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Kate Morton

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“I thought we might even retell some of the stories she used to invent for us." "Like the one about the gate at the bottom of the garden that led to fairyland." "And the dragon eggs she found in the woods." "And the time she ran away to join the circus." "Do you remember," said Iris suddenly, "the circus we had here?" "My circus," said Daphne, beaming from behind her wineglass. "Well, yes," Iris interjected, "but only because-" "Because I'd had the horrid measles and missed the real circus when it came to town." Daphne laughed with pleasure at the memory. "She got Daddy to build a tent at the bottom of the meadow, remember, and organized all of you to be clowns. Laurel was a lion, and Mummy walked the tightrope." "She was rather good at that," said Iris. "Barely fell off the rope. She must've practiced for weeks." "Or else her story was true and she really did spend time in the circus," said Rose. "I can almost believe it of Mummy." Daphne gave a contented sigh. "We were lucky to have a mother like ours, weren't we? So playful, almost as if she hadn't fully grown up, not at all like other people's boring old mothers.”

“It was a garden, a walled garden. Overgrown but with beautiful bones visible still. Someone had cared for this garden once. The remains of two paths snaked back and forth, intertwined like the lacing on an Irish dancing shoe. Fruit trees had been espaliered around the sides, and wires zigzagged from the top of one wall to the top of another. Hungry, wisteria branches had woven themselves around to form a sort of canopy. Against the southern wall, an ancient and knobbled tree was growing. Cassandra went closer. It was the apple tree, she realized, the one whose bough had reached over the wall. She lifted her hand to touch one of the golden fruit. The tree was about sixteen feet high and shaped like the Japanese bonsai plant Nell had given Cassandra for her twelfth birthday.”

“Cassandra lifted the apple to her lips. The sunny scent was strong as she bit into it. An apple, from a tree in her very own garden, a tree planted many years before that still produced fruit. Year in, year out. It was sweet. Were apples always so sweet? She yawned. The sun had made her very drowsy. She would sit, just for a little while longer, until the gardener arrived. She took another bite of the apple. The room felt warmer than it had before. As if the range had suddenly begun to work, as if someone else had joined her in the cottage and was beginning to make lunch. Her lids were heavy and she closed her eyes. A bird somewhere sang, a lovely, lonely tune; breeze-blown leaves tapped against the windows, and in the distance the ocean breathed steadily, in and out, in and out, in and out...”

“By the time she entered the hidden garden, early light was sifting through the autumn-sparse canopy. Eliza took a deep breath. She'd come to the garden because it was the place in which she always felt settled, and today more than ever she needed it to work its magic. She ran her hand along the little iron seat, beaded with rain, and perched on its damp edge. The apple tree was fruiting, shiny globes of orange and pink. She could pick some for Cook, or perhaps she should tidy the borders, or trim the honeysuckle.”

“Cassandra continued her obstacle course along the wall, hoping to find a gate or a door, anything permitting entry. The sun was rising in the sky and the birds had relaxed their singing. The air was heavy with the sweet, swooning perfume of a climbing rose. Although it was autumn, Cassandra was becoming hot. To think she had once imagined England a cold country to which the sun was a stranger. She stopped to wipe sweat from her brow and bumped her head on something low-hanging. The gnarled bough of a tree reached armlike over the wall. An apple tree, Cassandra realized, when she saw that the branch bore fruit- shiny, golden apples. They were so ripe, so deliciously fragrant, that she couldn't resist picking one.”

“The garden is incredible. It's really overgrown, but underneath the brambles all kinds of plants have survived. There are paths, garden seats, bird feeders." "Like Sleeping Beauty, fast asleep until the enchantment is broken." "That's the thing, though; it hasn't been asleep. The trees kept growing, bearing fruit, even though there's been no one there to appreciate it. You should see the apple tree, it looks to be a hundred years old.”

“He felt like a character in a book. He thought of Mary Lennox as she discovered her secret garden. The blackberry bushes had become too thick to ride through and Percy dismounted, leaving Prince beneath the shade of a thick-trunked oak tree. He chose a strong whip of wood and started carving his way through the knotted vines. He was no longer a boy whose legs didn't always do as he wished; he was Sir Gawain on the lookout for the Green Knight, Lord Byron on his way to fight a duel, Beowulf leading an army upon Grendel. So keen was his focus on his swordplay that he didn't realize at first that he'd emerged from the forested area and was standing now on what must have been the top of a gravel driveway. Looming above him was not so much a house as a castle. Two enormous floors, with mammoth rectangular windows along each face and an elaborate stone balustrade of Corinthian columns running around all four sides of its flat roof. He thought at once of Pemberley, and half expected to see Mr. Darcy come striding through the big double doors, riding crop tucked beneath his arm as he jogged down the stone steps that widened in an elegant sweep as they reached the turning circle where he stood.”

