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Stanley Cavell

Stanley Cavell Quotes

Philosopher

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Famous Stanley Cavell Quotes

“This is all that “ordinary” in the phrase “ordinary language philosophy” means, or ought to mean. It does not refer to particular words of wide use, nor to particular sorts of men. It reminds us that whatever words are said and meant are said and meant by particular men, and that to understand what they (the words) mean you must understand what they (whoever is using them) means, and that sometimes men, do not see what they mean, that usually they cannot say what they mean, that for various reasons they may not know what they mean, and that when they are forced to recognize this they feel they do not, and perhaps cannot, mean anything, and they are struck dumb.”

“A photograph does not present us with ‘likenesses’ of things; it presents us, we want to say, with the things themselves. But wanting to say that may well make us ontologically restless. ‘Photographs present us with things themselves’ sounds, and ought to sound, paradoxical … It is no less paradoxical or false to hold up a photograph of Garbo and say, ‘That is not Garbo,’ if all you mean is that the object you are holding up is not a human creature. Such troubles in notating so obvious a fact suggest that we do not know what a photograph is; we do not know how to place it ontologically. We might say that we don’t know how to think of the connection between a photograph and what it is a photograph of.”

“On Cary Grant and Rosalind Russell in His Girl Friday: "These two simply appreciate one another more than either of them appreciates anyone else, and they would rather be appreciated by one another more than by anyone else. They just are at home with one another, whether or not they can ever live together under the same roof -- that is, ever find a roof they can live together under.”

“Philosophy... is indeed outrageous, inherently so. It seeks to disquiet the foundations of our lives and to offer us in recompense nothing better than itself- and this on the basis of no expert knowledge, of nothing closed to the ordinary human being, once... [one] lets himself or herself be informed by the process and ambition of philosophy.”

“Under examination by the camera, a human body becomes for its inhabitant a field of betrayal more than a ground of communication, and the camera's further power is manifested as it documents the individual's self-conscious efforts to control the body each time it is conscious of the camera's attention to it.”

“So far as photography satisfied a wish, it satisfied a wish not confined to painters, but a human wish, intensifying since the Reformation, to escape subjectivity and metaphysical isolation - a wish for power to reach this world, having for so long tried, at last hopelessly, to manifest fidelity to another... Photography overcame subjectivity in a way undreamed of by painting, one which does not so much defeat the act of painting as escape it altogether: by automatism, by removing the human agent from the act of reproduction.”