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The Cruel Prince

Book by Holly Black · 50 quotes · The Cruel Prince, Holly Black, The Folk Of The Air

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The Cruel Prince Quotes

“In a moment, I am going to ask you to put the blade through your hand. When I ask you to do that, I want you to remember where your bones are, where you veins are. I want you to stab through your hand doing the least damage possible.' His voice is lulling, hypnotic, but my heart speeds anyway. Against my will, I aim the sharp point of the knife. I press is lightly against my skin. I am ready. I hate him, but I am ready. I hate him, and I hate myself. 'Now,' he says, and the glamour releases me. I take a half step back. I am in control of myself again, still holding the knife. ... My eyes on him, I slam the knife in to my hand. The pain is a wave that rises higher and higher but never crashes. I make a sound low in my throat. I may not deserve punishment for this, but I deserve punishment. Dain's expression is odd, blank. He takes a step back from me, as though I am the one who did the shocking thing instead of merely doing what he ordered.”

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“No geas can save you from the effects of our fruits and poisons. Think carefully. I could grant you the power to enrapture all who looked upon you instead. I could give you a spot right there.' He touches my forehead. 'And anyone who saw it would be struck with love. I could give you a magical blade that cuts through starlight.”

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“In a moment, I am going to ask you to put the blade through your hand. When I ask you to do that, I want you to remember where your bones are, where you veins are. I want you to stab through your hand doing the least damage possible.' His voice is lulling, hypnotic, but my heart speeds anyway. Against my will, I aim the sharp point of the knife. I press it lightly against my skin. I am ready. I hate him, but I am ready. I hate him, and I hate myself. 'Now,' he says, and the glamour releases me. I take a half step back. I am in control of myself again, still holding the knife. ... My eyes on him, I slam the knife in to my hand. The pain is a wave that rises higher and higher but never crashes. I make a sound low in my throat. I may not deserve punishment for this, but I deserve punishment. Dain's expression is odd, blank. He takes a step back from me, as though I am the one who did the shocking thing instead of merely doing what he ordered.”

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“After every battle, he ritually dips his hood into the blood of his enemies. I’ve seen the hood, kept under glass in the armory. The fabric is stiff and stained a brown so deep it’s almost black, except for a few smears of green. Sometimes I go down and stare at it, trying to see my parents in the tide lines of dried blood. I want to feel something, something besides a vague queasiness. I want to feel more, but every time I look at it, I feel less.”

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“Much of the clothing is moth-eaten, but I can see what they once were. A skirt with a beaded pattern of pomegranates, another that pulls up, like a curtain, to show a stage with jewelled mechanical puppets underneath. There is even one stitched with the silhouette of dancing fauns as tall as the skirt itself. I've admired Oriana's dresses for their elegance and opulence, but these awaken in me a hunger for a dress that's riotous. They make me wish I'd seen Locke's mother in one of her gowns. They make me think she must have liked to laugh.”

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“Taryn is beautiful in her heavily embroidered dress, and Vivi radiant in soft violet grey with artfully sewn moths seeming to fly from her shoulder across her chest to gather in another group on one side of her waist. I realise how rarely I've seen her in truly splendid clothes. Her hair is up, and my earrings glitter in her lightly furred ears. Her cat eyes gleam in the half light, twin to Madoc's. For once, that makes me smile.”

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“What they don't realise is this: Yes, they frighten me, but I have always been scared, since the day I got here. I was raised by the man who murdered my parents, reared in a land of monsters. I live with that fear, let it settle in to my bones, and ignore it. If I didn't pretend not to be scared, I would hide under my owl-down coverlets in Madoc's estate forever. I would lie there and scream until there was nothing left of me. I refuse to do that. I will not do that.”

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“Tatterfell sews on cunning cuffs made from the scales of pinecones around the edges of frayed sleeves. Small tears in skirts are stitched over with embroidery in the shape of leaves and pomegranates and- on one- a cavorting fox. She has stitched dozens of leather slippers for me. I will be expected to dance so fiercely that I wear through a pair every night.”

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“Would you forswear a promise for me?" He is smiling to me as though he is teasing. "What promise?" He sweeps me around him, my leather slippers pirouetting over the packed earth. In the distance, a piper begins to play. "Any promise," he says lightly, although it is no light thing he is asking. "I guess it depends," I say, because the real answer, a flat no, isn't what anyone wants to hear.”

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“I can see the sea that encircles the island and beyond it, the bright lights of human cities and towns through the ever-present mist. I have never looked directly from our world in to theirs. Locke puts his hand against my back, between my shoulder blades. 'At night, the human world looks as though it's full of fallen stars.”

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“Wait,' he says, taking a step toward me. 'I want to see you again.' I groan, too exasperated for surprise. I am standing here in a borrowed blanket, boots, and mall-bought underwear. I am smeared in soil, and I have just made a fool of myself. 'Why?' He looks at me as though he sees something else entirely. There's an intensity in his gaze that makes me stand up a little straighter, despite the dirt. 'Because you're like a story that hasn't happened yet. Because I want to see what you will do. I want to be part of the unfolding of the tale.”

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“The boy's friends come over to lead him away, and at that moment, improbably, Locke's gaze lifts. His tawny fox eyes meet mine and widen in surprise. I am immobilised, my heart speeding. I brace myself for more scorn, but then one corner of his mouth lifts. He winks, as if in acknowledgement of being caught out. As if we're sharing a secret. As if he thinks I am not loathly, as though he does not find my mortality contagious.”

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“Some afternoons we sit in groves carpeted with emerald moss, and other evenings we spend in high towers or up in trees. We learn about the movements of constellations in the sky, the medicinal and magical properties of herbs, the language of birds and flowers and people as well as the language of the Folk (though it occasionally twists in my mouth), the composition of riddles, and how to walk soft-footed over leaves and brambles to leave neither trace nor sound. We are instructed in the finer points of the harp and the lute, the bow and the blade. Taryn and I watch them as they practice enchantments. For a break, we all play at war in a green field with a broad arc of trees.”

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“The two other members of Dain's spy troupe also have code names. There's the lean, handsome faerie that looks at least part human, who winks and tells me to call him the Ghost. He has sandy-coloured hair, which is normal for a mortal, but is unusual for a faerie, and ears that come to very subtle points. The other is a tiny, delicate girl, her skin the dappled brown of a doe, her hair a cloud of white around her head, and a miniature pair of blue-grey butterfly wings on her back. She's got at least some pixie in her, if not some imp. ... 'I'm the Bomb,' she says. 'I like blowing things up.”

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“He doesn't fall like the others. Instead of blood pouring from his wound, red moths stream out, in to the air. They rush out of him so quickly that in a moment, the High King's body is gone and there are just those red moths, swirling up in to the air in a vast cloud, a tornado of soft wings. But whatever magic made them does not last. They begin to fall until they are scattered across the dais like blown leaves. The High King Eldred is, impossibly, dead.”

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