“Emmeline’s room overlooked Eros and Psyche on the front lawn, while Hannah preferred the smaller one with a view to the rose garden and the lake beyond. The two bedrooms were adjoined by a small sitting area, which was always referred to as the burgundy room, though I never could think why as the walls were a pale shade of duck-egg blue and the curtains a Liberty floral in blues and pinks.”

“He arrives at the girl's window. They are face-to-face. She sees him through the streaky glass, through the rain- now pounding; a mudded, monstrous creature. She opens her mouth to scream, to cry for help, but in that very moment, everything changes. Before her eyes, he changes. She sees through the layers of mud, through the generations of darkness and rage and sorrow, to the human face beneath. A young man's face. A forgotten face. A face of such longing and sadness and beauty; and she reaches, unthinking, to unlock the window. To bring him in from the rain.”

“Dolly was giddy, infused with life and happiness and the peculiar energy that came from having slipped inside another skin. There was nothing that made her spin quite like it, the invisible moment of transition when she stopped being Dolly Smitham and became instead Someone Else. The details of that Someone Else weren't particularly important; it was the frisson of performance she adored, the sublime pleasure of masquerade. It was like stepping into another person's life. Stealing it for a time.”

“Gentlemen and ladies- in green, yellow, pink- arriving on the terrace, sweeping down the stone stairs onto the lawn. Jazz music floating on the air; Chinese lanterns flickering in the breeze; Mr. Hamilton's hired waiters balancing huge silver trays of sparkling champagne flutes on raised hands, weaving through the growing crowds; Emmeline, shimmering in pink, leading a laughing fellow to the dance floor to perform the Shimmy shake.”

“Afterwards, Ada turned slow cartwheels on the terrace, watching the world change kaleidoscopically from purple to orange as the queen's crepe myrtles took turns with the hibiscus. The gardener was sweeping the lawn and his helper was cleaning down the curved cane chairs on the wide verandah. Ordinarily, cartwheeling was one of Ada's favorite things to do, but this afternoon her heart wasn't in it. Rather than enjoying the way the world spun around her, she felt dizzy, even queasy. After a time, she sat instead on the edge of the verandah near the spider lilies.”

“Ada tore open the package to find a small black leather book inside. Between its covers were no words, but instead page after page of pressed flowers: orange hibiscus, mauve Queen's crepe myrtle, purple passionflower, white spider lilies, red powder puffs. All of them, Ada knew, had come from her very own garden, and in an instant she was back in Bombay. She could feel the sultry air on her face, smell the heady fragrance of summer, hear the songs of prayer as the sun set over the ocean.”

“Enormous hydrangeas with vibrant pink sponge-like blooms, rhododendrons and impatiens, tall spears of flowering oyster plants jostled together with Jurassic-looking philodendron leaves and tree ferns, a mixed bag all tied by a wild creeper with bell-shaped blue flowers. The damp smell of the garden reminded Jess of places she'd visited in Cornwall, like St. Just in Roseland, where fertile ground spoke of layers of different generations, civilizations past. At last, beyond the tangled greenery, Jess glimpsed the jutting white chimneys of a large roof. She realized she was holding her breath. She turned a final corner, just like Daniel Miller had done on his way to meet Nora, and there it was. Grand and magnificent, yet even from a distance she could see that the house was in a state of disrepair. It was perched upon a stone plinth that rose about a meter off the ground. A clinging ficus with tiny leaves had grown to cover most of the stones and moss stained the rest, so that the house appeared to sit upon an ocean of greenery. Jess was reminded of the houses in fairy tales, hidden and then forgotten, ignored by the human world only to be reclaimed by nature. Protruding from one corner of the plinth was a lion's head, its mouth open to reveal a void from which a stream of spring water must once have flowed. On the ground beneath sat a stone bowl, half-filled with stale rainwater. As Jess watched, a blue-breasted fairy wren flew down to perch upon the edge of the bowl; after observing Jess for a moment, the little bird made a graceful dive across the surface of the water, skimming himself clean before disappearing once more into the folds of the garden.”

