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L Quotes

Browse famous quotes beginning with L. This page is a child index of the full Popular Quotes A-Z directory.

All L Quotes

“Look into the world--how often do you behold a sordid wretch, whose straight heart is open to no man's affliction, taking shelterbehind an appearance of piety, and putting on the garb of religion, which none but the merciful and compassionate have a title to wear.”

“Look into this one,' the Bomb says with a strange expression. It's Cardan as a very small child. He is dressed in a shirt that's too large for him. It hangs down like a gown. He is barefoot, his feet and shirt streaked with mud, but he wears dangling hoops in his ears, as though an adult gave him their earrings. A horned faerie woman stands nearby, and when he runs to her, she grabs his wrists before he can put his dirty hands on her skirts. She says something stern and shoves him away. When he falls, she barely notices, too busy being drawn in to conversation with other courtiers. I expect Cardan to cry, but he doesn't. Instead, he stomps off to a tree that an older boy is climbing. The boy says something, and Cardan grabs for his ankle. A moment later, the boy is on the ground, and Cardan's small grubby hand is forming a fist. At the sound of the scuffle, the faerie woman turns and laughs, clearly delighted by his escapade. When Cardan looks back at her, he's smiling, too. I shove the crystal ball back in to the drawer. Who would cherish this? It's horrible.”

“Look. Is The Rock a perfect movie? No. But is it a perfect movie? Maybe! Just describing the plot of The Rock is a lush, lip-smacking thrill, like a piece of bacon that is all fatty rind, like a bowl of Lucky Charms that is all marshmallows—so many elements that could each, alone, be too much, here combined into one film that somehow works, one great, baroque cinnamon roll that is all the middle of the cinnamon roll, The Jetsons Meet the Flintstones, a duck-billed platypus, a place beyond decadence, foie gras on your burger, everything you want and nothing you don’t and then some more. Nicolas Cage, an unchained freak; Sean Connery, virtuosically hammy; Ed Harris, a haunted prince going down with his ship; antihero vs. antihero vs. antihero vs. the president; and gruesome chemical weapons and a heist and a mutiny and a double mutiny and family drama and Alcatraz and mine carts and fighter jets and flames and a rock, stalwart against the sea. All that, but with none of the septic irony, the relentless self-conscious hedging, that infects so much of our lives these days. The Rock does not take one single moment to look you in the eye and say, yes, we know this is a little silly, we are sorry, please know we are cool—there’s no need! The Rock believes in itself, it commits, it is happy to be fun. Coolness is a deadly neurotoxin. Inject The Rock into your heart.”

“Look. Isn't he beautiful?" Drew's expression softened. "Ah, Nellie. He's bald, pink, and has no teeth. What's so beautiful about that?" Nellie's laugh tinkled out like musical chimes while she covered the babe back up.”

“Look, it may seem like they’re all the friends you have, but if you get pressured into doing something you don’t want, you will only end up hating what you’ve done and feeling bad about yourself. That’s worse than having so-called friends who don’t want you as a friend just because you didn’t do what they wanted you to.” - Saving You Saving Me by Kailin Gow”

“Look it over some time. 'T is fine spoort if ye don't care f r checkers. Some say it laves th' flag up in th' air an' some say that's where it laves th' constitution. Annyhow, something'» in th' air. But there's wan thing I 'm sure about." " What's that ?" asked Mr. Hennessy. " That is," said Mr. Dooley, " no matther whether th' constitution follows th' flag or not, th' supreme coort follows th' iliction returns.”

“Look, Jenna, it isn't like Wayne is perfect. Our crew is a bunch of overgrown misfit children. Wayne had it the worst growing up, but we all had the unpopular weirdo freak thing in one way or another. I like to think that a combination of decent brains and a fairly good sense of humor kept us all from becoming tragic situations." "You mean criminals and meth heads?" Elliot laughs. "Exactly. And at a certain level, I think we all cling to our weirdness because it insulates us from trying to fit in and failing.”

