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Concealing Quotes

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Concealing Quotes

“The unanimously applauded, self-congratulatory bromides of a Soviet Party Congress seemed contemptible. The unanimity of the sanctimonious, reality-concealing rhetoric spouted by American officials and media commentators in recent days seems, well, unworthy of a mature democracy.”

“I have no intention of slurring over the differences we have with socialism, nor concealing my belief that we are the National Party of Great Britain, representing not narrow class interest, nor the bigotry of the left wing intellectuals, but all those who support the British tradition of democracy, of personal freedom, of personal responsibility for one's own affairs and those of one's family, with the least possible interference from the State.”

“Stirner and Nietzsche ... reveal how prone morality is to being used as a means of rationalization, a cloak for concealing violent and brutish passions, and making their sadistic expression a virtue.”

“Well, there's a question as to what sort of information is important in the world, what sort of information can achieve reform. And there's a lot of information. So information that organizations are spending economic effort into concealing, that's a really good signal that when the information gets out, there's a hope of it doing some good...”

“Nothing excites men's curiosity so much as Mystery, concealing things which they desire to know; and nothing so much increases curiosity as obstacles that interpose to prevent them from indulging in the gratification of their desires. Of this the Legislators and Hierophants took advantage, to attract the people to their sanctuaries, and to induce them to seek to obtain lessons from which they would perhaps have turned away with indifference if they had been pressed upon them.”

“Who needs a dream? Who needs ambition? Who'd be the fool in my position? Once I had dreams, now they're obsessions. Hopes became needs, lovers possessions. Then they move in, oh so discretely. Slowly at first, smiling too sweetly. I opened doors, they walked right through them. Called me their friend, I hardly knew them... Don't get me wrong, I'm not complaining. Times have been good, fast, entertaining. But what's the point if I'm concealing not only love, all other feeling.”

“I began to think about the extent to which nude and semi-nude female bodies are commonplace in our present day culture and how young girls might be affected. I wondered if, at some point, this bombardment of images could possibly get boring and that concealing - rather than revealing - would awaken sexual desire. I don't think that will ever be the case, of course, but I was intrigued to write a poem in which dressing was just as erotic as undressing.”

“It is a work of psychogeography, albeit in a less explicit sense than Iain Sinclair's or Will Self's. It had to be fiction though, because I needed that freedom of including whatever belonged, and cutting out whatever didn't. The main fiction in it was matching Julius' generous and self-concealing character to New York's generous and self-concealing character. I think this also adds to my answer about New York's personality in the book.”

“The First Amendment is really at the very core of political speech, and political speech is at the core of the First Amendment. So, we want to be very careful to make sure that candidates for office are free to express their views so that people will make an informed choice. We don't want them holding back, and sort of concealing their views and then disclosing them afterwards.”

“So you actually need spectacles,” Leo finally said. “Of course I do,” Marks said crossly. “Why would I wear spectacles if I didn’t need them?” “I thought they might be part of your disguise.” “My disguise?” “Yes, Marks, disguise. A noun describing a means of concealing someone’s identity. Often used by clowns and spies. And now apparently governesses. Good God, can anything be ordinary for my family?”

“I have mastered many things in my life. Navigating the streets of London, speaking French without an accent, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms..." Tessa stared. "Alas," he went on, "no one has ever actually referred to me as 'the master,' or 'the magister,' either. More's the pity.”