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Tony Hendra

Tony Hendra Books

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Going Too Far

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“The Offices rerooted me in a tradition where, monk or not, I would always be at home. From long ago I knew the power of their repetition, the incantatory force of the Psalms. But they had an added power now. As a kid, the psalmist (or psalmists) had seemed remote to me, the Psalms long prayers which sometimes rose to great poetry but often had simply to be endured. For a middle-aged man, the psalmists' moods and feelings came alive. One of the voices sounded a lot like a modern New Yorker, me or people I knew: a manic-depressive type A personality sometimes up, more often down, sometimes resigned, more often pissed off, railing about his sneaky enemies and feckless friends, always bitching to the Lord about the rotten hand he'd been dealt. That good old changelessness.”

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“But does contemptus mean 'contempt,' dear? Of course not. That would imply arrogance, superiority, pride. So much that we call worldly is actually just flawed or being seen through a cracked lens. Imperfect or imperfectly understood. Who are we to judge as contemptible a thing or person whose existence God sustains? Everything, however imperfect, has its purpose. No, Tony dear, contemptus mundi means 'detachment from the world,' seeing the world sub specie aeternitatis. Enduring or celebrating it, but never forgetting—even when it seems perfect and forever—that as the Bible says: 'all this shall pass like grass before the wind.”

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“The other day Father Prior was telling me about a French writer, Jean-Paul Sartre. An existentialist. ... One phrase of his particularly struck me: 'L'enfer c'est les autres.' Do you think he meant that as a joke?" "I don't think humor's a strong point with existentialists." "I think it's p-p-poppycock. How can Hell be others? God is manifested in others. God is the Other. That's why the self must lose itself in love for the other. It's the self we must leave behind. Better to say Hell is the Self. L'enfer c'est moi.”

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“People are always changing themselves and their world, dear. Very few of the changes are new. We rather confuse change and newness, I think. What is truly new never changes." "You speak in riddles, aged progenitor." "The world worships a certain kind of newness. People are always talking about a new car, or a new drink or p-p-play or house, but these things are not truly new, are they? They begin to get old the minute you acquire them. New is not in things. New is within us. The truly new is something that is new forever: you. Every morning of your life and every evening, every moment is new. You have never lived this moment before and you never will again. In this sense the new is also the eternal.”

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“Feelings trap us in the self, Tony dear. Doing a thing because you feel wonderful about it—even a work of charity—is in the end a selfish act. We perform the work not to feel wonderful but to know and love the other. It's the same with your romance. You may not feel your love, but God is still your loved one, your other.”

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“History was not simply a catalogue of the dead and buried and benighted, but rather a vast new world to be pioneered; ...if you approached the past generously, so to speak—its people as humans, not facts, as modern in their time as we were in ours, who thought and felt as we do, the dead would live again, our equals, not our old-fashioned, hopelessly unenlightened, and backward inferiors. Humanity, to be fully known, had to be seen as changeless as well as ever changing.”

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“It was a music of the spirit, seeking peace, not emotional release, expressing the hunger of the soul rather than the heart. A way of sequencing notes so ancient it might be music's mother lode, its Fertile Crescent. It wouldn't have grated, I felt, on the ears of ancient Greeks or Egyptians or Mesopotamians or Sumerians—or even on the august auditory equipment of the Buddha or Lao-tzu.”

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“It sounds to me, dear, as if your satirist is a bit like a monk. They both take a rather dim view of the world, and both try to do something about it." "Thank you, Father Joe! I think I knew that once, but I'd forgotten. Contemptus mundi. We both have contempt for the world." "You p-p-persist in your error, my son. Contemptus does not mean 'contempt.' It means 'detachment.' Are you detached from the things you satirize?”

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“The spiritual muscles I hadn't used for decades began to acquire some tone, and since they were Catholic muscles too, it was natural to look for a church to work out in. It was hard. Appalling though the predations exacted on the monastic liturgy were, they were nothing compared to the desecration exacted on the secular. Latin was gone entirely, replaced by dull, oppressive, anchorman English, slavishly translated from its sonorous source to be as plain and "direct" as possible. It didn't seem to have occurred to the well-meaning vandals who'd thrown out baby, bath, and bathwater that all ritual is a reaching out to the unknowable and can be accomplished only by the noncognitive: evocation, allusion, metaphor, incantation—the tools of the poet.”

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“Remember: God's grief at the unspeakable things we do to one another is beyond measuring, but so is His mercy. It might seem a terrible thing to say to people who've lost and suffered so much at the hands of hatred and violence. But true courage is not to hate our enemy, any more than to fight and kill him. To love him, to love in the teeth of his hate—that is real bravery. That ought to earn people m-m-medals.”

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