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Quote by Girdhar Joshi

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Some Mistakes Have No Pardon

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Girdhar Joshi

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“What must always be remembered is that myth is a double system; there occurs in it a sort of ubiquity: its point of departure is constituted by the arrival of a meaning. […] the signification of the myth is constituted by a sort of constantly moving turnstile which presents alternately the meaning of the signifier and its form, a language-object and a metalanguage, a purely signifying and a purely imagining consciousness. This alternation is, so to speak, gathered up in the concept, which uses it like an ambiguous signifier, at once intellective and imaginary, arbitrary and natural.”

“The signifier of myth presents itself in an ambiguous way: it is at the same time meaning and form, full on one side and empty on the other. […] The meaning will be for the form like an instantaneous reserve of history, a tamed richness, which it is possible to call and dismiss in a sort of rapid alternation: the form must constantly be able to be rooted again in the meaning and to get there what nature it needs for its nutriment; above all, it must be able to hide there. It is this constant game of hide-and-seek between the meaning and the form which defines myth.”

“It would be tedious to relate the Gradgrindian detail - economic, social and cultural (in the anthropological sense) - with which Scottish Screen implemented its industrial model during the thirteen years of its existence between 1997 and 2010. Collectively, the Scottish Screen website's policy guidelines and application forms for its innumerable schemes at every level of production and training constituted a manual for how to crush the life out of a creative project.”