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Deyth Banger

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“Split is doing well at the box office around the world, but it misrepresents people with dissociative identity disorder (DID; previously called multiple personality disorder). The trailer is particularly gripping, luring in audiences by depicting a man with DID kidnapping and preparing to torture three teenage girls. Kevin (played by James McAvoy) juggles 24 personalities that are based on stereotypes: a cutesy 9-year-old infatuated with Kanye West, a flamboyant designer, and the “Beast,” a superhuman monster who sees the girls as “sacred food.” Kevin falsely represents people with DID through exaggerated symptoms, extreme violence, and unrealistic physical characteristics. The senior author, an expert in DID, has not seen any DID patient who is this violent in 25 years of clinical practice. Kevin’s ghastly personalities are so over-the-top that terrifying scenes are making audiences laugh.”

Mental IllnessDissociative Identity DisorderStereotypesMultiple PersonalitiesMental Health StigmaSerial KillersSplitDidmpdSplit MovieSplitmoviehurts
Author:Bethany L. Brand
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“When God created man, He saw that he couldn't survive in that solitude and gave him a shadow. But since then man has never stopped selling it to the devil. I knew him in all conditions. Moist in sacrifice, hostile or welcoming, voracious or retractile, excited or indifferent, impulsive and without qualms, dreamy on his best day. That people who share the same genes should be separated by a moral chasm helps us to reassess the values in the name of which they are killing each other.”

IncestPeter SchlemihlFratricide
Book:Cool Memories V: 2000 - 2004
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“The uncertainty to which we are subject results, paradoxically, from an excess of positivity, from an ineluctable drop in the level of negativity. A kind of leukaemia has taken hold of our societies - a kind of dissolution of negativity in a perfused euphoria. Neither the French Revolution, nor the philosophy of the Enlightenment, nor critical utopianism has found its fulfilment through the supersession of contradictions, and if the problems they addressed have been solved, this has been achieved by casting off the negative, by disseminating the energies of everything condemned by society within a simulation entirely given over to positivity and factitiousness, by instituting a definitively transparent state of affairs. Ours is rather like the situation of the man who has lost his shadow: either he has become transparent, and the light passes right through him or, alternatively, he is lit from all angles, overexposed and defenceless against all sources of light. We are similarly exposed on all sides to the glare of technology, images and information, without any way of refracting their rays; and we are doomed in consequence to a whitewashing of all activity - whitewashed social relations, whitewashed bodies, whitewashed memory - in short, to a complete aseptic whiteness. Violence is whitewashed, history is whitewashed, all as part of a vast enterprise of cosmetic surgery at whose completion nothing will be left but a society for which, and individuals for whom, all violence, all negativity, are strictly forbidden. In these circumstances everything which is unable to relinquish its own identity is inevitably plunged into a realm of radical uncertainty and endless simulation.”

Positivity That Creates ChangePeter SchlemihlFactitiousness
Book:The Transparency of Evil: Essays in Extreme Phenomena
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