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Quote by Laura Anderson Kurk

“I’d stumbled upon the inner sanctuary of a woman who loved the world. Loved the faces of people she saw. Loved the way a hand looked when it was relaxed. Loved the way a woman looked when she touched her own face. The way a man looked when he opened himself to her. Loved the way wind changed a tree or a field or a child’s hair. The beauty of a neck meeting a shoulder. The softness of a smile that wasn’t forced.”

Quote by Laura Anderson Kurk

Book:Perfect Glass
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Perfect Glass

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Laura Anderson Kurk

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“I won’t forget it,” I said. “I hope you meet someone perfect one day.” “Ha…yeah, that’s just it. I think I already did.” As we opened our doors to step out, he touched my arm. “Just to be clear, if I, like, leaned over and whispered your name in your ear, still nothing?”

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“But with her eyes closed, she began to whisper. “If you have someone to love, then love. If you have someone to forgive, then forgive. You think, when you’re seventeen, there’s time enough for that, but there’s not. There’s no time at all.” I squeezed her hand, trying to think of how to respond. But she took the burden from me and kept whispering. “You want to know why God gave us people to love? Because that’s the only way we can understand how he feels about us. Desperate and jealous.”

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“For a second, I stared at the map of her veins just under the surface of her thin skin. It was like her body was trying to become diaphanous. Instead of getting harder and stronger and full of life as we age, we disappear slowly. Our skin thins and evaporates. Our nails barely coat our fingertips. Our hair falls out. We are never more see-through.”

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“Okay, news flash. Jealousy is not something I enjoy. I hadn’t felt it much before. But I’d also never been in love. And I’d never been 3,300 miles away from the girl I loved while some punk sat next to her on a couch. A punk who had designs on her, according to Dylan. I needed to lay eyes on this guy.”

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“I couldn’t stop crying because it was so intimate, in that way I always thought being physical with him would feel. If someone had walked in they might have thought Henry was barely touching me. I knew the truth of it. He was laying me open and bare to him and to God. There wasn’t a more intimate act. I would never recover from this.”

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“I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!”

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“We formed an impromptu circle just so we could look at each other and memorize faces. We hardly noticed the waiting officials. We hardly noticed anything but our little family whose ties weren’t loosening at all. In fact, this impending separation only seemed to be binding us together with a double overhand knot, hard to untie and unfailing.”

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“He was taking a leap here, negotiating with a crackhead, under the table, in a dark cantina. The courage etched on his face came from loving Aidia so much he’d close his eyes and walk through fire to see her safe.”

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“I thought back to Meg’s advice about Hemingway sentences—simple declarative statements that showed the truth and distilled the meaning. My first attempt at that had been cynical and messed up. I gave it a go again. Find one lost sheep. The angels rejoice.”

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