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“O how incomprehensible everything was, and actually sad, although it was also beautiful. One knew nothing. One lived and ran about the earth and rode through forests, and certain things looked so challenging and promising and nostalgic: a star in the evening, a blue harebell, a reed-green pond, the eye of a person or a cow. And sometimes it seemed that something never seen yet long desired was about to happen, that a veil would drop from it all, but then it passed, nothing happened, the riddle remained unsolved, the secret spell unbroken, and in the end one grew old and looked cunning . . . or wise . . . and still one knew nothing perhaps, was still waiting and listening.”

“Cada época, cada cultura, cada costume e tradição tem seu próprio estilo, tem sua delicadeza e sua severidade, suas belezas e crueldades, aceitam certos sofrimentos como naturais, sofrem pacientemente certas desgraças. O verdadeiro sofrimento, o verdadeiro inferno da vida humana reside ali onde se chocam duas culturas ou duas religiões. Um homem da antiguidade, que tivesse de viver na Idade Média, haveria de sentir-se tão afogado quanto um selvagem se sentiria em nossa civilização. Há momentos em que toda uma geração cai entre dois estilos de vida, e toda evidência, toda moral, toda salvação e inocência ficam perdidos para ela. Naturalmente isso não nos atinge da mesma maneira.”

“Great masses of people these days live out their lives in a dull and loveless stupor. Sensitive persons find our inartistic manner of existence oppressive and painful, and they withdraw from sight… I believe what we lack is joy. The ardor that a heightened awareness imparts to life, the conception of life as a happy thing, as a festival… But the high value put upon every minute of time, the idea of hurry-hurry as the most important objective of living, is unquestionably the most dangerous enemy of joy.--Herman Hesse”

“For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow. Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life. A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail. A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live. When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all. A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother. So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.”

“But, despite everything, it was almost a pleasure to suffer those torments. I had crawled through life blindly and dully for so long, my heart had kept silent and had sat, impoverished, in a corner for so long, that even these self accusations, this horror, this whole ghastly emotion in my soul was welcome. After all, it was an emotion, flames were still rising, it showed that my heart was still alive! In a confused way, in the midst of misery I felt something like liberation and springtime.”

“And was it not perhaps more childlike and human to lead a Goldmund-life, more courageous, more noble perhaps in the end to abandon oneself to the cruel stream of reality, to chaos, to commit sins and accept their bitter consequences rather than live a clean life with washed hands outside the world, laying out a lonely harmonious thought-garden, strolling sinlessly among one's sheltered flower beds. Perhaps it was harder, braver and nobler to wander through forests and along the highways with torn shoes, to suffer sun and rain, hunger and need, to play with the joys of the senses and pay for them with suffering. At any rate, Goldmund had shown him that a man destined for high things can dip into the lowest depths of the bloody, drunken chaos of life, and soil himself with much dust and blood, without becoming small and common, without killing the divine spark within himself, that he can err through the thickest darkness without extinguishing the divine light and the creative force inside the shrine of his soul.”

“It was shameless how life made fun of one; it was a joke, a cause for weeping! Either one lived and let one's senses play, drank full at the primitive mother's breast—which brought great bliss but was no protection against death; then one lived like a mushroom in the forest, colorful today and rotten tomorrow. Or else one put up a defense, imprisoned oneself for work and tried to build a monument to the fleeting passage of life—then one renounced life, was nothing but a tool; one enlisted in the service of that which endured, but one dried up in the process and lost one's freedom, scope, lust for life... Ach, life made sense only if one achieved both, only if it was not split by this brittle alternative! To create, without sacrificing one's senses for it. To live, without renouncing the mobility of creating. Was that impossible?”

“This Steppenwolf of ours has always been aware of at least the Faustian two-fold nature within him. He has discovered that the one-fold of the body is not inhabited by a one-fold of the soul, and that at best he is only at the beginning of a long pilgrimage towards this ideal harmony. He would like either to overcome the wolf and become wholly man or to renounce mankind and at last to live wholly a wolf's life. It may be presumed that he has never carefully watched a real wolf. Had he done so he would have seen, perhaps, that even animals are not undivided in spirit. With them, too, the well-knit beauty of the body hides a being of manifold states and strivings. The wolf, too, has his abysses. The wolf, too, suffers. No, back to nature is a false track that leads nowhere but to suffering and despair. Harry can never turn back again and become wholly wolf, and could he do so he would find that even the wolf is not of primeval simplicity, but already a creature of manifold complexity. Even the wolf has two, and more than two, souls in his wolf's breast, and he who desires to be a wolf falls into the same forgetfulness as the man who sings: "If I could be a child once more!" He who sentimentally sings of blessed childhood is thinking of the return to nature and innocence and the origin of things, and has quite forgotten that these blessed children are beset with conflict and complexities and capable of all suffering. There is, in fact, no way back either to the wolf or to the child. From the very start there is no innocence and no singleness. Every created thing, even the simplest, is already guilty, already multiple. It has been thrown into the muddy stream of being and may never more swim back again to its source. The way to innocence, to the uncreated and to God leads on, not back, not back to the wolf or to the child, but ever further into sin, ever deeper into human life. Nor will suicide really solve your problem, unhappy Steppenwolf. You will, instead, embark on the longer and wearier and harder road of life. You will have to multiply many times your two-fold being and complicate your complexities still further. Instead of narrowing your world and simplifying your soul, you will have to absorb more and more of the world and at last take all of it up in your painfully expanded soul, if you are ever to find peace. This is the road that Buddha and every great man has gone, whether consciously or not, insofar as fortune favored his quest. All births mean separation from the All, the confinement within limitation, the separation from God, the pangs of being born ever anew. The return into the All, the dissolution of painful individuation, the reunion with God means the expansion of the soul until it is able once more to embrace the All.”