“Whipbirds cheered overhead, insects burred, the waterfall in Dead Man's Gully chipped and chattered. Fragments of light and color jittered as she ran, kaleidoscopic. The bush was alive: the trees spoke to one another in parched old voices; thousands of unseen eyes blinked from branches and fallen logs, and Vivien knew if she were to stop and press her ear to the hard ground she'd hear the earth calling to her, singing sounds from ancient times. She didn't stop, though; she was desperate to reach the creek that snaked through the gorge.”

“When she was starting out as an actress, a well-known director had leaned over his script, straightened his Coke-bottle glasses, and told Laurel she hadn't the looks to play leading roles. The advice had stung, and she'd wailed and railed, and then spent hours catching herself accidentally on purpose in the mirror before hacking her long hair short in the grip of drunken bravura. But it had proven a "moment" in her career. She was a character actress. The director cast her as the leading lady's sister, and she garnered her first rave reviews. People marveled at her ability to build characters from the inside out, to submerge herself and disappear beneath the skin of another person, but there was no trick to it; she merely bothered to learn the character's secrets. Laurel knew quite a bit about keeping secrets. She also knew that was where the real people were found, hiding behind their black spots.”

“At the lawn's edge, a grand set of graystone stairs led into Lady Ashbury’s rose garden. Pink blooms hugged the trellises, alive with the warm drone of diligent bees hovering about their yellow hearts. I passed beneath the arbor, unlatched the kissing gate and started down the Long Walk: a stretch of gray cobblestones set amongst a carpet of white alyssum. Halfway along, tall hornbeam hedges gave way to the miniature yew that bordered the Egeskov Garden. I blinked as a couple of topiaries came to life, then smiled at myself and the pair of indignant ducks that had wandered up from the lake and now stood regarding me with shiny black eyes. At the end of the Egeskov Garden was the second kissing gate, the forgotten sister (for there is always a forgotten sister), victim of the wiry jasmine tendrils. On the other side lay the Icarus fountain, and beyond, at the lake’s edge, the boathouse.”

“There was something more, something difficult to articulate. The woman in the photograph was illuminated: it was that face, of course, with its beautiful features and the enlivened expression, but it was the styling of the image, too. The long, unfussy hair, the romantic dress, loose and earthy, but also alluring where it caught her waist, where a sleeve had been pushed up her arm to reveal sunlit skin. Elodie could almost feel the warm breeze coming off the river to brush against the woman's face, to lift her hair and heat the white cotton of her dress. And yet, that was her mind playing tricks, for there was no river in the picture. It was the freedom of the photograph she was responding to, its atmosphere.”

“A silver hairbrush, old and surely precious, with a little leopard's head for London stamped near the bristles. A white dress, small and pretty, the sort of old-fashioned dress Cassandra had never seen, let alone owned- the girls at school would laugh if she wore such a thing. A bundle of papers tied together with a pale blue ribbon. Cassandra let the bow slip loose between her fingertips and brushed the ends aside to see what lay beneath. A picture, a black-and-white sketch. The most beautiful woman Cassandra had ever seen, standing beneath a garden arch. No, not an arch, a leafy doorway, the entrance to a tunnel of trees. A maze, she thought suddenly. The strange word came into her mind fully formed. Scores of little black lines combined like magic to form the picture, and Cassandra wondered what it would feel like to create such a thing. The image was oddly familiar and at first she couldn't think how that could be. Then she realized- the woman looked like someone from a children's book. Like an illustration from an olden-days fairy tale, the maiden who turns into a princess when the handsome prince sees beyond her ratty clothing.”

“Beneath the notebook she found the book of fairy tales. The cover was green cardboard, the writing gold: 'Magical Tales for Girls and Boys', by Eliza Makepeace. Cassandra repeated the author's name, enjoying the mysterious rustle against her lips. She opened it up and inside the front cover was a picture of a fairy sitting in a bird's woven nest: long flowing hair, a wreath of stars around her head, and large, translucent wings. When she looked more closely, Cassandra realized that the fairy's face was the same as that in the sketch. A line of spidery writing curled around the base of the nest, proclaiming her "Your storyteller, Miss Makepeace.”

“Sadie scanned the wild tangle of greenery surrounding them. Ferns were striving towards the light, spiraled stems uncoiling into fronds. The sweet scent of honeysuckle mingled with the earthiness of recent rain. Summer rain. She'd always loved that smell, even more so when Bertie told her it was caused by a type of bacteria. It proved that good things could come from bad if the right conditions were applied. Sadie had a vested interest in believing that was true.”

