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Quote by Pico Iyer

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Pico Iyer
Pico Iyer

Pico Iyer is a renowned British essayist known for his profound travel literature and philosophical reflections. His works explore themes such as globalization, cultural differences, and personal identity, becoming an important voice in contemporary literature. Born on February 11, 1957, Iyer grew up in the UK and studied philosophy at Oxford University. His extensive travels around the world, from India to Japan, from Africa to the United States, have profoundly influenced his writing. more

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“It is this subtle dimension of understanding that marks the southwestern Indian peoples from other religions and separates tribal peoples from the world's religions. Somewhere in the planetary history religious expression changed from participation in the sound, color and rhythm of nature to the abstractions of man outside this context pleading for temporary respite and hoping in the next life to return to the Garden.”

“Pathology is a relatively easy thing to discuss, health is very difficult. This, of course, is one of the reasons why there is such a thing as the sacred, and why the sacred is difficult to talk about, because the sacred is peculiarly related to the healthy. One does not like to disturb the sacred, for in general, to talk about something changes it, and perhaps will turn it into a pathology.”

“The sap of Spring in the young wood a-stir Will celebrate with green the Mother, And every song-bird shout awhile for her; But we are gifted, even in November Rawest of seasons, with so huge a sense Of Her nakedly worn magnificence We forget cruelty and past betrayal, Heedless of where the next bright bolt may fall.”

“Poltinus the Platonist proves by means of the blossoms and leaves that from the Supreme God, whose beauty is invisible and ineffable, Providence reaches down to the things of earth here below. He points out that these frail and mortal objects could not be endowed with a beauty so immaculate and so exquisitely wrought, did they not issue from the Divinity which endlessly prevades with its invisible and unchanging beauty all things.”

“A handful of men working within the Zen sect of Buddhism created gardens in fifteenth-century Japan which were, and still are, far more than merely an aesthetic expression. And what is left of the earlier Mogul gardens in India suggests that their makers were acquainted with what lay behind the flowering of the Sufi movement in High Asia and so sought to add further dimensions to their garden scenes.”