“I grew up on Shane movie and my mother loves it and I've watched it hundreds of times.” Quote by Peter Sohn
“One of the first things was I made Arlo [the Apatosaurus] a younger character. And then when I was that age (around 11 or 12), what was I like? Sweat pants, turtle-neck kid; didn't know anything about fashion or style, the culture of the world. I was very sheltered.” KnowsWorldFirstsMadeCharacterKidsAgeCultureFashionStyleNecksSweatPantsTurtlesCultures Of The World Author:Peter Sohn
“I love sight gags and broad stuff, but you can get to such a subtle degree, especially with CG animation.” StuffDegreesSightSubtleBroadsAnimationGags Author:Peter Sohn
“I went to the archives to see what Dumbo work there was, not for current film, but just for my love of animation. And I couldn't believe all the artwork the guys had done to find this universal empathy to Dumbo. There was one drawing where they used his ears as a sign: "Eat at Joes!" These guys were continually searching and digging to see what that is.” BelieveDoneFilmUsedGuyEmpathyEarsUniversalCurrentsDrawingAnimationDiggingArtworkArchivesDumbo Author:Peter Sohn
“Tom Stafford was an odd character, you know - a brilliant guy. He looked weird and I think he took a really defensive attitude about being a hunchback. You know how people can be, giving him a hard time. So he turned that into a defensive mechanism. He would strike first, a lot of times. But he was a great guy, and really those talks we had when I was about 15, out of all of that came the studio over the drugstore and everything else. I'm not saying - I'm no big deal, but I was a part of the birth of the music there.” PeopleThinkingKnowsGivingFirstsHardCharacterBigsGuyDealsAttitudeKnow HowBirthStudiosStrikesBrilliantOddHard TimesMechanismTomsBig DealGreat Guy Author:Donnie Fritts
“You got to understand, Arthur Alexander was there with us, and some of his crew. It was in the '50s in Alabama. It was before even the civil rights stuff even started. You can imagine the hatred, although we didn't have it as bad as other parts of the country, I must say.” CountryStuffRightsImagineHatredCivil RightsCrewArthurAlabama Author:Donnie Fritts
“The guys that I played with, Hollis Dixon and the Keynotes - just about all the great musicians from Muscle Shoals.We played fraternity parties and kids' dances. They were called "lead outs" for kids in high school. We played wherever we could - in the down time when you weren't recording, people had to make money.” PeopleKidsSchoolGuyPartyMusicianHigh SchoolMaking MoneyMusclesGreat MusicFraternityGreat MusicianDown Time Author:Donnie Fritts
“I was in Hollis' band for eight years, playing drums. At one time we had Barry Beckett, Jimmy Johnson, David Hood - everybody but Roger Hawkins. We had a hell of a band.” YearsHellBandEightOne TimeJohnsonJimmyHoodRogerBeckettPlaying Drums Author:Donnie Fritts
“I was writing with different people in Nashville - whoever I could. Eddie Hinton came on the scene about 1963, and about four years later we wrote a ton of songs together. I drifted around, but Eddie and I had some cuts through the '60s and '70s. I went on the road with Kris Kristofferson in 1970.” PeopleWritingYearsDifferentTogetherSongFourCuttingSceneFour YearsDifferent PeoplesNashville Author:Donnie Fritts
“I was writing for a publishing company in this old building right next to the RCA Victor Studio in Nashville. We were on the top floor, and Combine Music was on the bottom floor. I was friends with all those guys.” WritingGuyNextCompanyBuildingBottomStudiosPublishingNashvilleOld Buildings Author:Donnie Fritts
“As long as you have those brilliant songs, it didn't matter how bad you played, or how bad he sang on 'em sometimes. It was one of those magical things that really worked, and I don't think could ever happen again.” ThinkingLongSometimesMatterHappensSongBrilliantEms Author:Donnie Fritts