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Charades Quotes

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Charades Quotes

“In spite of the horror, in spite of the tragedy, in spite of the weeks of sleepless nights, I'm finally alive. I'm not pretending. I feel real. I'm not playing charades anymore. I wouldn't go back to the way I was for anything. I'm really like a different person. I'm where I am, and I'm making the most of it. I know I'm courageous now. I found out I had it in me to face this. — Barbara”

“For as long as men and women have talked about war, they have talked about it in terms of right and wrong. And for almost as long, some among them have derided such talk, called it a charade, insisted that war lies beyond (or beneath) moral judgment. War is a world apart, where life itself is at stake, where human nature is reduced to its elemental forms, where self-interest and necessity prevail. Here men and women do what they must to save themselves and their communities, and morality and law have no place. Inter arma silent leges: in time of war the law is silent.”

“The Dutch at close proximity looked much like Americans, apart from their peculiar uniforms, and so it was their uniforms I fired at, half convinced that I was killing, not human beings, but enemy costumes, which had borne their contents here from a distant land; and if some living man suffered for his enslavement to the uniform, or was penetrated by the bullets aimed at it well, that was unavoidable, and the fault couldn't be placed at my feet. The private charade was not equivalent to Courage, but it enabled a Callousness that served a similar purpose.”

“The danger of education, I have found, is that it so easily confuses means with ends. Worse than that, it quite easily forgets both and devotes itself merely to the mass production of uneducated gradtuates - people literaly unfit for anything except to take part in an elaborate and completely artificial charade which they and their contemporaries have conspired to call "life".”

“Coquettes are, but too rare. It is a career that requires great abilities, infinite pains, a gay and airy spirit. 'T is the coquette who provides all the amusements,--suggests the riding-party, plans the picnic, gives and guesses charades, acts them. She is the stirring element amid the heavy congeries of social atoms,--the soul of the house, the salt of the banquet.”

“What does a man need - really need? A few pounds of food each day, heat and shelter, six feet to lie down in - and some form of working activity that will yield a sense of accomplishment. That's all - in the material sense, and we know it. But we are brainwashed by our economic system until we end up in a tomb beneath a pyramid of time payments, mortgages, preposterous gadgetry, playthings that divert our attention from the sheer idiocy of the charade. The years thunder by.”

“I asked Shia: who is the guy that terrifies you the most? And he said Mads. So it was somebody we both really wanted to work with. He's intimidating, but has a really big heart and he's sexy. He's got this sexiness, even guys fall for him. He just penetrates everything-not literally. So we needed a brokenhearted thug that could really give us the heartache. And going between the violence and viciousness and the complete softness without making it too much. A lot of those characters can go into a charade, and I needed it to be genuine heartbrokenness and that's what he's great at doing.”

“Lies hold civilization together. If people ever seriously begin telling each other what they really think, there'd be no peace. Good-bye to tact. Good-bye to being polite. Good-bye to showing tolerance for other people's buffooneries. The fact that we claim to admire Truth is probably the biggest lie of all. But that's part of the charade, part of what makes us human, and we do not even think about it. In effect, we lie to ourselves. Lies are only despicable when they betray a trust.”

“I have mastered many things in my life. Navigating the streets of London, speaking French without an accent, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms..." Tessa stared. "Alas," he went on, "no one has ever actually referred to me as 'the master,' or 'the magister,' either. More's the pity.”

“Henry turned as if to dart out of the room, then swung around and stared at them, a look of confusion passing over his freckled face, as if he had only now had cause to wonder why Will, Tessa, and Jem might be crouching together in a mostly disused storage room. "What are you three doing in here, anyway?" Will tilted his head to the side and smiled at Henry. "Charades," he said. "Massive game.”

“Oh, I don't know. I prefer to think that when they're at home, the Silent Brothers are much like us. Playing practical jokes in the Silent City, making toasted cheese-" "I hope they play charades," said Tessa Dryly. "It would seem to take advantage of their natural talents.”

“Marya Morevna, we are better at this than you are. We can hold two terrible ideas at once in our hearts. Never have your folk delighted us more, been more like family. For a devil, hypocrisy is a parlour game, like charades. Such fun, and when the evening is done we shall be holding our bellies to keep from dying of laughter.”

“We allowed you a charade of trivial freedoms in order to avoid making those impositions on you that are in the end both the training ground and proving ground for true independence. We pronounced you strong when you were still weak in order to avoid taking part in the long, slow, slogging effort that is the only route to genuine maturity of mind and feeling. Thus, it was no small anomaly of your growing up that while you were the most indulged generation, you were also in many ways the most abandoned to your own meager devices by those into whose safe-keeping you had been given.”

“The time has come to end this charade. The debts are unaffordable. If they won't cancel the debts I would suggest obstruction; you do it yourselves. Africa should say: 'thank you very much but we need this money to meet the needs of children who are dying right now so we will put the debt servicing payments into urgent social investment in health, education, drinking water, control of AIDS and other needs.'”

“In one way or another, this is the oldest story in America: the struggle to determine whether “we, the people” is a moral compact embedded in a political contract or merely a charade masquerading as piety and manipulated by the powerful and privileged to sustain their own way of life at the expense of others.”

“Your heart like a hawk-mouth in the sun, your heart like a ship on an atoll, your heart like a compass needle driven mad by a little piece of lead, like washing drying in the wind, like a whining of horses, like seed thrown to the birds, like an evening paper one has finished reading! Your heart is a charade that the whole world has guessed.”

“The obvious and fair solution to the housework problem is to let men do the housework for, say, the next six thousand years, to even things up. The trouble is that men, over the years, have developed an inflated notion of the importance of everything they do, so that before long they would turn housework into just as much of a charade as business is now. They would hire secretaries and buy computers and fly off to housework conferences in Bermuda, but they'd never clean anything.”

“Sorcery breaks no law of nature because there is no Natural Law, only the spontaneity of natura naturans, the tao. Sorcery violates laws which seek to chain this flow– priests, kings, hierophants, mystics, scientists & shopkeepers all brand the sorcerer enemy for threatening the power of their charade, the tensile strength of their illusory web.”

“Nobody gives way to anybody. Everyone just angles, points, dives directly toward his destination, pretending it is an all-or-nothing gamble. People glare at one another and fight for maneuvering space. All parties are equally determined to get the right-of-way--insist on it. They swerve away at the last possible moment, giving scant inches to spare. The victor goes forwards, no time for a victory grin, already engaging in another contest of will. Saigon traffic is Vietnamese life, a continuous charade of posturing, bluffing, fast moves, tenacity and surrenders.”