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Quote by Arnold Hauser

“The social function of court life is to enlist the support and adherence of the public for the ruling house. The Renaissance princes want to delude not only the people, they also want to make an impression o the nobility and bind it to the court. But they are not dependent on either its services or its company; they can use anyone, of whatever descent, provided he is useful. Consequently, the Italian courts of Renaissance differ from the medieval courts in their very constitution; they accept into their circle upstart adventurers and merchants who have made money, plebeian humanists and ill-bred artists - entirely as if they had all the traditional social qualifications. In contrast to the exclusive moral community of court chivalry, a comparatively free, fundamentally intellectual type of salon life develops at these courts which is, on the one hand the continuation of the aesthetic social culture of middle-class circles, such as described in the Decamerone and in the Paradiso degli Alberti, and represents, on the other, the preparatory stage in the development of those literary salons which play such an important part in the intellectual life of Europe in the seventeenth and eighteenth centuries.”

Quote by Arnold Hauser

Work

The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque

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Arnold Hauser

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“If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to ­music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.”

“Norah herself was labelled for all to see. She was labelled 'Middle class, no money.' Hardly enough to keep herself in clean linen. And yet, scrupulously, fiercly clean, but with all the daintiness and prettiness perforce cut out. Everything about her betrayed the woman who has been brought up to certain tastes, then left without the money to gratify them; trained to certain opinions which forbid her even the relief of rebellion against her lot; yet holding desperately to both her tastes and opinions.”

“When I have neither pleasure nor pain and have been breathing for a while the lukewarm insipid air of these so called good and tolerable days, I feel so bad in my childish soul that I smash my moldering lyre of thanksgiving in the face of the slumbering god of contentment and would rather feel tle very devil burn in me than this warmth of a well-heated room. A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse, perhaps, or a cathedral, or myself, to commit outrages, to pull off the wigs of a few revered idols, to provide a few rebellious schoolboys with the longed-for ticket to Hamburg, or to stand one or two representatives of the established order on their heads. For what I always hated and detested and cursed above all things was this contentment, this healthiness and comfort, this carefully preserved optimism of the middle classes, this fat and prosperous brood of mediocrity.”

“In general, poor is polite and rich is rude.”