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I Quotes

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All I Quotes

“I was asked by the National Institute of Health to be their scientific discussant on the effects of these drug [Ritalin] at a big conference they held. Beforehand, I reviewed all of the important literature on the issue. Even with experiments on animals. When they're given these drugs they stop playing; they stop being curious; they stop socializing; they stop trying to escape. We make good caged animals with these drugs. And we make good caged kids by knocking their spontaneity out of them. And, Michael, the other thing is that these drugs enforce obsessive behavior.”

“I was asked, "How can we change the world?" And I answered, "You will never be able to change the world by projecting ideal images to aspire for. The only way to change the world is to penetrate the grassroots, to penetrate at the groundbreaking level— to be a mason— to dig into the core where all the tar and lumpy mud is located and to work with that shit until you bring out something beautiful. We change the world by dressing wounds, by listening to forgotten voices of the lost, by getting our hands dirty. Nobody is going to be able to change the world by painting a lovely picture. You have to know how to make paint. Then teach the people how to use a paintbrush. Then teach the people how to make strokes, how to wash the paintbrush, and how to mount their own paintings onto the wall. Because the alchemy of the world, of humanity as a whole, is really just the collective alchemy of every individual. Take what is darkness and transmutate it into a shining thing. Changing the world is never about the changer; it is about the world.”

“I was asked in an interview once: You're writing another book with a female lead? Aren't you afraid you're going to be pigeonholed? And I thought, I write a team superhero book, an uplifting solo hero book, I write a horror-western, and I write a ghost story. What am I gonna be pigeonholed as? Has a man in the history of men ever been asked if he was going to be pigeonholed because he wrote two consecutive books with male leads?”

“I WAS ASKED recently, “Who is your best friend?” I don’t know. I don’t use language like that anymore. It doesn’t fit. I have friends that hold the keys to different doors of my personality. Some open my heart. Some my laughter. Some my mischief. Some my sin. Some my civic urgency. Some my history. Some my rawest confusion and vulnerability. Some friends, who may not be “the closest” to me, have the most important key for me in a moment of my life. Some, who may be as close as my own skin, may not have what I need today. It’s okay if our spouses or partners don’t have every key. How could they? It isn’t a failure if they don’t open every single door of who you are. The million-room-mansion of identity cannot overlap perfectly with anyone. But I will say, my closest friends have a key ring on their hip with lots of keys, jingling.”

“I was asked the other day if I would be interested in the Nobel Prize, but I think that for me it would be an absolute catastrophe. I would certainly be interested in deserving it, but to receive it would be terrible. It would just complicate even more the problems of fame. The only thing I really regret in life is not having a daughter.”

“I was asked to do a lot of things by the Weather Underground leadership over the years and, toward the end, asked to do many things I didn’t even believe at the time were right, but I did them anyway. I let my friends talk me into doing them. Those acts mainly amounted to lying to people, rather than potentially injuring them. When I finally quit it was not just because I realized that the vision was unconnected to reality. Even then, as ever, I was acting more from emotion than ideology. Mostly I was angry at having been manipulated, and humiliated for allowing myself to be manipulated, and mortified at then manipulating others in turn. But no one ever asked me to carry out a bombing. Grown-up me wants to think that even if they had, as late in the process, say, as the moment when dressed in the bland costume of an office worker I had been handed the attaché case containing the ticking device, I would have hesitated, considered the implications, and declined to go through with it. But I was still a child during those years, who needed to tag along after the big boys, take their dare, win their approval. Yes, almost certainly, I would have done it.”

“I was asked, ‘When is the next book release, it’s been over a year since the last book release, have you given up writing?” Again a senseless question by a Sri Lankan journalist. Does it mean that being a writer means you have to release a book every month? Do they count a writer’s success by the quantity of books or the quality of the work? I am concerned about the quality of work, not the quantity of books that I release. One can publish hundreds of books within a couple of years today as technology is advance and cheap, but keeping the quality of the work is something you cannot depend of technology and money. It is the quality of thinking of the writer which should reflect through their work. I have been in the field for almost 2 and a half years, learnt a lot through trial and error, learn through my mistakes. I am no longer bothered about the number of books I write, how much I spend or how much I earn, my only focus is to do something quality which will last long, even after I am gone, something that will touch the soul of the readers. Will these journalists understand a soul of an artist? In this big dirty game of ‘media mafia’, ‘artists’ are only marketing ideas.”

“I was asked why I did not give a rod with which to fish, in the hands of the poor, rather than give the fish itself as this makes them remain poor. So I told them: The people whom we pick up are not able to stand with a rod. So today I will give them fish and when they are able to stand, then I shall send them to you and you can give them the rod. That is your job. Let me do my work today.”

“I was asked: You write some intimate scenes in your stories on You Me & Stories but they are not explicit. Why so? Have you considered writing an erotica? Why would I want to write a sex scene in detail, when the actual fun is in guiding the reader, helping them visualise and letting their imagination run wild! To answer the second part of the question - No. I am happy with the way I write now. There is a very thin line between sensual and erotica. I prefer staying on the sensual side.”

“I was asking questions which nobody else had asked before, because nobody else had actually looked at certain structures. Therefore, as I will tell, the advent of the computer, not as a computer but as a drawing machine, was for me a major event in my life. That's why I was motivated to participate in the birth of computer graphics, because for me computer graphics was a way of extending my hand, extending it and being able to draw things which my hand by itself, and the hands of nobody else before, would not have been able to represent.”

“I was assigned to a medical unit and was part of a group receiving men returning from theater headed to hospital care, many forever maimed with life-altering wounds. It made a strong impression because wounded men and body bags come back to home districts, not Washington, D.C., and accordingly, there is no more sacred vote than those surrounding war where life hangs in the balance.”