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“I started as a drummer, so I sort of took on singing duties by default. I had sung backgrounds and some lead vocals from behind the drums in different bands that I'd been in, and I'd gotten great responses for the songs I would sing. I really started pursuing the possibility of being a lead singer based on the fact that I was working a full-time restaurant job and then playing gigs at night, hauling drums around. One day, it just dawned on me that, 'Hey, I could be in a band and be the singer, and it would be a lot easier!'”

“I listen to everything. As I told you, sometimes I just want to shut off from music and be silent. Then I play a song and it's refreshing. It's almost like initializing yourself. Recently I was in South Africa doing a press day for my tour. I listened to this band called "Freshly Ground." They were doing a live gig there so that's the last thing I've heard.”

“I don't really think of these as projects. I think of them as bands. I have tried to not just convene a group of musicians and make one record or make one gig and just drop it. Each of them develop over time. I have been really fortunate to keep a band like the Sextet together over three very different albums. Each time, the goal got more deep for me in terms of how I wanted to write for those people. So it is really about trying to develop ideas and trying to have a consistent focus on a way to come up with new ideas in music that I want to do.”

“One springs to mind: one of our very first gigs in a small East Texas town was not well promoted. At least, that was our conclusion. After the band loaded in and the curtain opened, we realized there was exactly one paying customer in the audience. We kind of made the best of it playing through the first set, took a break and bought him a Coke and then went on to perform for the remainder of the night. It wasn't exactly a catastrophe but it certainly stands as legendary.”

“There was a band in San Diego, Bluegrass Etc, that played a weekly gig. My parents would take my brother and me every Saturday night for 7 or 8 years. Sean and I started taking lessons with them and they gave us a great foundation in bluegrass instrumentation. They were the lens through which I saw music for a very long time.”