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Quote by Charles Dickens

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The Personal History of David Copperfield ... With Frontispiece by H. K. Browne

Charles Dickens' 'The Personal History of David Copperfield' is a semi-autobiographical novel that chronicles the life of the title character from his childhood to his adulthood. The story is rich with personal and social commentary, offering a vivid portrayal of 19th-century English society. The novel is notable for its engaging narrative style and the inclusion of a frontispiece by the artist H. K. Browne. more

Author

Charles Dickens
Charles Dickens

Charles Dickens, a British writer born on February 7, 1812, and died on June 9, 1870, is one of the greatest novelists of the 19th century. Known for his profound social criticism and vivid narrative style, Dickens' works extensively cover social reality, revealing various issues in the British society of the time. more

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“I found Uriah reading a great fat book, with such demonstrative attention, that his lank forefinger followed up every line as he read, and made clammy tracks along the page (or so I fully believed) like a snail.”

“What is natural in me, is natural in many other men, I infer, and so I am not afraid to write that I never had loved Steerforth better than when the ties that bound me to him were broken. In the keen distress of the discovery of his unworthiness, I thought more of all that was brilliant in him, I softened more towards all that was good in him, I did more justice to the qualities that might have made him a man of a noble nature and a great name, than ever I had done in the height of my devotion to him.”

“All I would say is, that I can go abroad without your family coming forward to favour me, - in short, with a parting Shove of their cold shoulders; and that, upon the whole, I would rather leave England with such impetus as I possess, than derive any acceleration of it from that quarter.”

“"Madam," replied Mr. Micawber, "it is my intention to register such a vow on the virgin page of the future."”

“The man who now confronted Gashford, was a squat, thickset personage, with a low, retreating forehead, a coarse shock head of hair, and eyes so small and near together, that his broken nose alone seemed to prevent their meeting and fusing into one of the usual size.”

“Indeed the worthy housewife was of such a capricious nature, that she not only attained a higher pitch of genius than Macbeth, in respect of her ability to be wise, amazed, temperate and furious, loyal and neutral in an instant, but would sometimes ring the changes backwards and forwards on all possible moods and flights in one short quarter of an hour; performing, as it were, a kind of triple bob major on the peal of instruments in the female belfry, with a skilfulness and rapidity of execution that astonished all who heard her.”

“One thing about this face was very strange and startling. You could not look upon it in its most cheerful mood without feeling that it had some extraordinary capacity of expressing terror. It was not on the surface. It was in no one feature that it lingered. You could not take the eyes or mouth, or lines upon the cheek, and say, if this or that were otherwise, it would not be so. Yet there it always lurked-something for ever dimly seen, but ever there, and never absent for a moment.”