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Quote by John Ruskin

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Pt. 1-2. of general principles and of truth

The book is divided into two sections. The first part establishes general principles, likely serving as the groundwork for a broader philosophical system. The second part delves into the concept of truth, exploring its definitions, criteria, and implications within the framework of the principles previously outlined. The text is structured as a systematic inquiry, aiming to clarify fundamental concepts in epistemology and metaphysics. more

Author

John Ruskin
John Ruskin

John Ruskin was an influential British art critic, writer, and social critic. Known for his profound insights into art, architecture, and social issues, he had a significant impact on the aesthetics and culture of the Victorian era. more

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“We must note carefully what distinction there is between a healthy and a diseased love of change; for as it was in healthy love of change that the Gothic architecture rose, it was partly in consequence of diseased love of change that it was destroyed.”

“I would have, then, our ordinary dwelling-houses built to last, and built to be lovely; as rich and full of pleasantness as may be within and without: . . . with such differences as might suit and express each man's character and occupation, and partly his history.”

“It is not so much in buying pictures as in being pictures, that you can encourage a noble school. The best patronage of art is not that which seeks for the pleasures of sentiment in a vague ideality, nor for beauty of form in a marble image, but that which educates your children into living heroes, and binds down the flights and the fondnesses of the heart into practical duty and faithful devotion.”

“Remember always, in painting as in eloquence, the greater your strength, the quieter will be your manner, and the fewer your words; and in painting, as in all the arts and acts of life the secret of high success will be found, not in a fretful and various excellence, but in a quiet singleness of justly chosen aim.”

“The names of great painters are like passing-bells: in the name of Velasquez you hear sounded the fall of Spain; .in the name of Titian, that of Venice; in the name of Leonardo, that of Milan; in the name of Raphael, that of Rome. And there is profound justice in this, for in proportion to the nobleness of the power is the guilt of its use for purposes vain or vile; and hitherto the greater the art, the more surely has it been used, and used solely, for the decoration of pride or the provoking of sensuality.”

“Candlesticks and incense not being portable into the maintop, the sailor perceives these decorations to be, on the whole, inessential to a maintop mass. Sails must be set and cables bent, be it never so strict a saint's day; and it is found that no harm comes of it. Absolution on a lee-shore must be had of the breakers, it appears, if at all; and they give plenary and brief without listening to confession.”