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“September 11 was a day of de-Enlightenment. Politics stood revealed as a veritable Walpurgis Night of the irrational. And such old, old stuff. The conflicts we now face or fear involve opposed geographical arenas, but also opposed centuries or even millennia. It is a landscape of ferocious anachronisms: nuclear jihad in the Indian subcontinent; the medieval agonism of Islam; the Bronze Age blunderings of the Middle East.”

“We're facing growing climate change, more floods, more droughts, more crisis on a planetary level, and the systems we put in place in the twentieth century are just not going to work. We've run out of stuff. Our big problems are going to be energy supplies and food supplies. This is not a right-left issue. It's a people issue, and it cuts across all our categories.”

“If somebody says, you know, to love your enemies, you could say, 'Well I'm going to love them to death.' We've done that sort of stuff so it can be done. But if you really start with love your enemies, and if you look at the tradition of the first Christian centuries, nobody ever seems to suggest well if they come after us to persecute us, is it alright to kill a few? Defensively, of course.”

“Innumerable entirely new compounds have been produced in the last century. The artificial dye-stuffs, prepared from materials occurring in coal-tar, make the natural colours blush. Saccharin, which is hundreds of times sweeter than sugar, is a purely artificial substance. New explosives, drugs, alloys, photographic substances, essences, scents, solvents, and detergents are being poured out in a continuous stream.”

“My teacher introduced me to this photographer Eugène Atget. He was a French photographer in the late 1800s up until 1927 in Paris. He didn't consider himself an artist, but he was probably one of the artists of the 20th century. This guy documented all of Paris during those years. It's unbelievable. The books are phenomenal. The Museum of Modern Art has all his stuff now and [American photographer] Berenice Abbott saved his work. Not very much is known about his life, but the work is unreal and it totally spoke to me. He was the only artist for a number of years that I cared about at all.”

“The fact that you couldn't see Alfred Hitchcock's first film The Mountain Eagle, or that you couldn't see so many of F.W. Murnau's masterpieces, or that you couldn't see so many of Oscar Micheaux's really intriguing race melodramas, made with fierce independent spirit against all odds in '20s and '30s America. That stuff haunted me. They really did bring to life a sense of 20th Century history: cultural history, pop history, gender politics and race politics, socio economic history, all that stuff. It was bracing and instructive.”

“Fossil fuel is very seductive stuff. [John Maynard] Keynes once said that, as far as he could tell, the average standard of living from the beginning of human history to the middle of the eighteenth century had perhaps doubled. Not much had changed, and then we found coal and gas and oil and everything changed. We're reaping the result of that, both ecologically and socially.”

“The best stuff that Cicero wrote, in the first century in Rome, were the Philippics, a series of speeches that he delivered against Marc Antony, whom he thought was irreparably dismantling the Republic of Rome. Those speeches are powerful because they're not only really pointed but they're thrillingly beautiful - and that's precisely what made them dangerous: the fact that people wanted to read them.”

“I really liked the design aesthetic of the mid-century modern for furniture and the early '60s stuff for the clothes. But then, personally, I'm a huge fan of 1970s muscle cars. Cell phones is just a laziness thing because it's so much easier to have somebody have a cell phone than have to go to a phone booth. So we're sort of, I guess, cherry-picking the best and easiest from several decades.”