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John Ajvide Lindqvist

John Ajvide Lindqvist Books

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Let Me In

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Harbour

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“The reliving are regarded as vegetables, without will, or thought. This is wrong. They are like jellyfish. Their behaviour is influenced by their environment. They have a will. The will of the person thinking of them. No one is prepared to accept this. We should isolate them completely. We should destroy them. Burn them. Instead, they will now be released into the uncontrolled thoughts of the public at large. It will end badly. I do not want to be present when this occurs.”

“He couldn't have pulled back the lock, they couldn't simply have climbed over the sides of the stall in all of three seconds, because those weren't the rules of the game. Theirs was the intoxication of the hunter, his the terror of the prey. Once they had actually captured him the fun was over and the punishment more of a duty that had to be carried out. If he gave up too early there was a chance they would put more of their energy into the punishment instead of the hunt.”

“No respect for beauty – that was characteristic of today’s society. The works of the great masters were at most employed as ironic references, or used in advertising. Michelangelo’s ‘The Creation of Adam’, where you see a pair of jeans in place of the spark. The whole point of the picture, at least as he saw it, was that these two monumental bodies each came to an end in two index fingers that almost, but not quite, touched. There was a space between them a millimetre or so wide. And in this space – life. The sculptural size and richness of detail of this picture was simply a frame, a backdrop, to emphasise the crucial void in its centre. The point of emptiness that contained everything. And in its place a person had superimposed a pair of jeans.”

“A broom that was almost never used was leaned up against the wall. He took it and started to sweep. Dust flew up his nose. When he had been sweeping for a while he realised he had no dustpan. He swept the pile of dust under the couch. Better to have a little shit in the corners than a clean hell. He flipped through the pages of a porno, put it back. Wound his scarf around his neck until his head felt like it was about to explode, released it. Got up and took a few steps on the rug. Sank to his knees, prayed to god.”

“There was no one to be seen so she gave in freely to her sobs as she made her way home, pressed her arms against her stomach; the pain lodged in there like an ill-tempered foetus. Let a person in and he hurts you. There was a reason why she kept her relationships brief. Don't let them in. Once they're inside they have more potential to hurt you. Comfort yourself. You can live with the anguish as long as it only involves yourself. As long as there is no hope.”

“They stood there for a while, not saying anything. Then Eli said: 'Do you want to come in?' Oskar didn't reply. Eli pulled on her T-shirt, lifted her hands, let them fall. 'I'm never going to hurt you.' 'I know that.' 'What are you thinking about?' 'That T-shirt. Is it from the trash room?' '...yes.' 'Have you washed it?' Eli didn't answer. 'You're a little gross, you know that?' 'I can change, if you like.' 'Good. Do that.”

“He had put his hand up in class, a declaration of existence, a claim that he knew something. And that was forbidden to him. They could give a number of reasons for why they had to torment him; he was too fat, too ugly, too disgusting. But the real problem was simply that he existed, and every reminder of his existence was a crime.”

“Who can really say how decisions are made, how emotions change, how ideas arise? We talk about inspiration; about a bolt of lightnng from a clear sky, but perhaps everything is just as simple and just as infinitely complex as the processes that make a particular leaf fall at a particularmoment. That point has been reached, that's all. It has to happen, and it does happen.”

“You can plan for things, work towards them for years, and yet they never materialize. Or you can just happen to be in the right place at the right moment, and everything falls into place. If you want to believe in something like Fate, she's a capricious character. Sometimes she stand there blocking the doorway you were born to pass through, and sometimes she takes you by the hand and leads you through the minute you poke your nose out. And the stars gaze down and keep their counsel.”