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“It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about. Even if the writer himself was a good person, and even if his book really was insightful, all books were ultimately marketed as status symbols, and all writers participated to some degree in this marketing. Presumably this was how the industry made money.”

“It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about. Even if the writer himself was a good person, and even if his book really was insightful, all books were ultimately marketed as status symbols, and all writers participated to some degree in this marketing. Presumably this was how the industry made money. Literature, in the way it appeared at these public readings, had no potential as a form of resistance to anything.”

“If Niall could see Marianne, he would say: don’t tell me. You like her. It’s true she is Connell’s type, maybe even the originary model of the type: elegant, bored-looking, with an impression of perfect self-assurance. And he’s attracted to her, he can admit that. After these months away from home, life seems much larger, and his personal dramas less significant. He’s not the same anxious, repressed person he was in school, when his attraction to her felt terrifying, like an oncoming train, and he threw her under it.”

“I laughed to myself although there was no one there to see me. I loved when he was available to me like this, when our relationship was like a Word document that we were writing and editing together, or a long private joke that nobody else could understand. I liked to feel that he was my collaborator. I liked to think of him waking up at night and thinking of me.”

“To love, and for his love to be accepted, yes. It was in fact painful, the relief of all that compression suddenly, to say the words aloud, and hear her saying them, to be loved by her, it was so needed that it actually hurt. Not even a feeling of unmixed happiness, but of happiness that was strongly and confusingly mixed with many other feelings. Sadness, missing his father, and a kind of shame somehow because each passing day seemed to bring Ivan further away from him and the life they used to have together. A life that was receding increasingly into the past--into the realm of childhood and adolescence. The realization that his adulthood, into which he was entering now so definitively, and which would last all the rest of his life, would have to be lived without his father. That he was becoming a person his father would never know.”

“Only the loss remains which can never be recuperated. The event is over. The event has been overcome and yet the loss is only beginning. Every day it grows deeper. More and more is forgotten. Less and less is really known for certain. And nothing will ever bring his father back from the realm of memory into the reassuringly concrete world of material fact. Tangible and specific fact. And how - how is it possible to accept this or even to understand what it means?”

“She closes her eyes. He probably won’t come back, she thinks. Or he will, differently. What they have now they can never have back again. But for her the pain of loneliness will be nothing to the pain that she used to feel, of being unworthy. He brought her goodness like a gift and now it belongs to her. Meanwhile his life opens out before him in all directions at once. They’ve done a lot of good for each other. Really, she thinks, really. People can really change one another. You should go, she says. I’ll always be here. You know that.”

“Personally I have to exercise a lot of agency in reading, and understanding what I read, and bearing it all in mind for long enough to make sense of the book as I go along. In no sense does it feel like a passive process by which beauty is transmitted to me without my involvement; it feels like an active effort, which an experience of beauty is the constructed result. But, I think more importantly, great novels engage my sympathies and make me desire things.”

“Connell doesn't read the campus papers much, but he has still managed to hear about the debating society inviting a neo-Nazi to give a speech. It's all over social media. There was even an article in The Irish Times. Connell hasn't commented on any of the Facebook threads, but has liked several comments calling for the invite to be rescinded, which is probably the most strident political action he has ever taken in his life.”

“I tell myself that I want to live a happy life, and that the circumstances for happiness just haven't arisen. But what if that's not true? What if I'm the one who can't let myself be happy? Because I'm scared, or I prefer to wallow in self-pity, or I don't believe I deserve good things, or some other reason. Whenever something good happens to me I always find myself thinking: I wonder how long it will be until this turns out badly. And I almost want the worst to happen sooner, sooner rather than later, and if possibile straight away, so at least I don't have to feel anxious about it anymore.”

“They lie side by side under the quilt. He’s aware he could have sex with her now if he wanted to. She wouldn’t tell anyone. He finds it strangely comforting, and allows himself to think about what it would be like. Hey, he would say quietly. Lie on your back, okay? And she would just obediently lie on her back. So many things pass secretly between people anyway. What kind of person would he be if it happened now? Someone very different? Or exactly the same person, himself, with no difference at all.”