“Just as I dress and go out to visit the professor and exchange a few more or less insincere compliments with him, without really wanting to at all, so it is with the majority of men day by day and hour by hour in their daily lives and affairs. Without really wanting to at all, they pay calls and carry on conversations, sit out their hours at desks and on office chairs; and it is all compulsory, mechanical and against the grain, and it could all be done or left undone just as well by machines; and indeed it is this never-ceasing machinery that prevents their being, like me, the critics of their own lives and recognizing the stupidity and shallowness, the hopeless tragedy and waste of the lives they lead, and the awful ambiguity grinning over it all. And they are right, right a thousand times to live as they do, playing their games and pursuing their business, instead of resisting the dreary machine and staring into the void as I do, who have left the track. Let no one think that I blame other men, though now and then in these pages I scorn and even deride them, or that I accuse them of the responsibility of my personal misery. But now that I have come so far, and standing as I do on the extreme verge of life where the ground falls away before me into bottomless darkness, I should do wrong and I should lie if I pretended to myself or to others that that machine still revolved for me and that I was still obedient to the eternal child's play of that charming world.”

“You have a picture of life within you, a faith, a challenge, and you were ready for deeds and sufferings and sacrifices, and then you became aware by degrees that the world asked no deeds and no sacrifices of you whatever, and that life is no poem of heroism with heroic parts to play and so on, but a comfortable room where people are quite content with eating and drinking, coffee and knitting, cards and radio music. And whoever wants more and has got it in him - the heroic and the beautiful, and the reverence for the great poets or for the saints - is a fool and a Don Quixote.”

“A whole society composed of the unknown within them! They all sense that the rules they live by are no longer valid, that they live according to archaic laws--neither their religion nor their morality is in any way suited to the needs of the present. For a 100 years or more Europe has done nothing but study and build factories. They know exactly how many ounces of powder to kill a man but they don't know how to pray to God, they don't even know how to be happy for a single contented hour.”

“-No, la mirada del lobo estepario atravesaba penetrante todo el mundo de nuestro tiempo, toda la fiebre de actividad y afán de arrivismo, la vanidad entera y todo el juego superficial de un espiritualismo fementido y sin fondo-. ¡Ay!, y por desgracia la mirada profundizaba aún más; llegaba no sólo a los defectos y a las desesperanzas de nuestro tiempo, de nuestra espiritualidad y de nuestra cultura: llegaba hasta el corazón de toda la Humanidad, expresaba elocuentemente en un solo segundo la duda entera de un pensador, de un sabio quizás, en la dignidad y en el sentido general de la vida misma. ("El lobo estepario").”

“How deaf and stupid I have been, he thought, walking on quickly. When anyone reads anything which he wishes to study, he does not despise the letters and punctuation marks, and call them illusion, chance and worthless shells, but he reads them, he studies and loves them, letter by letter. But I, who wished to read the book of the world and of my own nature, did presume to despise the letters and signs. I called the world of appearances, illusion. I called my eyes and tongue, chance. Now it is over; I have awakened.”

“Meine Einsamkeit ist weder enge noch ist sie leer, sie erlaubt mir zwar das Mitleben in eine der heutigen gültigen Daseinsfprmen nicht, erleichtert mir aber zum Beispiel das Mitleben in hundert Daseinsformen der Vergangenheit, villeicht auch der Zukunft, es hat ein unendlich großes Stück Wlet in ihr raum. Und vor allem ist diese Einsamkeit nicht leer. Sie ist voll von Bildern. Sie ist eine Schatzkammer von angeeigneten Gütern, ichgewordener Vergangenheit, assimilierter Natur.”

“Exactly, my dear sir, as the radio for ten minutes together projects the most lovely music without regard into the most impossible places, into respectable drawing rooms and attics and into the midst of chattering, guzzling, yawning and sleeping listeners, and exactly as it strips this music of its sensuous beauty, spoils and scratches and slimes it and yet cannot altogether destroy its spirit, just so does life, the so-called reality, deal with the sublime picture-play of the world and make a hurley-burley of it. It makes its unappetizing tone-slime of the most magic orchestral music. Everywhere it obtrudes its mechanism, its activity, its dreary exigencies and vanity between the ideal and the real, between orchestra and ear. All life is so, my child, and we must let it be so: and, if we are not asses, laugh at it. It little becomes people like you to be critics of radio or of life either. Better learn to listen first! Learn what is to be taken seriously and laugh at the rest.”

“Only the life within hm was real, the anguished beating of his heart, the nostalgic sting of longing, the joys and fears of his dreams. To them he belonged; to them he abandoned himself. Suddenly, in the middle of a page or a lesson, surrounded by his classmates, he'd sink into himself and forget everything, listening only to the rivers and voices inside himself which drew him away, into deep wells filled with dark melodies, into colorful abysses full of fairy-tale deeds, and all the sounds were like his mother's voice, and the thousands of eyes all were his mother's eyes.”

“Quando me acometia à noite, em vez de dormir, eu deitava-me horas seguidas no vão da janela, olhava o lago negro, as silhuetas dos montes recortadas contra o céu pálido e, por cima, as belas estrelas. Depois, não raro, era tomado por um forte sentimento temeroso e doce, como se toda esta beleza nocturna me observasse com um justo olhar reprovador. Como se as estrelas, as montanhas e os lagos ansiassem por alguém que compreendesse e expressasse a sua beleza e a dor da sua existência silenciosa, como se fosse eu esse alguém, como se a minha verdadeira missão fosse a de, pela escrita, dar expressão à natureza silenciosa. De que forma isto seria possível, era coisa sobre que nunca pensava, senão que sentia apenas a bela noite, grave, esperar por mim numa exigência silenciosa.”