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“I do not think I exaggerate the importance or the charms of pedestrianism, or our need as a people to cultivate the art. I think it would tend to soften the national manners, to teach us the meaning of leisure, to acquaint us with the charms of the open air, to strengthen and foster the tie between the race and the land. No one else looks out upon the world so kindly and charitably as the pedestrian; no one else gives and takes so much from the country he passes through.”

“'Fire' does not matter, 'earth' and 'air' and 'water' do not matter. 'I' do not matter. No word matters. But man forgets reality and remembers words. The more words he remembers, the cleverer do his fellows esteem him. He looks upon the great transformations of the world, but he does not see them as they were seen when man looked upon reality for the first time. Their names come to his lips and he smiles as he tastes them, thinking he knows them in the naming.”

“As any man, I, of course, have certain preferences. Being a Scot by birth, I'm inclined to favor those with a well-scrubbed look and a hint of color in their cheeks-put there by an early walk in the chill air rather than by rouge. The smell of soap on a woman's skin or the hint of shampoo in her hair is perfume enough for me . . . Humor is important. The most beautiful woman in the world is a bore without that.”

“I reeled my head back, and with violent, uncontrollable contortions, I launched a spray of yellow, soupy duckfoot vomit into the air ... I (didn't see) where my regurgitated lunch had ended up after it'd been blasted from my throat. I booked it out of the now-befouled Chang'an Theater as fast as possible. (My guide) found me fifteen minutes later trying to look as casual as it is possible for a six-foot-two curly-haired white guy to look in a Beijing theater.”

“Our job is to provide coalition the military equipment that they need; the air support they need; special forces when appropriate. But at the end of the day for a dozen different reasons, not the least of which is that ISIS would like American combat troops on the ground so they could reach out to the Muslim world and say, "Look, we're taking on those terrible Americans."”

“Sometimes I wonder what will be the air conditioning of my dying days. What thing will they add that will make it impossible to be uncomfortable? Because I do assume that as an old person, I will be very comfortable. There will be something - a drug or some way to impact the air around me - that when I relax, I'm gonna feel great. So I do look forward to that.”

“The only thing my mum could afford growing up was to be able to look after me and my brother so the only thing that I wanted when I grew up was to be able to look after my mum. So when I could, I bought her a house and then I got her a car as well and I got her a little air freshener to put in her car and on it, it said "life is a journey not a destination."”

“On the other hand, there are plenty of red flags that link developmental disabilities to things like lead and mercury and pesticides and air pollution and certain kinds of unhealthy foods, and that's what's begging for a comprehensive and definitive study. We should have a long-term prospectus study that looks at all, you know, exposures, medications, life habits, etc., pollution, and traces people over a period of many years, starting with when - starting with their parents, from when they are healthy. This is how we learned what causes heart disease.”

“I grew up in New York City where there is no night sky. Nobody has a relationship with the sky, because, particularly in the day, there was air pollution and light pollution, and you look up, and your sight line terminates on buildings. You know the sun and maybe the moon, and that's about it. So what happens is that I am exposed to the night sky as you would see it from a mountaintop, and I'm just struck by it. Suppose I grew up on a farm where I had that sky every night of my life - then you're not going to be struck by it. It's just the wallpaper of your nighttime dome.”

“What happened in Kosovo was the exact reversal of what happened in 'Fortress Europe' in 1943-45. Let me explain. Air Marshall 'Bomber' Harris used to say that 'Fortress Europe' was a fortress without a roof, since the Allies had air supremacy. Now, if we look at the Kosovo War, what do we see? We see a fortress without walls  but with a roof! Isn't that disappearance extraordinary?!”

“The script is a starting point, not a fixed highway. I must look through the camera to see if what I've written on the page is right or not. In the script, you describe imagined scenes, but it's all suspended in mid-air. Often, an actor viewed against a wall or a landscape, or seen through a window, is much more eloquent than the lines you've given him. So then you take out the lines. This happens often to me and I end up saying what I want with a movement or a gesture.”