“She was no longer the shy girl her schoolmates had teased or ignored; conversation came naturally, he laughed easily, they ranked their five favorite Keats poems, agreeing to tie "Bright Star" and "To Autumn" for the top spot. Flowers rained down as the light breeze set them free, surrounding them in a purple haze. "La Belle Dame," he said softly, reaching to take a bloom from her hair. His expression was serious, his keen eyes studying hers. "Full beautiful---a faery's child. Have mercy on me." Polly felt something turn deep inside her, like a key in a lock, and knew that there was no way back from here.”

“The clouds had shifted, the moon was almost ripe, and her hair had turned to silver in its glaze. He'd been glad she hadn't caught him staring. Lucky for Tom, she'd crouched on the ground and started digging about in the rubble. He went nearer, curious as to what had claimed her focus, and saw that somehow, in the jumble of London's broken streets, she'd found a tangle of honeysuckle, fallen to the ground after its fence rattlings were removed but growing still. She picked a sprig and threaded it through her hair, humming a strange and lovely tune as she did so. When the sun had begun its rise and they'd climbed the stairs to his flat, she'd filled an old jam jar with water and put the sprig in it, on the sill. For nights after, as he lay alone in the warm and the dark, unable to sleep for thoughts of her, he'd smelled its sweetness. And it had seemed to Tom, as it still seemed now, that Juniper was just like that flower. An object of unfathomable perfection in a world that was breaking apart. It wasn't only the way she looked, and it wasn't only the things she said. It was something else, an intangible essence, a confidence, a strength, as if she were connected somehow to the mechanism that drove the world. She was the breeze on a summer's day, the first drops of rain when the earth was parched, light from the evening star.”

“It's her. The woman from the photo." The plate was foxed around the edges, but the painting at its center was still intact. The annotation beneath gave the title as Sleeping Beauty and the artist's name, Edward Radcliffe. The woman in the painting was lying in a fantastical treetop bower of leaves and flower buds, all of which were waiting in stasis for the chance to bloom. Birds and insects were interspersed amongst the woven branches; long red hair flowed in waves around her sleeping face, which was glorious in repose. Her eyes were closed, but the features of her face- the elegant cheekbones and bow lips- were unmistakable. "She was his model," Elodie whispered.”

“The event itself played over in her mind, and the role she'd taken in the police investigation, the things she'd told them - worse, the thing she hadn't - made the panic so bad sometimes that she could hardly breathe. No matter where she went at Greenacres - inside the house or out in the garden - she felt trapped by what she'd seen and done. The memories where everywhere, they were inescapable; made worse because the event that caused them was utterly inexplicable.”

“When they were children at Loeanneth they'd spent the summer in and out of the water, their skin turning brown beneath the sun, their hair bleaching almost white. Despite her weak chest, Clemmie had been the most outdoorsy of them all, with her long, skinny foal's legs and windblown nature. She should have been born later. She should have been born now. There were so many opportunities these days for girls like Clemmie. Alice saw them everywhere, spirited, independent, forthright, and focused. Mighty girls unbounded by society's expectations. They made her glad, those girls, with their nose rings and their short hair and their impatience with the world. Sometimes Alice felt she could almost glimpse her sister's spirit moving in them. Clemmie had refused to speak to anyone in the months after Theo disappeared. Once the police had done their interviews, she'd shut her mouth, tight as a clam, and behaved as if her ears had switched off too. She'd always been eccentric, but it seemed to Alice, looking back, that during the late summer of 1933 she became downright wild. She hardly returned home, prowling around the airfields, slicing at the reeds by the stream with a sharpened stick, creeping inside the house only to sleep, and not even that most nights. Camping out in the woods or by the stream. God only knew what she ate. Birds' eggs, probably. Clemmie had always had a gift for raiding nests.”

“- Nu trebuie să te bizui pe faptul cineva te va salva, continuă mama, cu privirile pierdute, o fată care așteaptă pe altcineva s-o salveze nu va învăța niciodată să se descurce singură. Chiar dacă ar avea posibilități, i-ar lipsi curajul. Să nu fii și tu așa, Eliza! Trebuie să fii curajoasă, să înveți să te aperi singură, să nu te bizui pe nimeni”.”

“She was going to plant a Japanese maple tree on top. She had already procured it, a lovely sapling with pale bark and the most elegant limbs, long and even, fine but strong. It had been one of Edward's favorite trees; the leaves were red in spring, turning by autumn to a most beautiful bright copper color, just like Lily Millington's hair. No, not Lily Millington, she corrected herself, for that had never been her real name. "Albertine," Lucy whispered, thinking back to that mild Hampstead afternoon when she had seen the shock of red in the glass house at the bottom of the garden and Mother had instructed her to take two cups of tea "in the finest china." "Your name was Albertine Bell." Birdie, to those who loved her.”

