Quotessence
Home / Topics / Band Quotes

Band Quotes

Browse 3540 quotes about Band.

Related topics

Band Quotes

“What is the definition of cool? Michael Jackson made “Heal the World.” He could do that because he was golden. He was himself. He didn't have to try to be cool. Think about a lot of your favorite bands or groups. Would they make a song called “Heal the World”? No, because they are too concerned about their leather jackets. Ironically, they are probably wearing leather jackets because of Michael Jackson.”

“So long as we continued to attach more importance to our own narrow group membership than to the 'global village' we would propagate prejudice and ignorance. There was absolutely no harm in being part of a small group - indeed, with our hunter-gatherer band mentality it gave comfort, provided us with an inner circle of friends who could be utterly trusted, who were absolutely reliable. It helped give us peace of mind. The danger came only from drawing that sharp line, digging that ditch, laying that minefield, between our own group and any other group that thought differently.”

“It's all about respect; he's looking for respect from his buddies. In the last one he just wanted to hang out, to be part of the group, but this time he wants more from his friends. And without giving the story away, he finally gets something that he has been looking for when the mini sloths kidnap him and take him to their tribal area. He gets to be the Fire King and they worship him and there is an amazing scene with a "call and response" sequence in the style of Cab Callow [the legendary American jazz singer and band leader] between him and his audience.”

“It is really refreshing to hear a big band that has the ability to execute ensemble passages with swing and precision while retaining a "small group" feel during the solo sections. This kind of "tight, loose" approach is seldom heard in big bands, whether they are professional or not. Now, all the band needs is to hit the road and take the music around the world!”

“I mean I feel like we've shot all these different movies. Like the first 2 weeks of shooting was all Steve Stills apartment and band rehearsal, you know? And so it was like this tiny little group of people and small set comparatively and it just looked like a Toronto apartment. And then we sort of kept ramping up further and further until now we're here in this giant like craziest set I've ever seen with LCD crazy lights that go....you know?”

“I don't really think of these as projects. I think of them as bands. I have tried to not just convene a group of musicians and make one record or make one gig and just drop it. Each of them develop over time. I have been really fortunate to keep a band like the Sextet together over three very different albums. Each time, the goal got more deep for me in terms of how I wanted to write for those people. So it is really about trying to develop ideas and trying to have a consistent focus on a way to come up with new ideas in music that I want to do.”

“I was in bands as a singer-guitarist-songwriter until 1980-81. So, there's a bunch of stuff. A lot of the stuff is hard to come by-stuff by the Special Interest Group and the Zobo Funn Band. The Zobo Funn Band was a big Northeast cult band. We had about a billion skirmishes with the big rock industry.”

“It's really an orchestral piece featuring a group and it was quite revolutionary at the time and it in fact, it kicked Deep Purple off as a name in Great Britain because it made all the newspapers. Everyone was writing about us. And there was some confusion as to what kind of band we were after that, which is why Deep Purple in Rock is such a hard unbending album of really furious hard heavy rock. Heavy metal hadn't been invented at that point.”

“It's hard to say. Whenever you play with a group of people for a long time it influences the way that you play with others. They were all very defining in their own way and all affected the band in one way or another. I don't think they are so obvious in the music. The fact is that The Lawrence Arms is the culmination of a long search of trying to find people who play well as a unit.”

“It is a great pleasure to be performing with a big band. Those people took part in a group that played the music from the Kino Kultura album i.e. the soundtrack music I've been doing. It is difficult to organise them all and to have those people for a certain date since they all have their own obligations and arrangements. It is a great privilege to gather all those musicians at one place, especially these that I work with, since they perform regularly abroad, at weddings or are working somewhere else.”

“When my band MU landed on Maui in 1973 we were greeted by a wonderful group of peace loving brothers & sisters who we immediately formed a bond with. We had two instant roadies, Spider & Richard, who helped with every move of our musical equipment. We settled into our house on the edge of the rainforest that eventually became a portable studio. We started rehearsing and booked the Lahaina Civic Auditorium for a full moon concert starring MU and a local band The Space Patrol.”

“A lot of life is about how you feel relating to dealing with this person or that person. If this person makes you feel good, then they're a person to be around; if they don't, they're not. Being in a band is different. The group is the more important part, and you have to kind of shift the way you look at life when you're in a group of people that you work with.”

“There is no way that I could pinpoint just one person. When I first started, I was listening to Randy Rogers quite a bit, and I was also pretty big into Josh Grider back then. I remember going to a lot of Kevin Fowler shows early, and Eli Young Band was another one of the groups I listened to a lot of when I was learning to write and play guitar.”

“I feel like there's not this black-and-white division between concert hall music and music that bands play in a bar. I don't know if this was ever truly the case, but I don't feel that I need to decide between playing for a sit-down, totally silent audience and playing for a bunch of noisy, drunk people in a bar. What I do with the group is somewhere in between.”

“Just think about it, be honest, how many groups have you heard of in the last five or six, seven, eight years that you never heard of playing live? You never heard of them making a record. You never heard of them in anybody else's band, and all of a sudden they're the biggest thing going. That to me, that's to me social media music. I'm not saying it's right or it's wrong but it is what it is.”

“I was a guitar player on the streets of Asbury Park and already a member in good standing amongst those who lie in service of the truth - artists with a small A. But I held four clean aces. I had youth, almost a decade of hardcore bar band experience, a good group of homegrown musicians who were attuned to my performance style, and a story to tell.”