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Nausea

Book by Jean-Paul Sartre · 14 quotes · Nausea, Existentialism, Sartre

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Nausea Quotes

“These young people amaze me; drinking their coffee, they tell clear, plausible stories. If you ask them what they did yesterday, they don't get flustered; they tell you all about it in a few words. If I were in their place, I'd start stammering. It's true that for a long time now nobody has bothered how I spend my time. When you live alone, you even forget what it is to tell a story : plausibility disappears at the same time as friends.”

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“I murmur: "It's a seat," a little like an exorcism. But the word stays on my lips: it refuses to go and put itself on the thing. It stays what it is, with its red plush, thousands of little red paws in the air, all still, little dead paws. This enormous belly turned upward, bleeding, inflated—bloated with all its dead paws, this belly floating in this car, in this grey sky, is not a seat. It could just as well be a dead donkey tossed about in the water, floating with the current, belly in the air in a great grey river, a river of floods; and I could be sitting on the donkey's belly, my feet dangling in the clear water.”

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“Couldn't I try...Naturally, it wouldn't be a question of a tune...But couldn't I in another medium?...It would have to be a book: I don't know how to do anything else. But not a history book: history talks about what has existed - an existent can never justify the existence of another existent. My mistake was to try to resuscitate Monsieur de Rollebon. Another kind of book. I don't quite know which kind - but you would have to guess, behind the printed words, behind the pages, something which didn't exist, which was above existence. The sort of story, for example, which could never happen, an adventure. It would have to be beautiful and hard as steel and make people ashamed of their existence. I am going, I feel irresolute. I dare not make a decision. If I were sure that I had talent...but I have never, never written anything of that sort; historical articles, yes - if you could call them that. A book. A novel. And there would be people who would read this novel and who would say: 'It was Antoine Roquentin who wrote it, he was a red-headed fellow who hung about in cafés', and they would think that about my life as I think about the life of the Negress: as about something precious and almost legendary. A book. Naturally, at first it would only be a tedious, tiring job, it wouldn't prevent me from existing or from feeling that I exist. But a time would have to come when the book would be written, would be behind me, and I think that a little of its light would fall over my past. Then, through it, I might be able to recall my life without repugnance. Perhaps one day, thinking about this very moment, about this dismal moment at which I am waiting, round-shouldered, for it to be time to get on the train, perhaps I might feel my heart beat faster and say to myself: 'It was on that day, at that moment that it all started.' And I might succeed - in the past, simply in the past - in accepting myself.”

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“There is nothing very new about all that; I have never rejected these harmless emotions; far from it. In order to feel them, it is sufficent to be a little isolated, just enough to get rid plausability at the right moment. But I remained close to people, on the surface of solitude, quite determined, in case of emergency, to take refuge in their midst: so far I am an amateur at heart. Now, there are objects everywhere like this glass of beer, here on the table. When I see it, I feel like saying:"pax, I'm not playing any more". I realize perfectly well that I have gone too far. I don't suppose you can 'make allowances' for solitude. That doesn't mean I dont look under my bed before going to sleep or that I'm afraid of seeing the door of my room open suddenly in the middle of the night. All the same I am ill at ease. For half an hour I have been avoiding looking at this glass of beer. And I know very well that all the bachelors around me can'thelp me in any way : it is too late, and i can no longer take refuge among them...... ..... I know all that, but I know that there's something else. Almost nothing. But I can no longer explain what I see. To anybody. There it is: I am gently slipping into the water's depths, towards fear. I am alone in the midst of these happy, reasonable voices.”

DepressionMelancholyLonlinessSolituteJean Paul SatreSatre
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“I feel my hand. I am these two beasts struggling at the end of my arms. My hand scratches one of its paws with the nail of the other paw; I feel its weight on the table which is not me. It's long, long, this impression of weight, it doesn't pass. There is no reason for it to pass. It becomes intolerable ... I draw back my hand and put it in my pocket; but immediately I feel the warmth of my thigh through the stuff. I pull my hand out of my pocket and let it hang against the back of the chair. Now I feel a weight at the end of my arm. It pulls a little, softly, insinuatingly it exists. I don't insist: no matter where I put it it will go on existing; I can't suppress it, nor can I suppress the rest of my body, the sweaty warmth, which soils my shirt, nor all this warm obesity which turns lazily, as if someone were stirring it with a spoon, nor all the sensations going on inside, going, coming, mounting from my side to my armpit or quietly vegetating from morning to night, in their usual corner.”

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“En la pared hay un agujero blanco, el espejo. Es una trampa. Sé que voy a dejarme atrapar. Ya está. La cosa gris acaba de aparecer en el espejo. Me acerco y la miro; ya no puedo irme. Es el reflejo de mi rostro. A menudo en estos días perdidos, me quedo contemplándolo. No comprendo nada en este rostro. Los de los otros tienen un sentido. El mío, no. Ni siquiera puedo decidir si es lindo o feo. Pienso que es feo, porque me lo han dicho. Pero no me sorprende. En el fondo, a mí mismo me choca que puedan atribuirle cualidades de ese tipo, como si llamaran lindo o feo a un montón de tierra o a un bloque de piedra.”

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“This feeling of adventure definitely does not come from events: I have proved it. It’s rather the way in which the moments are linked together. I think this is what happens: you suddenly feel that time is passing, that each instant leads to another, this one to another one, and so on; that each instant is annihilated, and that it isn’t worth while to hold it back, etc., etc. (. . .) If I remember correctly, they call that the irreversibility of time.”

HappinessTimeExistenceAdventureClarityExistentialismSartreExistential PhilosophyExistential Anguish
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