“It's an ancient Anglo-Saxon tradition," Polly began, "the mixing of two ideas---one from earliest Christian times, the other from long before. The first Christians used to follow the custom of 'waking' a new church by singing, feasting, and praying in it." Jess, disappointed: "But that's not got nothing to do with a dead body." "I'm not finished yet." Jess mimed zipping her lips. "The other tradition I mentioned is much older. Long before the Christians came to Britain, an all-night vigil would be held over the body of the recently dead. Loved ones would mourn and chant and share stories of the person's life. It was called 'waking the dead'." Jess felt her eyes widen involuntarily as he thoughts went to Dr. Frankenstein and his monster, to Cathy's ghost haunting Withering Heights. "You mean they brought them back to life?" "Well, no." "But you said---" "Back then, the word 'wake' didn't mean to become alert; it meant 'to watch' or 'to guard'." "But what were they guarding against?" "There were those who believed the newly dead soul was at risk of theft by evil spirits." Soul theft at the hands of evil spirits had been almost as exciting as bringing the dead back to life.”

“It's an ancient Anglo-Saxon tradition," Polly began, "the mixing of two ideas---one from earliest Christian times, the other from long before. The first Christians used to follow the custom of 'waking' a new church by singing, feasting, and praying in it." Jess, disappointed: "But that's got nothing to do with a dead body." "I'm not finished yet." Jess mimed zipping her lips. "The other tradition I mentioned is much older. Long before the Christians came to Britain, an all-night vigil would be held over the body of the recently dead. Loved ones would mourn and chant and share stories of the person's life. It was called 'waking the dead'." Jess felt her eyes widen involuntarily as her thoughts went to Dr. Frankenstein and his monster, to Cathy's ghost haunting Wuthering Heights. "You mean they brought them back to life?" "Well, no." "But you said---" "Back then, the word 'wake' didn't mean to become alert; it meant 'to watch' or 'to guard'." "But what were they guarding against?" "There were those who believed the newly dead soul was at risk of theft by evil spirits." Soul theft at the hands of evil spirits had been almost as exciting as bringing the dead back to life.”

“How about a picture?" he said, winding on the spool of film. "A little memento of your seaside rendezvous, Miss Smitham?" She perked up, just as he'd hoped she would- Dolly loved having her photograph taken- and Jimmy glanced about for the sun's position. He walked to the far side of the small field in which they'd had their picnic. Dolly had pushed herself up to a sitting position and was stretching like a cat. "Like this?" she said. Her cheeks were flushed from the sun, her bow lips plump and red from the strawberries he'd bought at a roadside stall. "Perfect," he said, and she really was.”

“Sunlight was everywhere, glittering gold off the bright green leaves of the garden. A blackcap, concealed within the foliage of a nearby willow, sang a sweet fanfare and a pair of mallards fought over a particularly juicy snail. The orchestra was rehearsing a dance number and music skimmed across the surface of the lake. How lucky they were to get a day like this one! After weeks of agonizing, of their studying the dawn, of consulting Those Who Ought to Know, the sun had risen, burning off any lingering cloud, just as it should on Midsummer's Eve. The evening would be warm, the breeze light, the party as bewitching as ever.”

“The sketchbook was still open on the table and I rushed to it. It was the one that Edward used over the summer of 1862. I had sat beside him while he made those very lines on that piece of cotton paper: studies for the painting he had planned, something he had been thinking about for years. On the following pages, I knew, were his sketches of the clearing in the woods and the fairy mound and a stone croft by the river, and at the bottom corner of one, in loose scratched lines, the heart he had penned, and the ship on the wide sea, as we spoke excitedly of our plans.”

