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Computer Quotes

“Capital burns off the nuance in a culture. Foreign investment, global markets, corporate acquisitions, the flow of information through transnational media, the attenuating influence of money that's electronic and sex that's cyberspaced, untouched money and computer-safe sex, the convergence of consumer desire--not that people want the same things, necessarily, but that they want the same range of choices.”

“Shook is the musical universe I created. I come from a classical and jazz background and my father is a jazz pianist, so my world bears largely the marks of this influence. As a sort of gateway, I started composing my own music on the computer at the age of 13. Before Shook, I had not yet discovered the kind of music I wanted to dedicate myself to, so I did a little of everything.”

“Klout and various measurements of influence are fun. I love to see where I score on them, but there's a computer algorithm behind the calculation. If there's an algorithm, it can be gamed. Even if it's not gameable, you have to take a leap of faith that the number of followers, retweets, mentions, whatever really mean something.”

“It was very challenging in terms of making sure that everyone is distinct. Also, we wanted to have some Asian influences as well, so that it really is a mashup. We want evidence of our presence in this world, so you'll see there's an interest in technology, that there are not complex electronics. There's electricity in this world, but computers, circuits don't work.”

“Obviously, the person who had most influence on my career was Ken Thompson. Unix was basically his, likewise C's predecessor, likewise much of the basis of Plan 9 (though Rob Pike was the real force in getting it together). And in the meantime Ken created the first computer chess master and pretty much rewrote the book on chess endgames. He is quite a phenomenon.”

“I don't really care about labels that much. I wouldn't really call our music retro. There are influences of things from the past, which there is in everything. I think we're quite a modern band, actually. We don't record with old equipment. We use computers and programmed drums. We don't use any guitar amplifiers. We're very much a modern band in the sense that we love computers and what they can do to music. I guess we're just good at a different sound.”