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Quote by Laura Anderson Kurk

“I couldn’t stop crying because it was so intimate, in that way I always thought being physical with him would feel. If someone had walked in they might have thought Henry was barely touching me. I knew the truth of it. He was laying me open and bare to him and to God. There wasn’t a more intimate act. I would never recover from this.”

Quote by Laura Anderson Kurk

Book:Perfect Glass
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Perfect Glass

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Laura Anderson Kurk

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“I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!”

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“We formed an impromptu circle just so we could look at each other and memorize faces. We hardly noticed the waiting officials. We hardly noticed anything but our little family whose ties weren’t loosening at all. In fact, this impending separation only seemed to be binding us together with a double overhand knot, hard to untie and unfailing.”

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“He was taking a leap here, negotiating with a crackhead, under the table, in a dark cantina. The courage etched on his face came from loving Aidia so much he’d close his eyes and walk through fire to see her safe.”

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“I thought back to Meg’s advice about Hemingway sentences—simple declarative statements that showed the truth and distilled the meaning. My first attempt at that had been cynical and messed up. I gave it a go again. Find one lost sheep. The angels rejoice.”

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“Quinn spoke their language—all mystery and inside jokes, scarred souls and statement shirts. It was a beautiful moment for him—in his element and completely happy. When they started playing, he leaned over and whispered in my ear. “See that guitar?” I nodded. “That’s a 1969 Martin D28. Hear me when I say if I had to choose between a beautiful girl and that guitar, I’d choose the guitar. Natch.” He took a huge gulp of water, clearly affected. “Naturally,” I whispered. “It could be why you’re still single.”

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“I needed out. The Jeep wasn’t fast enough. I shut it down, grabbed the keys and started running like a bear was at my heels. I couldn’t even see Henry anymore through my tears so it surprised me when he caught me in his arms halfway. The first thing I did was pound on his chest and ask him why he hadn’t called. The second thing I did was kiss him so hard he couldn’t answer me.”

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“And what do you want?” I almost choked. “How could you even ask me that, Henry?” He sighed. “Because I’m thousands of miles away. Because I Skyped into your living room late one night and there’s a dude sitting next to you in the dark. Because Thanet tells me things. And Tennyson sent me a picture of you in a dress that looks like lingerie.” “It’s not that bad,” I said. “I didn’t say it was bad, Meg. It’s about a million miles from bad.” His voice was breaking with exasperation. “Things are crazy here, and I’m questioning everything.”

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“My dad used to say, ‘This is what your right arm’s for, son,’” John said. “This is the time and these are the people and I’d give my right arm to be a light, a comfort, to them. I know you would, too. In whatever form it takes. Use these materials and make something great. Do it on faith, knowing you probably won’t be around to see how the story ends.”

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