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Audience Quotes

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Audience Quotes

“The centerpiece of 'Law and Order' is the crime, and it starts with the writing. There's a beginning, a middle and an end. It allows the audience to watch any given episode and can drop right in and not feel lost. I think the stark, raw structure has a lot to do with its longevity.”

Thinking Feels Writing Ends Law Order Lost Given Watches Audience Middle Crime Structure Episodes Longevity Starks Law And Order Centerpieces

Author:Danny Pino

“In order to appeal to a wider audience on network in order to survive, generally your characters need to be, at a base level, a little bit more likable.”

Needs Littles Character Order Bits Levels Audience Little Bit Appeals

Author:Shawn Ryan

“The Bowery was a place that would let us do original songs - not just covers - but we would have to work for tips, so we learned how to work an audience. In order to keep our jobs, we had to keep people happy, so that meant playing the latest Lynyrd Skynyrd and ZZ Top or Merle Haggard.”

People Jobs Song Order Audience Originals Haggard

Author:Randy Owen

“There are things which need to be shown in the trailer in order to let the audience know what kind of film it is that they're going to be expecting to see.”

Knows Needs Kind Film Order Audience Expecting Trailers

Author:Duncan Jones

“I don't think you necessarily have to be the most perfected performer, in order to express your feelings. It's really those feelings that an audience connects with, I think, at least as much as perfected technical skill.”

Thinking Feelings Order Audience Skills Performers Technical Skills

Author:Joseph Gordon-Levitt

“It was a distortion, a mercenary decision to create this parallel history in order to drive the movie for an American audience, Both my grandparents were officers in World War Two, and I would be personally offended if somebody distorted their achieve.”

Ifs World Two War Would Be Order Decision Audience Achieve War Of The Worlds Officers Grandparent Offended Parallels Distortion Mercenary World War Two

Author:David Ayer

“A lot of my colleagues just don't really realize that they have to work in order to get the interest of an audience, especially with young kids, especially because it [classical music] is not that popular. You don't see it on TV, you don't hear it on radio, so you really gotta put an effort into promoting classical music.”

Kids Young Order Interest Realizing Effort Audience Tvs Music Is Radio Colleagues Promoting Classical Music

Author:David Garrett

“Writers are egotists. All artists are. They can’t be altruists and get their work done. And writers love to whine about the Solitude of the Author’s Life, and lock themselves into cork-lined rooms or droop around in bars in order to whine better. But although most writing is done in solitude, I believe that it is done, like all the arts, for an audience. That is to say, with an audience. All the arts are performance arts, only some of them are sneakier about it than others.”

Writing Believe Art Done Artist Order I Believe Rooms Audience Solitude Performances Bars Locks Work Done Cork Performance Art

Author:Ursula K. Le Guin

“Giving free advice is a sad waste of effort. In the first place, no man will act upon it unless he is already inclined to do so. Secondly, when a man lays his case before you, the idea that he is asking your advice is a polite fabrication. He merely is suggesting that he is doing so, while as a fact his real object is to acquaint you with his personal activity. He wants to talk to somebody, being a natural gossip or gadder, and he plays upon your propensity for "giving advice" in order to get an audience.”

“In order to inhabit a villain, you mustn't care what the audience think of you. That's not why you are there. You mustn't care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.”

Thinking Way Care Order Audience Likes Dislike Villain Think Of You

Author:Ben Kingsley

“I wanted to make a film that wasn't just a biography. When you watched it, you actually felt that you watched a movie, that you had an emotional reaction. In order to do that, I felt that I had to really keep myself emotionally raw while working on the film. I had to feel myself crying, so the audience could be moved, too.”

Feels Wanted Film Order Felt Audience Cry Emotional Moved Reactions Biographies Emotional Reactions

Author:Tamra Davis

“There are jokes I know I want to tell, and there's sort of a rough order, but usually I try to change it up every show, to improvise and talk with the audience. I think when you tell jokes, if you're not careful, you can end up telling the whole list of jokes and then that's it. And that can get a little boring.”

Ifs Thinking Knows Want Trying Littles Ends Whole Shows Order Audience Jokes Careful Boring Lists Rough

Author:Demetri Martin

“You're not going to stay in business, the business of making movies very long because you need the resources in order to keep going. So you have to try and find a niche audience or some kind of audience that has the same likes, dislikes and aesthetic sensibilities that you have.”

Needs Trying Kind Long Order Audience Resources Likes Keep Going Dislike Aesthetic Sensibility Niche

Author:George Lucas

“I make a lot of music for different people. My audience is varied so I use different tempos for different music in order to satisfy my many fans.”

People Different Use Order Audience Fans Different Peoples Tempo Different Music

Author:Sizzla

“I hope any poem I've ever written could stand on its own and not need to be a part of biography, critical theory or cultural studies. I don't want to give a poetry reading and have to provide the story behind the poem in order for it to make sense to an audience. I certainly don't want the poem to require a critical intermediary - a "spokescritic." I want my poems to be independently meaningful moments of power for a good reader. And that's the expectation I initially bring to other poets' writing.”

“Making a fantastical world real is a bit of a challenge, for sure. When you're on set and you have a green screen you're working with where you'll pretend there's a giant lizard chasing you when there's nothing there. Being shown the images of what the creatures were going to look like and then having to react to them realistically without feeling like you're a crazy person. You kind of have to go for it. In order to sell it to the audience, you can't really hold back.”

World Looks Kind Persons Real Feelings Order Bits Challenges Audience Crazy Like You Creatures Green Sells Screens Giants Chasing Lizards Crazy Person

Author:Josh Hutcherson

“But when you are doing an animated voice, it has to have more energy than usual or it falls flat and doesn't work. For myself, I found that I had to put myself in the same physical or emotional state as Sid, in order to make that voice sound alive and authentic. So if there was a scene in which he was running, I would be running beforehand to sound out of breath. That's important because the audience can tell intuitively if it does not sound real.”

Ifs Doe Important Real States Would Be Running Order Fall Found Energy Sound Voice Audience Alive Emotional Scene Breaths Flats Usual Animated Sids

Author:John Leguizamo

“Just as the historian can teach no real history until he has cured his readers of the romantic delusion that the greatness of a queen consists in her being a pretty woman and having her head cut off, so the playwright of the first order can do nothing with his audience until he has cured them of looking at the stage through the keyhole, and sniffing round the theatre as prurient people sniff round the divorce court.”

Source: George Bernard Shaw: Collected Articles, Lectures, Essays and Letters: Thoughts and Studies from the Renowned Dramaturge and Author of Mrs. Warren’s Profession, Pygmalion, Arms and The Man, Saint Joan, Caesar and Cleopatra, Androcles And The Lion

“I never think of my audience when I write a poem. I try to write out of whatever is haunting me; in order for a poem to feel authentic, I have to feel I'm treading on very dangerous ground, which can mean that the resulting revelations may prove hurtful to other people. The time for thinking about that kind of guilt or any collective sense of responsibility, however, occurs much later in the creative process, after the poem is finished.”