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Quote by Brian Cody

“In an environment where everybody's jersey is up for grabs, like what Joe Schmidt is currently doing with Ireland in rugby, a massive competitive environment is created every night at training, every day in the gym and every day, believe it or not, in the tactical computer room.”

Quote by Brian Cody

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Brian Cody
Brian Cody

Brian Cody, born on July 12, 1954, is a well-known figure whose profession or category is unknown. His life experiences and contributions are not clearly documented, but he has a significant influence and reputation in a certain field. more

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“Films, like memories, seem to re-shoot themselves over the years, reflecting our latest needs and obsessions. In many cases they can change completely, and reveal unexpected depths and shallows. Will Four Weddings and a Funeral be seen one day as a vicious social satire? Could Jaws become as tearful and sentimental as Bambi?”

“Given that most movies are bad, and that there are whole categories and sub-categories of badness - the sequel, the Madonna Movie, the Friday 13th Series, or Movies Starring John Travolta Before Pulp Fiction - it is almost impossible to choose a single film for worst movie of all time. But strangely, I do have a nomination and I believe it is actually the worst movie ever made. It is Boxing Helena. The director is David Lynch's daughter, and the film comes with the almost insane-making faults that the family connection might imply.”

“Sunshine takes its intelligent and honourable place in the history of grownup science fiction on the screen and on the page: a genre that seeks to break free of parochialism and think about where and why and what we are without the language of religion... I loved Sunshine for its radical proposal that humans can and will do something about a catastrophe, and that our weapons could be used up in the service of preservation.”

“There are some films that arrive here from the international festival circuit almost incandescent with self-importance. They hover into the cinema in a kind of floating trance at how challenging and moving they are. They are films with a profound reluctance to get over themselves. They look up at the sceptical observer with the saucer-eyed saintliness of a baby seal in culling season, or a charity mugger smilingly wishing a nice day on the retreating back of a passer-by. One such is Babel.”

“The Pink Panther wasn't shown to the press for reasons that soon became apparent when I saw it at a public performance. Two people (20 per cent of the audience) laughed; one was Chinese, the other, whom I couldn't see, might have been an escaped hyena. This laughless francophobic comedy stars its co-scriptwriter, Steve Martin, in what is, by my reckoning, his eighth lousy remake since 1989.”