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Either Reformist or Terrorist: If You Are Terror I Am Your Grandfather

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Abhijit Naskar

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“It should not be supposed that every advance in human knowledge increases the amount of information that has to be mastered by professionals. On the contrary, some of the most important progress in science is the discovery and testing of powerful new theories that allow large numbers of facts to be subsumed under a few general principles. There is a constant competition between the elaboration of knowledge and its compression into more parsimonious form by theories. Hence it is not safe to say that the professional chemist must learn more today than a half century ago, before the general laws of quantum mechanics were announced.”

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“Man muß alt werden [...] und Geld genug haben, seine Erfahrungen bezahlen zu können. Jedes Bonmot, das ich sage, kostet mir eine Börse voll Gold; eine halbe Million meines Privatvermögens ist durch meine Hände gegangen, um das zu lernen, was ich jetzt weiß, nicht allein das ganze Vermögen meines Vaters, sondern auch mein Gehalt und mein bedeutendes literarisches Einkommen seit mehr als funfzig Jahren. Außerdem habe ich anderthalb Millionen zu großen Zwecken von fürstlichen Personen ausgeben sehen, denen ich nahe verbunden war und an deren Schritten, Gelingen und Mißlingen ich teilnahm. Es ist nicht genug, daß man Talent habe, es gehört mehr dazu, um gescheit zu werden; man muß auch in großen Verhältnissen leben und Gelegenheit haben, den spielenden Figuren der Zeit in die Karten zu sehen und selber zu Gewinn und Verlust mitzuspielen.”

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“There is one myth about writers that I have always felt was particularly pernicious and untruthful—the myth of the "lonely writer," the myth that writing is a lonely occupation, involving much suffering because, supposedly, the writer exists in a state of sensitivity which cuts him off, or raises him above, or casts him below the community around him. This is a common cliché, a hangover probably from the romantic period and the idea of the artist as a Sufferer and a Rebel. Probably any of the arts that are not performed in a chorus-line are going to come in for a certain amount of romanticizing, but it seems to me particularly bad to do this to writers and especially fiction writers, because fiction writers engage in the homeliest, and most concrete, and most unromanticizable of all arts. I suppose there have been enough genuinely lonely suffering novelists to make this seem a reasonable myth, but there is every reason to suppose that such cases are the result of less admirable qualities in these writers, qualities which have nothing to do with the vocation of writing itself.”

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Book:Mystery and Manners: Occasional Prose
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“Passionate attraction to someone of the opposite sex will make a hero or a fool of a novelist each time.”

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Book:The Love of Europa: Limited Time Edition
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