always stirring, smelling of moss. For decoration there is the mirror from Hrafnsvik with the forest reflected inside it and a few silver baubles, sculptures and vases and the like, which catch the light in unexpected ways, but that's it. And, of course, the place is so clean one feels one may sully it by breathing too hard.”

“Faerie stones can be found in a variety of regions, being particularly common in Cornwall and the Isle of Man. They are unimpressive in appearance and hard to recognize with the untrained eye; their most distinguishing feature is their perfect roundness. They seem primarily to be used to store enchantments for later use or perhaps for the purposes of gift-giving. Danielle de Grey's 1850 Guide to Elfstones of Western Europe is the definitive resource on the subject. (I am aware that many dryadologists today ignore de Grey's research on account of her many scandals, but whatever else she was, I find her a meticulous scholar.) A faerie stone with a crack down it has been spent and is thus harmless. An intact stone should be left untouched and reported to ICAD, the International Council of Arcanologists and Dryadologists.”

“Which of the Irish kingdoms is yours?" "Oh---it's the one you scholars call Silva Lupi," he said. "In the southwest." "Wonderful," I murmured. Faerie realms are named for their dominant feature---statistically, the largest category is silva, woodland, followed by montibus, mountains---and an adjective chosen by the first documenting scholar. Ireland has seven realms, including the better-known Silva Rosis. But Silva Lupi---the forest of wolves---is a realm of shadow and monsters. It is the only one of the Irish realms to exist solely in story---not for lack of interest, of course, a number of scholars have disappeared into its depths.”

“I have come for a throne this time." He smiled, and my legs wobbled with relief. "Have you?" he said. "Well, why not? This kingdom has been ruled by halfbloods and housekeepers; a mortal queen is hardly going to lower us further." And just like that, I was on solid ground. Solider, at any rate; whatever else this man was, he was every bit as snobbish as the majority of the courtly fae. "Why not take the throne yourself, if you are so bothered by the pedigree of its previous occupants?" I asked, which was brazen, but then many of the courtly fae are charmed by boldness in mortals, in much the same way that we coo when a kitten bares its teeth. He snorted. "I value my neck, that's why. Which I have managed to keep intact for many centuries--- far longer than those who covet power in this bloody wolf's den of a court." This was so far from what I had expected that I was silent for a moment. "Wise of you," I said. The malicious amusement was back. "Thank you--- I cannot tell you how highly I value the opinions of mortals, particularly young girls who cannot stop themselves from stumbling into violent faerie realms.”

“Wendell looked at the faerie stone in his hand, shrugged, and smashed it against the floor. Out burst a flock of parrots. The birds shrieked and squawked, and the sheerie were momentarily distracted--- not afraid, they lunged at them like cats. Each parrot seemed to be carrying a tropical flower in its beak. Wendell hurled another stone. When it smashed, glittering banners unfurled upon the museum walls, covered in the faerie script. The ceiling was suddenly painted in frescoes of Folk lounging in forest pools, surrounded by green foliage. Vases of unfamiliar flowers appeared on every surface next to bottles of wine in ice buckets, and the air filled with the muffled sound of violins, as if drifting in from the next room.”