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I Quotes

Browse famous quotes beginning with I. This page is a child index of the full Popular Quotes A-Z directory.

All I Quotes

“It’s so dangerous to idealize anything, or anyone, or any place, because it gives that thing or person or place a kind of permission to not have to change, and not have to evolve. It encourages us to bury our heads in the sand, or in values that are really morally neutral but that we pretend are moral goods: tradition, community and family for example.”

“It’s so hard for me to sit back here in this studio, looking at a guy out here, hollering my name!—When last year I spent more money, on spilled liquor, in bars from one side of this world to the other, than you made! You’re talking to the Rolex wearing, diamond ring wearing, kiss stealing, whoa! wheelin dealin’, limosuine riding, jet flying son of a gun and I’m having a hard time holding these alligators down!”

“It’s so much more romantic to end a story up with a funeral than a wedding.”

“It’s so wonderful being a gay person. I said that before. I’m going to say it again. I love being gay. And I love gay people. I think we’re better than other people. I really do. I think we’re smarter and more talented and more aware and I do, I do, I totally do. And I think we’re more tuned in to what’s happening, tuned into the moment, tuned into our emotions, and other people’s emotions, and we’re better friends. I really do think all of these things. And I try not to forget them.”

“It’s such a floating freak show. You get a bit older and you start to see what’s going on backstage in the collective psyche of this ridiculous industry. … Nothing pleases me more than when somebody who was awe-inspired to be working with me realizes I’m just another schmuck that they’re bored of hanging out with on a set. I love that moment. I like it when that persistent illusion is smashed.”

“It’s such a fun job, and it can be silly and light and about making people laugh. I think I was doing it a disservice by thinking it’s not something ultimately important. I always was saying, ‘I’m not saving lives; I’m not a brain surgeon.’ And that’s true—I’m not saving anyone from any life-threatening illnesses. But I get to tell stories, and that’s a pretty important task.”

“It’s the ability to bring events and characters to a resolution that draws me to writing, especially writing for children. I don’t want to ever be didactic, but if there’s something I do want to say, it’s that you can bring things around. You can make a change. Adult novels are about letting go. Children’s novels are about getting a grip.”

“It’s the age of celebrity. It’s the age of social media. But for we old school girls who don’t want to show up at every single event just ‘cause I don’t tweet–I have nothing to say. I’m not on Facebook. I mean it sounds like I have plenty to say, but that’s to people who I’m in a room with. I’m not that interesting, and the rest is none of your business.”

“It’s the age-old concept of like attracts like, or the law of attraction. You get back what you put out, so you might as well think positively, focus on visualizing what you want instead of getting distracted by what you don’t want, and send the universe your good intentions so that it can send them right back.”

“It’s the end. It’s the end of the civilization. We’re going down. No, it’s sure not too attractive. Lenticels. I just hope my kids don’t live to see the last days. The things burning and people living in cellars. Violet. The only thing worse than the thought it may all come tumbling down is the thought that we may go on like this forever.”

“It’s the great temptation for small groups of people to slide into a state where they’re not quite telling each other the truth and they’re not quite celebrating each other. Instead, they tolerate each other, they accommodate each other, and they settle for sitting on the unspoken matters that separate them.”

“It’s the leftover humans. The survivors. They’re the ones I can’t stand to look at, although on many occasions I still fail. I deliberately seek out the colors to keep my mind off them, but now and then, I witness the ones who are left behind, crumbling among the jigsaw puzzle of realization, despair, and surprises. They have punctured hearts. They have beaten lungs. Which in turn brings me to the subject I am telling you about tonight, or today, or whatever the hour and color. It’s the story of one of those perpetual survivors –an expert at being left behind.”

“It’s the opening of Manderlay in Cannes, and I’m sitting next to this guy who’s writing for a tiny fictitious French paper called ‘On the Sunny Side,’ and he’s writing a review on the film, and he’s obviously bored. Then he tells me about all the cars he owns, and how rich he is, and all these things... So, at a certain point, he says, "So what do you do?" Then I take out this very strange hammer we have in the Danish building business, and I say, "I kill." And then I kill him. It is as stupid as it sounds.”