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Quote by Leopold von Sacher-Masoch

Work

Venus in Furs

A classic work of literature that delves into the complex psychological interplay between a dominant male and a female dominatrix, examining the boundaries of consent and the nature of desire. more

Author

Leopold von Sacher-Masoch
Leopold von Sacher-Masoch

Leopold von Sacher-Masoch was an Austrian writer renowned for his exploration of masochism and sadomasochism in literature. His novel 'Venus in Furs' is a cornerstone of sadomasochistic fiction. Born on January 27, 1836, Sacher-Masoch's life was characterized by his complex personality and intense personal relationships, which frequently influenced his writing. more

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“Sin embargo, no por ello pienso vivir eternamente, y cuando, con mi último suspiro, todo haya acabado acá abajo para Wanda Dunaiew, ¿qué ventaja sacaré de que mi espíritu cante en un coro de ángeles o de que mis cenizas tomen una nueva existencia? De uno u otro modo, yo no renaceré tal como soy, de modo que he de renunciar a aquella consideración. ¿Pertenecer a un hombre a quien no amo, sólo por la razón de que le amé alguna vez? No, no renunciaré; amo a quien me place y le hago dichoso. ¿Acaso es repugnante esto? No; por lo menos es mucho más hermoso que si me regocijara del tormento cruel que provocan mis encantos, y me desviara, virtuosa, del desgraciado que se consume por mí. Soy joven, rica y bella, y vivo sólo para el goce y el placer.”

Venus In Furs
Author:Leopold von Sacher-Masoch
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“Suffice to say, the dream writer had a way of phrasing things. She could depict the curve of a cucumber, the shape of a sunbeam, the endearing, velvety tilt of a peach, in just such a way that she earned her living selling dreams. One simply made a selection, read it in solitude, and let it percolate till sleep. People swore they fell directly into her renderings, and one even asked if the dream writer could write a dream of dreaming forever. The dream writer could not do this, but she hired dream apprentices to expand the reach of her dreams and she wrote dreams for herself in which she would sit at a desk, pen in hand, and write even more dreams. This nearly doubled her output.”

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Book:The Little Queen
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“She returned to where I stood, and handed over a flower. I inspected the borage, holding it up like a culinary scientist, noting the blue petals, offset by white stamens, and a raised white ball-like structure in the center, decorated with a purplish-blue pattern with hints of red that resembled a planet or a galactic moon. My heart skipped a beat. Aside from Marie's desserts, I'd never seen anything so beautiful. "This flower is mystical and magical," I said. "Did fairies or aliens create them?" "I'd go with fairies. The thought of aliens flips me out. Eat it," she said, and I did. The flavors of this edible flower rolled on my tongue in waves. A crunch. A bitterness. And sweetness. I closed my eyes, reveling in the magic, the flavor, thinking about what we could do with this. I met her gaze. "Oh my god. You're so right. They taste like cucumbers," I said, licking my lips.”

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Book:Sophie Valroux's Paris Stars
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