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Quote by Anurag Shrivastava

“Why fear death? After all nothing in this universe of being is fairer than the end of being, which we call by the name of death, which sees no difference in people while playing its tune to them… We mustn’t see it as a frightening thing, but as a beautiful reality, and the only absolute truth.”

Quote by Anurag Shrivastava

Book:The Web of Karma
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The Web of Karma

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Anurag Shrivastava

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“I am not one of those churlish authors, who do so enwrap their works in the mystic fogs of scientific jargon, that a man must be as wise as themselves to understand their writings; on the contrary, my pages, though abounding with sound wisdom and profound erudition, shall be written with such pleasant and urbane perspicuity, that there shall not even be found a country justice, an outward alderman, or a member of congress, provided he can read with tolerable fluency, but shall both understand and profit by my labours.”

New YorkSatireNineteenth Century LiteratureDutch HistoryEarly American Literature
Book:A History of New York
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“...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher; had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.”

LifeLiteratureNineteenth CenturyPathosNineteenth Century Literature
Author:Virginia Woolf
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