Quotessence
Home / Quotes / Quote by Frank Wedekind

Quote by Frank Wedekind

“Wie einst als Kinder durch Hain und Flur, So stapfen wir heut durchs Leben; Der ganze Schlamm der modernen Kultur Bleibt uns an den Beinen kleben.”

Quote by Frank Wedekind

Author

Frank Wedekind
Frank Wedekind

Frank Wedekind was a German playwright born on July 24, 1864, and died on March 9, 1918. Known for his critical view of social morality and profound insight into human nature, his works have had a profound impact on 20th-century drama. more

You May Also Like

“MEIN PIS CHUKA HUN Duniya ki iss reet se, Rishton ki iss preet se, Mooh se, man meet se, Mein pis chuka hun. Jhuti muskurahat mein, Dil ki her chaahat mein, Dard ki is parwaahat mein, Mein pis chuka hun. Mitti se bane wajood mein, Sapnon ke thake usool mein, Aansu ki har boond mein, Mein pis chuka hun. Guzar gayi jo rahein thi, Khwabon ki jo baahein thi, Khoye hue fasane ki raahein thi, Mein pis chuka hun. Duniya ke rangon se door hoon, Apne hi rang mein choor hoon, Bas khamoshi mein purzor hoon, Mein pis chuka hun. Khatam hui umeedon ki baat, Rishton ka har pyaala saath, Dil ke har zakhm ki baat, Mein pis chuka hun. Mujhe yun hi rehne do ab, Apni tanhaayi mein jeene do ab, Is fasane se rukhsat lene do ab, Kyunki, mein pis chuka hun.”

“Before getting translated, a poem already gets shrunk or expanded within the ‘sphere of intellect’ of the translator in the original language, and it again gets shrunk or expanded within the ‘sphere of intellect’ of the translator in the target language. Thus, in the translation of poetry there exists a possibility of the components like imagination, art of wordplay, skill of constructing internal rhythm and expansion of knowledge of the poet getting affected by the constraint and different methods employed by the translator.”

“In the translation of poetry, there exists a possibility of the components like imagination, art of wordplay, skill of constructing internal rhythm and expansion of knowledge of the poet getting affected by the constraint and different methods employed by the translator.”

“कविता कविबाट निस्किएर पाठकमा प्रवेश गरेपछि पाठकको चेतनावृत्तमा समाहित हुन्छ । एउटा पाठकले कवितालाई आफ्नो चेतनाभन्दा बाहिर फैल्याएर ग्रहण गर्न सक्दैन, बरू खुम्च्याएर गर्न सक्छ । यसो हुने हुनाले प्रत्येक कविता हरेक पाठकमा पुग्दा कुनै न कुनै रूपमा फेरिएर पुग्ने सम्भावना सँधै रहिरहेको हुन्छ । यो ‘फेरिनु’ प्रकारान्तरले अनूदित हुनु नै हो । त्यसैले कविताको प्रत्येक बुझाइ एउटा अनुवाद हो ।”

“पाठकले कवितालाई आफ्नो चेतनाभन्दा बाहिर फैल्याएर ग्रहण गर्न सक्दैन, बरू खुम्च्याएर गर्न सक्छ ।”

“कविता अर्को भाषामा अनूदित हुनु अघि मूलभाषामै अनुवादकको चेतनाको आकारभित्र खुम्चिने वा फैलिने भइसकेको हुन्छ, अर्को भाषामा अनूदित हुँदा त्यो फेरि अनुवादकको लक्षित भाषाको चेतनावृत्तभित्र अझ खुम्चिने वा अझ फैलिने गर्दछ ।”