Quotessence
Home / Topics / Cameras Quotes

Cameras Quotes

Browse 2553 quotes about Cameras.

Related topics

IfsPeopleFrontsThinkingPhotographyFilmKnowsWayPhotographerActorsWantPhotographLooksWorldFeelsBehindsFirstsKindActingUseShowsEyeYearsLittlesTryingNeedsGivingI CanMomentsRealVideoScenePersonsDirectorsWellsLensesLightStillsDifferentShotsMenBigsSometimesArtistAudienceCharacterMovingWantedDigitalTwoUsedJobsTelevisionDoeFacesImportantShouldStoriesHandsHas BeensMadeArtStageAbleIdeasStuffWould BeBitsDoneMeanSaidTvsWholeBelieveCamera And PhotographyKidsLongMindGuySubjectsVideo CamerasHappensMatterRealityDigital CamerasPicksPlayShootingEnoughHelpingPerformancesPhonesSawsSidesRecordsSeeingFeelingsInterestingTurnsWritingmore

Cameras Quotes

“If I were just curious, it would be very hard to say to someone, I want to come to your house and have you talk to me and tell me the story of your life. I mean people are going to say, You're crazy. Plus they're going to keep mighty guarded. But the camera is a kind of license. A lot of people, they want to be paid that much attention and that's a reasonable kind of attention to be paid.”

PeopleIfsWantKindMeanHardStoriesWould BeHouseAttentionCrazyPhotographyPaidCamerasPhotographerCuriousReasonablePlusLicenseTalk To MeGuardedMean People
Author:Diane Arbus
Create image

“I have a way to photograph. You work with space, you have a camera, you have a frame, and then a fraction of a second. It's very instinctive. What you do is a fraction of a second, it's there and it's not there. But in this fraction of a second comes your past, comes your future, comes your relation with people, comes your ideology, comes your hate, comes your love - all together in this fraction of a second, it materializes there.”

PeopleWayTogetherPastHateSpacePhotographyRelationCamerasPhotographerPhotographIdeologyOur FutureOur PastYour FutureYour PastFractions
Author:Sebastiao Salgado
Create image

“I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.”

IdeasEndsFormFeltSawsFocusMovementPhotographyDiscoveryUltimateCamerasFinalsPhotographerGlassesDetailsFinishedReleaseProportionManipulationPrintAllowingConceptionLensesExposurePresentationTextureShuttersPreconceived IdeasRediscoveryDuplication
Book:Edward Weston on photography
Create image

“My first priority when taking pictures is to achieve clarity. A good documentary photograph transmits the information of the situation with the utmost fidelity; achieving it means understanding the nuances of lighting and composition, and also remembering to keep the lenses clean and the cameras steady.”

FirstsMeanRememberUnderstandingSituationAchieveInformationPhotographyCamerasCleanPhotographerPhotographPrioritiesClaritySteadyCompositionDocumentariesLensesFidelityLightingNuanceTransmitTaking Pictures
Author:Sam Abell
Create image

“Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour.”

PeopleIfsLongI CanMatterFactsLightMovingThreeWaitingHoursKnowingMinutesSubjectsGoes OnPhotographyLong TimeShadowCamerasPhotographerCloudsCowsMatter Of Fact
Book:Edward Weston on photography
Create image

“Give half a dozen men the same camera, lenses and plates, and send them to the same place to do the same thing, and all the results will be alike, or so nearly alike as to reveal the real mechanicalness of photography. Yet, curiously enough, this is just one of the most difficult things a photographer can be set to do, to exactly repeat himself, or another. He may use the identical apparatus, know the subject perfectly, and yet be totally unable to bring away an exact replica.”

KnowsMenGivingMayRealEnoughUseDifficultResultsHalfSubjectsPhotographyCamerasPhotographerRepeatsJust OneDozenPlatesLensesIdenticalDifficult ThingsReplicaCamera Lenses
Author:Frederick H. Evans
Create image

“More and more are turning to photography as a medium of expression as well as communication. The leavening of aesthetic approaches continues. While it is too soon to define the characteristic of the photographic style today, one common denominator, rooted in tradition, seems in the ascendancy. The direct use of the camera for what it can do best, and that is the revelation, interpretation, and discovery of the world of man and of nature. The greatest challenge to the photographer is to express the inner significance through the outward form.”

MenWorldWellsUseSeemsTodayFormCan DoChallengesCommonStyleExpressionCommunicationApproachPhotographyDiscoveryTraditionDirectCamerasPhotographerMediumsCharacteristicsRevelationsSignificanceInterpretationAestheticRootedCommon DenominatorAscendancy
Author:Beaumont Newhall
Create image

“But there is more to a fine photograph than information. We are also seeking to present an image that arouses the curiosity of the viewer or that, best of all, provokes the viewer to think-to ask a question or simply to gaze in thoughtful wonder. We know that photographs inform people. We also know that photographs move people. The photograph that does both is the one we want to see and make. It is the kind of picture that makes you want to pick up your own camera again and go to work.”

PeopleThinkingKnowsWantKindDoeMovingAsksWonderInformationFinePhotographyPicksCamerasCuriosityPhotographerPhotographSeekingThoughtfulProvokingViewers
Author:Sam Abell
Create image

“The contemporary artist...is not bound to a fully conceived, previsioned end. His mind is kept alert to in-process discovery and a working rapport is established between the artist and his creation. While it may be true, as Nathan Lyons stated, 'The eye and the camera see more than the mind knows,' is it not also conceivable that the mind knows more than the eye and the camera can see?”

KnowsMindMayEndsEyeArtistProcessCreationPhotographyDiscoveryCamerasBoundsPhotographerContemporaryBeing TrueRapport
Author:Jerry Uelsmann
Create image

“You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.”

WayWantMayMadeDifferentWholeCertainSeeingPositionHard WorkInvolvedPhotographyHarderCamerasPhotographerLiftsParticipationGet InvolvedWork HarderSpursDifferent Relationships
Author:Jay Maisel
Create image

“The difference between an amateur and a professional photographer is that the amateur thinks the camera does the work. And they treat the camera with a certain amount of reverence. It is all about the kind of lens you choose, the kind of film stock you use… exactly the sort of perfection of the camera. Whereas, the professional the real professional – treats the camera with unutterable disdain. They pick up the camera and sling it aside. Because they know it’s the eye and the brain that count, not the mechanism that gets between them and the subject that counts.”

ThinkingKnowsKindDoeRealUseEyeFilmCertainDifferencesBrainSubjectsAmountPicksPerfectionTreatsCamerasPhotographerYou ChooseReverenceMechanismLensesDisdainProfessional Photographer
Author:David Hemmings
Create image