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Actors Quotes

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Actors Quotes

“What I have always found most beautiful in the theatre, in my childhood, and still today, is lustre--a beautiful object, luminous, crystalline, complex, circular, symmetrical. However, I do not absolutely deny the value of dramatic literature. Only, I should like the actors to be mounted on high pattens, to wear masks more expressive than the human face, and to speak through megaphones.”

“I've played English a number of times, and used an English accent a number of times, so it becomes a little bit of an obstacle course to go, "Oh, that's teetering into Captain Jack-ville," or "This is teetering into Chocolat or Wonka." You've got to really pay attention to the places you've been. But, that's part of it. That's the great challenge. You may get it wrong. There's a very good possibility that you can fall flat on your face, but that's a healthy thing for an actor.”

“As a philosophical problem, it comes down to a better way to engage with the passage of time; and I think we're getting close to one, because the imaginative loss of the future is becoming acute.The most effective political actors on the planet now are people who want to blow themselves up.These are people who really don't want to get out of the bed in the morning and face another unpredictable day.”

“And what movies we saw! All the actors and actresses whose photographs I collected, with their look of eternity! Their radiance, their eyes, their faces, their voices, the suavity of their movements! Their clothes! Even in prison movies, the stars shone in their prison clothes as if tailors had accompanied them in their downfall.”

“Every time I go to Europe, I remember that James Dean never saw Europe, but yet I see his face everywhere. There's James Dean, Humphrey Bogart and Marilyn Monroe - windows of the Champs Elysees, discos in the south of Spain, restaurants in Sweden, t-shirts in Moscow. My life was confused and disoriented for years by his passing. My sense of destiny destroyed - the great films he would have directed, the great performances he would have given, the great humanitarian he would have become, and yet, he's the greatest actor and star I have ever known.”

“Sitting for a picture is morbid business. A portrait doesn't begin to mean anything until the subject is dead. This is the whole point. We're doing this to create a kind of sentimental past for people in decades to come. It's their past, their history we're inventing here. And it's not how I look now that matters. It's how I'll look in twenty-five years as clothing and faces change, as photographs change. The deeper I pass into death, the more powerful my picture becomes. Isn't this why picture-taking is so ceremonial? It's like a wake. And I'm the actor made up for the laying-out.”