“The more commercial work that is happening, the more people are operating cameras and are setting up studio lights, the greater the opportunity for drama production to happen.” PeopleLightHappensOpportunityGreaterDramaHappeningsCamerasProductionsStudiosSettingSettings Author:Ann Macbeth
“It's nice to not feel like you're just re-enacting a preconceived moment, but there's room for an organic feeling to develop while the camera is rolling. Even amidst these enormous technical productions, Chris [ Nolan] always prioritized making sure that sort of spontaneous and organic feeling could happen at the moment.” FeelsMomentsFeelingsHappensRoomsNiceLike YouCamerasProductionsEnormousRollingSpontaneousNolan Author:Joseph Gordon-Levitt
“There is nothing worse than when actors come to a set - and it happens a lot with big stars - and they are too aware of where the camera is. They are the show. And that becomes apparent and it affects the production. I am like 'You should not know where the camera is - you should act, and I will do the rest.'” KnowsShouldShowsBigsHappensActorsStarsLike YouCamerasProductions Author:Paddy Considine
“Technology has already opened the door a bit wider for filmmakers, with smaller digital cameras making production less cumbersome. Social media is allowing self-distribution, and girl groups like Spark Summit are leading the way in calling for fewer Photoshop image alterations of girls in print media.” WaySelfGirlSocialBitsTechnologyDoorsGroupsMediaCallingCamerasProductionsSocial MediaFilmmakerDigitalPrintAllowingSparksFewerDistributionSummitAlterationsPhotoshopDigital CamerasLeading The WayGirl GroupsPrint Media Author:Sharon Lawrence
“The image isn't just created with the camera. That's just part one. The editor gets an imprint. The colorist does something to it. Visual effects does something to it. It's not just what you capture that people are going to see. The image gets made in many ways. In production and then in post.” PeopleWayDoeMadeEffectsCamerasProductionsPostsVisualsEditorsCaptureVisual Effects Author:Christopher Kenneally
“One of the things about working for an old school studio like Warner Bros. is that there is an institutional culture and institutional memory, in terms of production design, camera work, and directors who understand how to do this kind of thing.” KindSchoolCultureTermMemoriesDesignDirectorsCamerasProductionsStudiosOld SchoolBrosWarner BrosProduction Design Author:Bruno Heller
“We were in production on a movie called All the Real Girls, which filmed in the Fall of 2001, and we really discovered who Danny McBride was, as an actor. When I say we, I mean me and a crew and a small audience that would hit the art house. He'd never acted before, and it was a really refreshing, eye-opening experience to watch him unleash, in front of the camera, all this comedic potential that we knew he had, as a human being and as the guy doing keg-stands at the party.” HumansMeanArtRealEyeGuyFallGirlActorsHouseHuman BeingsPartyWatchesAudienceFrontsCamerasProductionsOpeningCrewRefreshingComedicEye OpeningKegsReal Girl Author:David Gordon Green
“Photography, precisely because it can only be produced in the present and because it is based on what exists objectively before the camera, takes its place as the most satisfactory medium for registering objective life in all its aspects, and from this comes its documental value. If to this is added sensibility and understanding and, above all, a clear orientation as to the place it should have in the field of historical development, I believe that the result is something worthy of a place in social production, to which we should all contribute.” IfsShouldBelieveValuesI BelieveSocialUnderstandingResultsClearFieldsDevelopmentPhotographyAspectShould HaveCamerasHistoricalProductionsWorthyObjectivesMediumsSensibilityOrientation Author:Tina Modotti
“Well, I tried being in front of the camera as a student and that was terrifying. But the press stuff about me growing up on his [film] sets has been exaggerated. I was an extra as a kid and I was also a PA [production assistant] on one of his movies, so I was lucky to get production experience. But I was nowhere near him.” WellsHas BeensKidsFilmStuffGrowing UpGrowingFrontsStudentsLuckyCamerasPressesProductionsExtrasAssistantsExaggeratedFilm Set Author:Nicole Holofcener
“The terrain of the face is the most dynamic thing you can point the camera at, to me. I love production design and bells and whistles and all of that. I love a technograin as much as the next gal, but a great actor's face? What else should we be looking at?” ShouldFacesNextActorsDesignCamerasProductionsBellsGreat ActorsTerrainGalsProduction Design Author:Ava DuVernay
“'How the West was Won' was very hard, because it was a three cameras technique, meaning three cameras wide. Therefore I wasn't speaking to my fellow performer, I was speaking to a camera, or a line next to the camera. It was difficult to do, because its not real acting. I had to pretend that I was 'seeing' Agnes Moorhead or Jimmy Stewart or Carroll Baker. I wasn't, I was acting to a drawn line. It took me personally two years to make the film, because my character starts at age 16 and I end up being 92 years old in the film. By the end of that production, I was ready for a long nap.” YearsLongTwoRealEndsHardCharacterAgeFilmThreeNextDifficultLinesActingSeeingReadyCamerasFellowsWestProductionsWideTechniqueTwo YearsPerformersJimmyNapsBakersJimmy Stewart Author:Debbie Reynolds
“Apart from those other riders there is a whole production team [ of The Fourth Phase] behind the cameras too, hauling hundreds of kilos of fragile and awkward filming equipment up those same frozen landscapes. They're the real heroes.” RealWholeBehindsTeamHeroCamerasProductionsLandscapeFragileFourthAwkwardPhasesEquipmentFrozenRidersReal Heroes Author:Travis Rice
“In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.” YearsWantedNightFatherTelevisionMy FriendsTownsCamerasProductionsStudiosTeensEditingEdits Author:Joel Osteen
“Taking employment out of the country - now that's taking away jobs. These shows employ a lot of people: production, post-production, music supervisors, camera people. A hundred people or more.” PeopleCountryShowsJobsHundredCamerasProductionsEmploymentPostsSupervisorsPost Production Author:Corbin Bernsen