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I Quotes

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All I Quotes

“It is the courage to be authentic that keeps us strong enough to withstand the heartbreak through which enlightenment can occur. And it is by honoring how life comes through us that we get the most out of living, not by keeping ourselves out of the way. The goal is to mix our hands in the earth, not to stay clean.”

“It is the courage to make a clean breast of it in the face of every question that makes the philosopher. He must be like Sophocles' Oedipus, who, seeking enlightenment concerning his terrible fate, pursues his indefatigable inquiry even though he divines that appalling horror awaits him in the answer. But most of us carry with us the Jocasta in our hearts, who begs Oedipus, for God's sake, not to inquire further.”

“It is the cult of self that is killing the United States. This cult has within it the classic traits of psychopaths: superficial charm, grandiosity and self-importance ; a need for constant stimulation; a penchant for lying, deception and manipulation; and the incapacity for remorse or guilt.”

“It is the curse of minorities in this power-worshipping world that either from fear or from an uncertain policy of expedience they distrust their own standards and hesitate to give voice to their deeper convictions, submitting supinely to estimates and characterizations of themselves as handed down by a not unprejudiced dominant majority.”

“It is the curse of prosperity that it takes work away from us, and shuts that door to hope and health of spirit.”

“It is the custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can’t) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on earth you had picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtinesses and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind; and on the top, beautifully aired, are spread out prettier thoughts, ready for you to put on.”

“It is the custom on the stage: in all good, murderous melodramas: to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky, well-cured bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; and, in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her life alike in danger; drawing forth a dagger to preserve the one at the cost of the other; and, just as our expectations are wrought up to the highest pitch, a whistle is heard: and we are straightway transported to the great hall of the castle: where a grey-headed seneschal sings a funny chorus with a funnier body of vassals, who are free of all sorts of places from church vaults to palaces, and roam about in company, carolling perpetually. Such changes appear absurd; but they are not so unnatural as they would seem at first sight. The transitions in real life from well-spread boards to death-beds, and from mourning weeds to holiday garments, are not a whit less startling; only, there, we are busy actors, instead of passive lookers-on; which makes a vast difference. The actors in the mimic life of the theatre, are blind to violent transitions and abrupt impulses of passion or feeling, which, presented before the eyes of mere spectators, are at once condemned as outrageous and preposterous.”

“It is the custom to sneer at mongrels and to feel shame in confessing the ownership of one of them. And there could not be a worse mistake. The mongrel has more cleverness, more stamina, and sometimes more beauty than any thoroughbred. The best type of mongrel is often the very best dog alive. Instead of being ashamed of owning one, be ashamed that you have not brought out his million fine traits of smartness and stanchness and general worth-whileness. Those traits are all there if you’ll both to look for them.”

“It is the custom to sneer at the modern apartment-house, television, big-city Christmas, with its commercial taint . . . office parties, artificial . . . Christmas trees . . . but future generations in search of their lost Christmases may well remember its innocence; yes, and its beauty, too.”