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Body Horror Quotes

Browse 29 quotes about Body Horror.

Body Horror Quotes

“Posed In Vein by Stewart Stafford O Stephanie! In your cruciform puppetry, Bloody veins stretched out wiry To relive in a bondage diary. Subject mapped as inked skin she wears, Decorating, desecrating olden snares. Each needle kiss, a line defined, A pinprick story rushes her mind. By candlelight, in her coven deep, Secrets webbed flies must keep, Spelled out straight in her hexing book, Consort Lenore gives a cryptic look. They tug the strings, the marionette, Caught in her captor's welcome net. In artificial light, a social moth's mien, A wrought, posed, fetishistic scene. The knots are tight, the ropes defined; Bodily and in private mind. This mutual art, a supplicant's plea, Cut into her Kinbaku diary. © 2025, Stewart Stafford. All rights reserved.”

“Homily professed her love by digging a second crossbow bolt of Shersheshin's body. It was so much clearer a declaration of affection than any of those speeches spun by poets or playwrights. And stuffed into the mouths of actors who pretended to be enamored. One could only pretend to love in language. True love was a woman sinking up to her elbows in her viscera.”

“I fail to understand why men think violence will intimidate women. Women, who bleed all over themselves every month, who rub blood clots between their fingers and burst them like insects, and sometimes can't because they're not blood clots, they're tongue-coloured strings of meat from the womb. Women who burst open in childbirth, vagina splitting and anus sagging, tiny, hardening fingernails clawing inside of them, placentas like thick filet mignon.”

“And now Christine felt as if her face was bursting open and glowing coals were being birthed from it, quickening into life and swarming across her face and all her limbs, and everything within her face had sprung to life, a fiery swarming all across her body. In the lightning’s pallid glow she saw, long-legged and venomous, innumerable black spiderlings scurrying down her limbs and out into the night, and as they vanished they were followed, long-legged and venomous, by innumerable others.”

“You know how old people lose all shame about eating, and it makes you puke to watch them? Old junkies are the same about junk. They gibber and squeal at sight of it. The spit hangs off their chin, and their stomach rumbles and all their guts grind in peristalsis while they cook up, dissolving the body’s decent skin, you expect any moment a great blob of protoplasm will flop right out and surround the junk. Really disgust you to see it. 'Well, my boys will be like that one day,' I thought philosophically. 'Isn’t life peculiar?”

“There was something tragic in that sloppy and immoderate fertility: the misery of a creature struggling on the border of nothingness and death; the strange heroism of a femininity triumphant in its fecundity over the deformity of nature and the insufficiency of man. Yet her progeny revealed the cause of that maternal panic, that frenzy of birthing that had exhausted itself in abortive foetuses and an ephemeral generation of phantoms without blood or faces.”

“The thing inside Dae- the thing rapidly becoming the thing outside Dae, around Dae, subsuming Dae- stretches a few more dripping legs out. His own legs, his human legs, are curling into him like a dying spider's. His head is mercifully hidden behind the bulk of his own torso but Riley remembers the way his eyeballs sloshed inside his skull and she knows if he were to turn his face towards him now they would be empty, oozing hollows, the soft membranes slipping out and down his face like egg whites.”

“Aubergine, Auberga, Life Goes On by Stewart Stafford The Devil is in the oxtails, A foetus lacking the superb, Granny Smith or Granny Shit, Modulation without the reverb. A penguin picked up gingerly, Unaware what had hit his ice, A Matterhorn tuxedo Cha-Cha, Casinoed fits from tumbling dice. O, to have knees of broccoli! Each eye a glittering ruby grape, A peacenik parsley neck surrender, Florid garnish to an eggplant nape. Forgive me if I go daydreaming, Your déjà vu’s recurring nightmare, An offer of hunger strike insomnia, A gun-to-the-head vigil with flair. © 2026, Stewart Stafford. All rights reserved.”

“This City," I thought, "is so horrific that its mere existence, the mere fact of its having endured — even in the middle of a secret desert — pollutes the past and the future and somehow compromises the stars. So long as this City endures, no one in the world can ever be happy or courageous." I do not want to describe it; a chaos of heterogeneous words, the body of a tiger or a bull pullulating with teeth, organs, and heads monstrously yoked together yet hating each other — those might, perhaps, be approximate images.”