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I Quotes

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All I Quotes

“It is the artist's responsibility to be the oracle, to abstract where you are - that is our responsibility - we're not there to look glamorous. We're there to tune into the frequency of the Earth and the connective tissues of those things that we are responding to - language, colour, costume, literature, poetry, cuisine, perfume - these are the things that make up the desire to throw paint on a canvas, these are the things that create the excitement for building a new language!”

“It is the assumption of this book that there is a typical human nature. It is the aim of this book to seek it. Just like a surgeon, a psychiatrist can make all sorts of basic assumptions when a patient lies down upon the couch. He can assume that the patient knows what it means to love, to envy, to trust, to think, to speak, to fear, to smile, to bargain, to covet, to dream, to remember, to sing, to quarrel, to lie. The 'smile' of a baboon is a threat; the smile of a man is a sign of pleasure: it is human nature, the world over.”

“It is the basic principle of spiritual life that we learn the deepest things in unknown territory. Often it is when we feel most confused inwardly and are in the midst of our greatest difficulties that something new will open. We awaken most easily to the mystery of life through our weakest side. The areas of our greatest strength, where we are the most competent and clearest, tend to keep us away from the mystery.”

“It is the beginning of the year of our Lord 1963. I see a young Negro boy. He is sitting on a stoop in front of a vermin-infested apartment house in Harlem. The stench of garbage is in the halls. The drunks, the jobless, the junkies are shadow figures of his everyday world. The boy goes to a school attended mostly by Negro students with a scattering of Puerto Ricans. His father is one of the jobless. His mother is a sleep-in domestic, working for a family on Long Island. I see a young Negro girl. She is sitting on the stoop of a rickety wooden one-family house in Birmingham. Some visitors would call it a shack. It needs paint badly and the patched-up roof appears in danger of caving in. Half a dozen small children, in various stages of undress, are scampering about the house. The girl is forced to play the role of their mother. She can no longer attend the all-Negro school in her neighborhood because her mother died only recently after a car accident. Neighbors say if the ambulance hadn't come so late to take her to the all-Negro hospital the mother might still be alive. The girl's father is a porter in a downtown department store. He will always be a porter, for there are no promotions for the Negro in this store, where every counter serves him except the one that sells hot dogs and orange juice. This boy and this girl, separated by stretching miles, are wondering: Why does misery constantly haunt the Negro? In some distant past, had their forebears done some tragic injury to the nation, and was the curse of punishment upon the black race? Had they shirked in their duty as patriots, betrayed their country, denied their national birthright? Had they refused to defend their land against a foreign foe?”

“It is the best of all games for me. It frequently escapes from the pattern of sport and assumes the form of a virile ballet. It is purer than any dance because the actions of the players are not governed by music or crowded into a formula by a director. The movement is natural and unrehearsed and controlled only by the unexpected flight of the ball.”

“It is the best thing to blame ourselves when people cannot get on well with us. Boundless charity necessarily includes all or it ceases to be boundless. We must be strict with ourselves and lenient with our neighbors. For we know not their difficulties and what they overcome.”