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Quote by L. Todd Rose

“Character is incredibly jagged, and incredibly contextualized, even to the point where I still feel uncomfortable thinking about it.”

Quote by L. Todd Rose

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L. Todd Rose
L. Todd Rose

L. Todd Rose is an expert in an unknown field. Born on November 28, 1974, his specific profession and contributions are not well-documented. more

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“Growing up in rural Utah had a lot of benefits, but in an environment that prized conformity, fit wasn't one of them. I ended up in my senior year with a 0.9 GPA, which I think you actually have to work pretty hard to get. In the exact same month they kicked me out of school, my girlfriend - still my wife today - told me she was pregnant. So, it was an interesting start to life: working 10 or 12 minimum-wage jobs; getting bored really quickly and quitting; having my in-laws - rightly - in full panic mode and thinking I had some kind of character flaw.”

“I enrolled at a local college, but this time paid attention to myself - took only courses that really interested me, even if they weren't in sequence; kept out of classes with people I knew from high school, because I tended to act like the class clown around them; selected teachers by their teaching style - until I could build up my study habits. I ended up graduating with a 3.97 GPA and got into Harvard for my doctorate.”

“A good mixtape didn't just gather together a bunch of love songs, but instead created an emotional narrative specific to your affection. The stories in most of my favorite collections are collected more like songs on a mixtape than, say, collected like spare change. By which I mean they are in conversation with each other and work to become larger than their parts.”

“The short story that eventually grew into Constellation was the first fiction set in Russia that I'd ever written, and that was right around the time I was giving up on a doomed, never-to-be-seen first novel. While I saw it could be something bigger, in hindsight fortuitous timing was as responsible as anything.”

“From personal experience, I completely agree that it is often easier to go for monotone sadness. When I was starting out, I wrote a gazillion short stories that ran the gamut of human suffering - drug addiction, child abuse, terminal illness, loved ones dying by all manner of misfortune, etc. In hindsight, it's clear that I mistook the power of the situation for the power of the story.”

“We all know to feel sympathy for those who've suffered from drug addiction, child abuse, and terminal illness, so the set up elicits an emotional response that the story itself very well may not earn. Energy generated by the fiction itself is likely to produce more light.”