“One of the things that I love about voiceover is that it's a situation where - because you're not encumbered by being seen - it's liberating. You're able to make broad choices that you would never make if you were on camera.” IfsAbleChoicesSituationCamerasBroadsLiberating Author:Mark Hamill
“You pick up a camera because something has been revealed to you in the landscape or in the human-scape. And you have no choice because it's a gift. And it's like, oh right, I better start doing this!” HumansHas BeensChoicesPicksCamerasLandscapeScapes Author:Bill Henson
“I think that there's an infinite amount of places where you can stick a camera. There's an infinite amount of choices of what could be going on. There's an infinite amount of places for so many things, so you have to figure out how to do your job.” ThinkingJobsChoicesFiguresAmountInfiniteCamerasSticks Author:Darren Aronofsky
“If you are a fan, you have two choices. Go to the stadium, where you see the whole beauty of it. Or stay at home, watch the beautiful moves on the slo-mo cameras. Don't go to the cinema, because you won't see it there.” IfsTwoWholeHomeBeautifulMovingChoicesWatchesFansCamerasCinemaStadiumsStay At HomeTwo Choices Author:Carlos Cuaron
“It's a pity I am so impatient and careless, as any ordinary person could learn all the techniques of photography in a week. It is the democratic art, i.e. technical skill is practically eliminated - the more foolproof cameras become with focusing and exposure gadgets the better - and artistic quality depends only on choice of subject.” PersonsArtChoicesQualityWeekSubjectsDependsSkillsPhotographyOrdinaryCamerasDemocraticTechniquePityArtisticExposureImpatientCarelessGadgetsOrdinary PersonTechnical SkillsFoolproof Author:W. H. Auden
“I chose to be a photographer twenty-two years ago, but I don't know that I'd make that choice again. Back in the early eighties, I still thought I was doing okay, trying to order and shape the world with my camera. Now that I know a bit more about living and dying, about our planet and its complex problems, I'm a lot less comfortable with my images of people. Still, I haven't a clue what else to do.” PeopleKnowsWorldTryingYearsStillsTwoProblemOrderChoicesBitsDyingHavensPlanetsShapesComfortableYears AgoOkayTwentiesCamerasComplexesPhotographerTwo YearsClueEightyOur PlanetTwenty TwoTwo Years AgoComplex Problems Author:Eugene Richards
“The biggest considerations I had were practical: how do you move such a large number of actors around a small space? So, for example, if I have to have the mother bring a pot of tea from the kitchen to the living room and serve it to the others, how do I, on a practical level, get everyone into the frame? Any decisions I made about the camera angles or movement came out of necessity, versus any sort of stylistic choice.” IfsMadeMovingMotherChoicesActorsSpaceDecisionLevelsRoomsNumbersExampleMovementCamerasPracticalsTeaKitchenConsiderationPotAngleVersusLiving RoomLarge NumbersSmall SpacesCamera Angles Author:Hirokazu Koreeda
“That shot in "Into the Inferno" somehow popped up while my editor and I were viewing the footage. I immediately said, "That looks like the opening shot because the camera approaches the action very slowly and we have enough time to insert some of the main credits into it." So it was a practical choice. At the same time, you see these tiny figures standing at the rim of something, and all of a sudden, the camera rises further and you find yourself looking straight down into an inferno.” LooksSaidEnoughActionChoicesFiguresApproachShotsStandingCamerasCreditTinyPracticalsOpeningFinding YourselfEditorsEnough TimeInfernoRimsInsert Author:Werner Herzog
“Animators do amazing working translating and interpolating the characters [in the Planet of the apes], the facial performances. What we're creating on set - if you don't get it on the day, in the moment, on set, in front of the camera, with the director and the actors. The emotional content of the scene and the acting choices.” IfsMomentsCharacterChoicesActorsActingFrontsEmotionalPlanetsSceneDirectorsCreatingPerformancesCamerasTranslateApesFacialAnimator Author:Andy Serkis
“I love swimming in the darker seas, so even if I play a noble guy (well, like Lincoln for instance) I am pre-disposed to try and show the conflict; the regret; the less-than-perfect choices that any human faces. That's what I like and it seems to be what the camera likes to see me do.” IfsTryingHumansWellsPlayShowsSeemsFacesGuyChoicesPerfectSeaRegretConflictCamerasNobleLikesInstanceSwimmingHuman FacesI Love Swimming Author:Bill Oberst Jr.