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Holly Black

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“At least one person is going to be naked,' I say. 'You know it's true. I've never been to a single revel in Faerie where everyone had clothes on.' 'Well, if that's your plan,' she says, turning on her heels. 'Then I suppose all you need is a pretty necklace.' 'Wait,' I say. 'You're right. I don't have a dress, and I need one. Please don't go.' When Oriana turns, a hint of a smile is on her face. 'How unlike you, to say what you actually mean and have it be something other than hostile.”

“You put a curse on that girl over there,” I tell him. “Fix her immediately.” “She admired my ears,” the boy says. “I was only giving her what she desired. A party favor.” “That’s what I am going to say after I gut you and use your entrails as streamers,” I tell him. “I was only giving him what he wanted. After all, if he didn’t want to be eviscerated, he would have honored my very reasonable request.”

“I go to the table. The pixie regards me with her inkdrop-black eyes, like Tatterfell’s. I notice the extra joint in her fingers as she reaches for an eggroll. “Go ahead,” she says. “There’s plenty. I used most of the hot mustard packets, though.” Roiben waits, watching me. “Mortal food,” I say, in what I hope is a neutral way. “We live alongside mortals, do we not?” he asks me. “I think she more than lives beside them,” the pixie objects, looking at me. “Your pardon,” he says, and waits. I realize they really expect me to eat something. I spear a dumpling with a single chopstick and stuff it into my mouth. “It’s good.”

“He steeples his long fingers. “Someday, I will ask your king for a favor.” “You want me to agree to something without even knowing what it is?” I blurt out. His stoic face gives little away. “Now we understand each other exactly.” I nod. What choice do I have? “Something of equal value,” I clarify. “And within our power.” “This has been a most interesting meeting,” Lord Roiben says with a small, inscrutable smile. As I stand to leave, Kaye winks an inkdrop eye at me. “Luck, mortal.”

“Let me make you an offer, little goat. We spar. If you lose, my cap is returned to me, unburnt. I continue to hunt as I have. And you give me your littlest finger.' 'To eat?' I ask, taking the flame away from the hat. 'If I like,' she returns. 'Or to wear like a brooch. What do you care what I do with it? The point is that it will be mine.”

“Furnished in elaborate velvets, silks, and brocades, it's a riot of scarlet and deep blues and greens, everything rich and dark, like overripe fruit. The patterns on the material are the sorts of things I have become accustomed to- intricate braids of briars, leaves that might also be spiders when you looked at them from another angle, and a depiction of a hunt where it is unclear which of the creatures is hunting the other.”

“Hollow Hall is a stone manor with a tall, crooked tower, the whole thing half-covered in vines and ivy. There's a balcony on the second floor that seems to have a rail of thick roots in place of iron. A curtain of thinner tendrils hangs down from it, like a scraggly beard clotted with dirt. There is something misshapen about the estate that ought to make it charming but instead makes it ominous.”

“Faeries are twilight creatures, and I have become one, too. We rise when the shadows grow long and head to our beds before the sun rises. It is well after midnight when we arrive at the great hill at the palace of Elfhame. To go inside, we must ride between two trees, an oak and a thorn, and then straight in to what appears to be the stone wall of an abandoned folly. I've done it hundreds of times, but I flinch anyway. My whole body braces, I grip the reins hard, and my eyes mash shut. When I open them, I am inside the hill. We ride on through a cavern, between pillars of roots, over packed earth. Then are dozens of the Folk here, crowding around the entrance to the vast throne room, where Court is being held- long-nosed pixies with tattered wings; elegant, green-skinned ladies in long gowns with goblins holding up their trains; tricksy boggans; laughing foxkin; a boy in an owl mask and a golden headdress; an elderly woman with crowns crowding her shoulders; a gaggle of girls with wild roses in their hair; a bark-skinned boy with feathers around his neck; a group of knights all in scarab-green armour. Many I've seen before; a few I have spoken with. Too many for my eyes to drink them all in, yet I cannot look away. I never get tired of this- of the spectacle, of the pageantry. Maybe Oriana isn't entirely wrong to worry that we might one day get caught up in it, be carried away by it, and forget to take care. I can see why humans succumb to the beautiful nightmare of the Court, why they willingly drown in it. I know I shouldn't love it as I do, stolen as I am from the mortal world, my parents murdered. But I love it all the same.”

“And if the serpent grows in monstrousness and corruption, if it poisons the land of Elfhame itself, then let me be the queen of monsters. Let me rule over the blackened land with my redcap father as a puppet by my side. Let me be feared and never again afraid. Only out of his spilled blood can a great ruler rise. Let me have everything I ever wanted, everything I ever dreamed, and eternal misery along with it. Let me live on with an ice shard through my heart.”

“Usually given to mortals in exchange for their service, geases grant power, with a kick-in-the-teeth exception that comes upon you when you least expect it. Like, you're invulnerable, except to an arrow made of the heartwood of a hawthorn tree, which just so happens to be the exact kind of arrow that your worst enemy favours. Or you'll win every battle you're in, but you're not allowed to refuse invitations to dinner, so if someone invites you to dinner right before a battle, you're not going to be able to show up for that fight.”

“The human species pretends it's so resilient. Mortal lives are one long game of make-believe. If you couldn't lie to yourselves, you'd cut your own throats to end your misery.' I am struck by the word species, by the idea that he thinks I am something entirely else, like an ant or a dog or a deer. I am not sure he's wrong, but I don't like the thought. 'I don't feel particularly miserable right now.' I can't show him I'm afraid. His mouth curls. 'What happiness do you have? Rutting and breeding. You'd go mad if you accepted the truth of what you are. You are nothing. You barely exist at all. Your only purpose is to create more of your kind before you die some pointless and agonising death.' I look him in the eye. 'And?”

“I didn't mean to hurt you.' He grabs my hand, possibly to keep me from hitting him again. Our fingers lace together. 'No, it's not that, not exactly. I didn't think I could hurt you. And I never thought you would be afraid of me.' 'And did you like it?' I ask. He looks away from me then, and I have my answer. Maybe he doesn't want to admit to that impulse, but he has it. 'Well, I was hurt, and yes, you scare me.' Even as I am speaking, I wish I could snatch back the words. Perhaps it is exhaustion or having been so close to death, but the truth pours out of me in a devastating rush. 'You've always scared me. You gave me every reason to fear your capriciousness and your cruelty. I was afraid of you even when you were tied to that chair in the Court of Shadows. I was afraid of you when I had a knife to your throat. And I am scared of you now.' Cardan looks more surprised than he did when I slapped him. He was always a symbol of everything about Elfhame that I couldn't have, everything that would never want me. And telling him this feels a little like throwing off a heavy weight, except that weight is supposed to be my armour, and without it, I am afraid I am going to be entirely exposed. But I keep talking anyway, as though I no longer have control over my tongue. 'You despised me. When you said you wanted me, it felt like the world had turned upside down. 'But sending me into exile, that made sense.' I meet his gaze. 'That was an entirely right-side-up Cardan move. And I hated myself for not seeing it coming. And I hate myself for not seeing what you're going to do to me next.' He closes his eyes. When he opens them, he releases my hand and turns so I can't see his face. 'I can see why you thought what you did. I suppose I am not an easy person to trust. And maybe I ought not to be trusted, but let me say this: I trust you.”