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I Quotes

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All I Quotes

“I feel like utopia is neither here nor there. It's in that sort of space where you feel the most present, and that can be on tour [or] at home. It's easier to get to that place on tour because your environment is constantly changing, and from a very primal, evolutionary perspective, you have heightened awareness when you're in an unfamiliar place, so it's easier to access that state.”

“I feel like we need to understand feminism more as a tool to mediate, counteract, to ultimately defeat patriarchy and restore balance to our government, our culture and our ways of thinking and structuring the world. I think we've had a very "masculine" sensibility for a long time, and I think we need to go back to the roots of social imbalance. I think we have to try to right that first, and from there and all these more pressing issues will follow.”

“I feel like we're all here on this planet, and intimacy is important. I can't bear small talk, it's awful. I want to get beyond that thing of discussing how the weather is a bit better today than it was yesterday, and how this is a nice restaurant. I want to get to what are the problems, what's really going on. Are you in love? Are you in a lot of pain? What's really going on in your life? I'm interested in that area, whether it's on stage or in real life.”

“I feel like we're always on the edge of someone standing up and saying, "Hey, the emperor's naked." I'm expecting that any second. But we're pretty lucky that way. The longer you do this, the more treacherous it can be, and the more pitfalls and sort of bad diversions you can find to paint yourself into a corner. But with every record, we try to change the situation, yet still keep it comfortable, and we're lucky to work with people who are inspiring to us who'll give us that extra push. It's nice to make records that are appreciated.”

“I feel like we're between two great possibilities: we're either going to turn things around, and in this generation see the rising sun of a new moral dedication in America, or we're going to lose the struggle for that moral renewal, throw away the basic principles on which our life and civilization is based, and head toward a new century that will make the 20th century look like a dress rehearsal for evil.”

“I feel like we're looked at as either completely nonsexual characters or overly sexual characters, and I feel like that affects how we're treated in the public space by men. I believe that women of color experience street harassment in a very hyper way. So I wanted to draw these women in their very normal, regular states and put those images out there in the public for people to see, instead of these other, very sexualized, images of women.”

“I feel like we're so limited by the context at which we look at life. The way we look at who we're supposed to be and how we're supposed to love... everything. I feel like that, in and of itself, is a project of a lifetime: the problem of how to break out of the limiting context that is imposed upon us by the educational system, by the church, by our parents... As a kid I rejected it without even thinking about it. Now that I'm a little older, I see how deeply destructive it really is.”

“I feel like we've inherited modern infrastructure, and I could run away from it and become a full-time activist, or I can try to do my job, and try to talk about things I care about, and be able to do something like sponsor a topsoil conference in Nova Scotia, and talk about Bill McKibben, and narrate a documentary about the vanishing of the bees, and try to navigate my way through this world the best way possible. That's what I'm trying to figure out. Probably like many people right now.”

“I feel like we've kind of gone through a transformation in the past year. I don't know what happened but we've somehow gelled in a way that we never have before. The live show has become much more powerful and interesting to me. I really feel like we're learning to negotiate the dynamics of it and keep it interesting. It feels like we're becoming much more comfortable and in tune with one another.”

“I feel like what's most important for painting - which has been hierarchically on the top for a really long time in terms of what is considered fine art, by comparison with something like a comic book or what's considered low art - is that painting should open up laterally to include other cultures and things that don't immediately resonate as a painting but are obviously of equal contribution to the genre.”