Quotessence
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Text Quotes

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Text Quotes

“I think there's something to the idea that the divine dwells more easily in text than in images. Text allows for more abstract thought, more of a separation between you and the physical world, more room for you and God to meet in the middle. I find it hard enough to conceive of an infinite being. Imagine if those original scrolls came in the form of a graphic novel with pictures of the Lord? I'd never come close to communing with the divine.”

“Another important consequence in the arrival of digital technology and its facilitation of feedback is that we can look at large systems and recognize them once more not only as part of ourselves, but also as components that can change... Now, though, we live in a world where text is fluid, where is responds to our instructions. Writing something down records it, but does not make it true or permanent. So why should we put up with a system we don't like simply because it's been written somewhere?”

“I know that something as incredibly mundane as a 'Good morning' text may have made all the difference in the world. It's ok if that\s the case. It's okay to sometimes ache for those simple and kind-hearted gestures, Because the truth is that good morning texts are more than a half-hearted means of communication. They are a sign that we are thought of. Cared for. Adored, by someone who may not be immediately present. They are a reminder - one we may perhaps should not need but sometimes do - that we are appreciated in our entireties.”

“We are loved way more by some of the people who have not contacted us in the last twelve or so months than we are loved by some of those who contact us every twelve or so days … or hours.”

“How do text messages make you feel existential? I start thinking about exactly that: how people can edit a thought before sending it out to the world. They can make themselves seem more well spoken than they are, or funnier, smarter. I start thinking that no one in the world is who they say the are, then my mind goes to how I also edit myself, not just online but in real life, except for those rare instances like right now where I'm ranting- even though that's a lie because I've had this train of thought before and damned if I didn't tweak it in my head a few times to make it sound better- and then my mind starts racing so furiously I can't control my thoughts, and I start thinking about robots and wondering if I'm even a real person.”

“People earnestly say to me here, 'Mr Knight, we have cellphones now, and you're going to really enjoy them.' That's their enticement for me to rejoin society. 'You're going to love it,' they say. I have no desire. And what about a text message? Isn't that just using a telephone as a telegraph? We're going backwards.”

“Always be careful, as they say, “Text without context is usually pretext.” In other words, people like to try to use the Bible to get you to agree with them instead of helping you understand what a given section of Scripture meant to its original audience at the time. I gotta think St. John would back me up on that.”

“Just before she was about to hit send she deleted the kisses. In case the therapist thought she was leading him on. Then she thought of all the actual kissing they'd done last night. Ridiculous. She may just as well kiss him in a text message. She made it three kisses and went to hit send, but then she wondered if it would seem overly romantic, and changed it back to one kiss, but that seemed stingy, compared to his two, as if he was trying to make a point She made a 'tch' sounded, added back in the second kiss and hit send.”

“You’re breaking my heart.” At the sound of Rider’s voice, I wheeled around, clutching my bag to my side. First thing I noticed was the faded Ravens emblem stretched over his broad chest, and then I forced my eyes up. The slight scruff along his jaw was gone. Nothing but smooth skin today. No notebook. Hands shoved into the pockets of his jeans, a familiar, crooked grin pulled at Rider’s lips, causing the dimple in his right cheek to pop. He stepped forward, and my heart did a backflip as he dipped his chin. I felt his warm breath on the side of my cheek as he spoke. “You didn’t respond to my text last night,” he said, and there was a light, teasing tone I didn’t remember from before. “I thought maybe you didn’t realize it was me, but that would mean someone else would be texting you good-night and calling you Mouse. I’m not sure how I feel about that.”

“I spend the first week after screwing everything up with Kit too ashamed to do anything except write her a stupid text. I keep it short, limit it to the words I know can’t be the wrong ones: I’m sorry. I don’t trust myself not to make a bigger mess of things by saying more. Whenever I pick up the phone to text again, I freeze up with anxiety. I don’t feel like I deserve the chance to explain. I don’t even deserve to share the same air molecules as Kit.”

“There are a lot of people who ask what's the point, poring over words that were written twenty, fifty, two hundred years ago. And doing it again and again, after there's already been so much written on the subject. But ultimately I think it's about learning to pay attention. Learning to examine something closely, and ask questions, and place it in different frameworks to see how it might change. As a culture, we are what we write about, and examining those texts can teach us a lot about how we see the world.”

“Margot’s off shopping for new boots with her friend Casey, Daddy’s at work, and Kitty and I are lazing about watching TV when my phone buzzes next to me. It’s a text from Peter. "Movie tonight?" I text back yes, exclamation point. Then I delete the exclamation point for sounding too eager. Though without the exclamation point, the yes seems completely unenthused. I settle on a smiley face and press send before I can obsess over it further.”

“You alone in Europe are not ancient oh Christianity The most modern European is you Pope Pius X And you whom the windows observe shame keeps you From entering a church and confessing this morning You read the prospectuses the catalogues the billboards that sing aloud That's the poetry this morning and for the prose there are the newspapers There are the 25 centime serials full of murder mysteries Portraits of great men and a thousand different headlines ("Zone")”