“She knew why she had Gerry on her mind, why she was spotting his likeness in the faces of strange little boys. They'd been close once, the pair of them, but things had changed when he was seventeen. He'd come to stay with Laurel in London on his way up to Cambridge (a full scholarship, as Laurel told everyone she knew, sometimes those she didn't), and they'd had fun- they always did. A daytime session of Monty Python and the Holy Grail, and then dinner from the curry house down the road. Later, riding a delectable tikka masala high, the two of them had climbed out through the bathroom window, dragging pillows and a blanket after them, and shared a joint on Laurel's roof. The night was especially clear- stars, more stars than usual, surely?- and down on the street, the distant easy warmth of other people's revelry. Smoking made Gerry unusually garrulous, which was fine with Laurel because it made her wondrous. He'd been trying to explain the origins of everything, pointing to star clusters and galaxies and making explosion gestures with his delicate, febrile hands, and Laurel had been squinting and making the stars blur and bend, letting his words run together like water. She'd been lost in a current of nebulas and penumbras and supernovas and hadn't realized his monologue was ended until she heard him say, "Lol," in that pointed way people have when they've already said the word more than once.”

“Spices from the Far East- clove and sandalwood and saffron- had drifted through the building's veins from the perfumery next door, infusing the satchel with a hint of faraway places. Open me... The woman in the white gloves unlatched the dull silver buckle and the satchel held its breath. Open me, open me, open me... She pushed back its leather strap and for the first time in over a century light swept into the satchel's dark corners. An onslaught of memories- fragmented, confused- arrived with it: a bell tinkling above the door at W. Simms & Son; the swish of a young woman's skirts; the thud of horses' hooves; the smell of fresh paint and turpentine; heat, lust, whispering. Gaslight in railway stations; a long, winding river; the wheat fragrance of summer-”

“It was a delicate silver frame, small enough to fit within her hand, containing a photograph of a woman. She was young, with long hair, light but not blond, half of which was wound into a loose knot on the top of her head; her gaze was direct, her chin slightly lifted, her cheekbones high. Her lips were set in an attitude of intelligent engagement, perhaps even defiance. Elodie felt a familiar stirring of anticipation as she took in the sepia tones, the promise of a life awaiting rediscovery. The woman's dress was looser than might be expected for the period. White fabric draped over her shoulders, and the neckline fell in a V. The sleeves were sheer and billowed, and had been pushed to the elbow on one arm. Her wrist was slender, the hand on her hip accentuating the indentation of her waist. The treatment was as unusual as the subject, for the woman wasn't posed inside on a settee or against a scenic curtain, as one might expect in a Victorian portrait. She was outside, surrounded by dense greenery, a setting that spoke of movement and life. The light was diffuse, the effect intoxicating.”

“Ben ducked beneath the arbor and paused by the fishpond when a memory crept upon him like a shadow. This was the spot where Alice had first read to him from her manuscript. He could still hear her voice, as if it had somehow been captured by the leaves around them and was being played back now, just for him, like a gramophone recording. "I've had a brilliant idea," he heard her say, so young and innocent, so full of joy. "I've been working on it all morning and I don't like to boast, but I'm quite sure it's going to be my best yet." "Is it?" Ben had said with a smile. He'd been teasing, but Alice had been far too excited to notice. She'd leapt on with telling him about her idea, the plot, the characters, the twist, and the intensity of her focus- her passion- changed her face completely, bringing an animated beauty to her features. He hadn't noticed she was beautiful until she spoke to him of her stories. Her cheeks flushed and her eyes shone with intelligence. And she was 'very' clever. It took a certain kind of clever to figure out a puzzle- to look ahead and see through all the possible scenarios, to be so strategic. Ben didn't have that kind of brain. In the beginning he'd simply enjoyed her enthusiasm, the indulgence of being told a story while he worked, the chance to bat ideas back and forth, which was so much like play. She made him feel young, he supposed; her youthful preoccupation with her work, with the very moment they were in, was intoxicating. It made his adult worries disappear.”

“It was 1924 and I was at Riverton again. All the doors hung wide open, silk billowing in the summer breeze. An orchestra perched high on the hill beneath the ancient maple, violins lilting lazily in the warmth. The air rang with pealing laughter and crystal, and the sky was the kind of blue we'd all thought the war had destroyed forever. One of the footmen, smart in black and white, poured champagne into the top of a tower of glass flutes and everyone clapped, delighting in the splendid wastage. I saw myself, the way one does in dreams, moving amongst the guests. Moving slowly, much more slowly than one can in life, the others a blur of silk and sequins. I was looking for someone.”

“The house stood high on the peninsula of Vaucluse, three stories tall with a turret on one side. It had been built in the middle of the nineteenth century, when Jess's great-great-great-grandfather arrived in the colony of New South Wales, and had been featured in several glossy books about architecture that her grandmother kept open on the display tables in the library. Inside it was entirely unpredictable: unexpected doorways led to hidden staircases that wound around brick chimneys and allowed a person to arrive in a vastly different part of the house from that which they'd left.”