“Look, Jordan, you’re not alone any more. It’s my job to protect you while I’m here and I can’t do that if you keep pushing me away.” “That’s the problem, Michael,” I shot back. “You have more responsibilities to your boss than you do to me. You taught me how to defend myself, how to heal myself, and that should be good enough. You can’t keep babysitting one little human when you have an entire cosmos to worry about.” He faced me again, those green eyes boring into mine as if he could see straight through me. “Are you saying you want me to leave?” My chest tightened. I hadn’t expected him to say that. I bit my bottom lip, glancing away. “That’s not what I mean.” “Then what do you mean?” “Since when have I ever known what the hell I mean?” He touched my right cheek, making me face him. “You do when it counts.” Staring up at him, shirtless, vulnerable, and wounded, I felt like I couldn’t breathe. He had a knack for picking my walls apart brick by brick. It bothered me. He took a step closer, casting a shadow over me. “Stop,” I mumbled, fixing my eyes on the floor. He brushed a lock of hair behind my ear, sliding his warm hand to lift my chin so I’d have to look at him. “Stop what?” he murmured. “Looking at me.” “Why?” “That’s how Terrell used to look at me before we kissed.” His lips parted to say something but I pushed past him, gathering up my duster from where it lay on the bed next to the dress. “Get dressed. We have more ghosts to help.”

“Look, let me just say it: That could be anything but whatever that's, one-sided love or one-way trust, understanding, care, concern, consideration or maybe sacrifice is pointless and disappointing because things are not reciprocating these days. Also, the chance of that happening is very bleak and in the end, weeping in the middle of the night under a blue-black sky is for suckers or maniacs. You are gifted and sensible, you can understand this much...”

“Look, look,' cried the count, seizing the young man's hands - "look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die - like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength? - do you know what consoled him? It was, that another partook of his punishment - that another partook of his anguish - that another was to die before him. Lead two sheep to the butcher's, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man - man, who God created in his own image - man, upon whom God has laid his first, his sole commandment, to love his neighbour - man, to whom God has given a voice to express his thoughts - what is his first cry when he hears his fellowman is saved? A blasphemy. Honour to man, this masterpiece of nature, this king of the creation!”

“Look, Madeline," Lady Gertrude said, "everyone's gaping at you!" "I know." The future duchess stared straight ahead, her shoulders stiff, her back straight. Never had Remington seen a woman less comfortable with her own distinction. Never had he enjoyed the success of his own plan quite so much. The ton adored only one thing more than a romance, and that was a scandal. He had- and would- give them both. "Maybe it's because of your hair," he murmured. Madeline shot him a glare.”

“Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.”

“Look me in the eye. It’s ok if you’re scared. So am I. But we are scared for different reasons. I am scared of what I won’t become. And you are scared of what I could become. Look at me. I won’t let myself end where I started. I won’t let myself finish where I began. I know what is within me, even if you can’t see it yet. Look me in the eyes. I have something more important than courage. I have patience. I will become what I know I am.”

“Look,' Mercator told her. 'You can talk to a person. You can reason with an individual. Usually. But people, that's another thing altogether. In a group is where they lose their way. Doesn't matter if it's humans, dwarves, or mir, if you put three or more in a room, they'll manufacture stupid like it was spun gold. They're like honeybees that way, except the product is never sweet. Don't listen to them. Listen to me. Don't listen to people, listen to a person.”

“Look, Miranda, he said, those twenty long years that lie between you and me. I've more knowledge of life than you, I've lived more and betrayed more and seen more betrayed. At your age one is bursting with ideals. You think that because I can sometimes see what's trivial and what's important in art that I ought to be more virtuous. But I don't want to be virtuous. My charm (if there is any) for you is simply frankness. And experience. Not goodness. I'm not a good man. Perhaps morally I'm younger even than you are. Can you understand that?”