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Dark Quotes

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Dark Quotes

“The optimist is right. The pessimist is right. The one differs from the other as the light from the dark. Yet both are right. Each is right from his own particular point of view, and this point of view is the determining factor in the life of each. It determines as to whether it is a life of power or impotence, of peace or of pain, of success or of failure.”

“There will be natural propriety in using an eastern light for bedrooms and libraries, a western light in winter for baths and winter apartments, and a northern light for picture galleries and other places in which a steady light is needed; for that quarter of the sky grows neither light nor dark with the course of the sun, but remains steady and unshifting all day long.”

“The empire of Saturnus is gone by; Lord of the secret birth of things is he; Within the lap of earth, and in the depths Of the imagination dominates; And his are all things that eschew the light. The time is o'er of brooding and contrivance, For Jupiter, the lustrous, lordeth now, And the dark work, complete of preparation, He draws by force into the realm of light. Now must we hasten on to action, ere The scheme, and most auspicious positure Parts o'er my head, and takes once more its flight, For the heavens journey still, and adjourn not.”

“But colonialism in its harshest forms is not only the exploitation of new nations by old, of dark skins by light, or the subjugation of the poor by the rich. My Nation was once a colony, and we know what colonialism means; the exploitation and subjugation of the weak by the powerful, of the many by the few, of the governed who have given no consent to be governed, whatever their continent, their class, their color.”

“Splutter, splutter. Yes - we're off - we're rising. But why start off with an engine like that? But it smooths out now, like a long sigh, like a person breathing easily, freely. Like someone singing ecstatically, climbing, soaring - sustained note of power and joy. We turn from the lights of the city; we pivot on a dark wing; we roar over the earth. The plane seems exultant now, even arrogant. We did it, we did it!”

“I don't think there is anything wrong with watching violence but I just think you have to present it in the appropriate light. I was like just watch how many accidents and deaths horror causes. Whereas I don't think anybody is going to go: "Oh, I just saw The Shining and I think I'm going to go axe somebody!" These movies aren't for everybody. The dark side of anything isn't for everybody. I think that you have to have some sort of responsibility in how you portray it because I always want the violence to seem real and if it seems disgusting then good, because it should.”

“Nowadays, when you make movies, you don’t need any lights at all. You have to remember, back in the day, the film stocks that they had were very, very insensitive and they would have these humongous lights and lighting was everything, so everyone looked good. Nowadays with digital film where you don’t need any light at all, you could shoot in the [bleep] dark. It makes people not look so good and it makes aging on film much, much harder.”

“Religious believers of the world, you are free to continue to debate the simple, narrow question that divides you from atheists, but you have no right, in so doing, to treat the Humanists of the world with contempt. You owe them a deep debt of gratitude, for not only have they shed much light on a naturally dark world but they have very probably helped civilize your own specific religion.”

“Whiles in the early Winter eve We pass amid the gathering night Some homestead that we had to leave Years past; and see its candles bright Shine in the room beside the door Where we were merry years agone But now must never enter more, As still the dark road drives us on. E'en so the world of men may turn At even of some hurried day And see the ancient glimmer burn Across the waste that hath no way; Then with that faint light in its eyes A while I bid it linger near And nurse in wavering memories The bitter-sweet of days that were.”

“He rose and turned toward the lights of town. The tidepools bright as smelterpots among the dark rocks where the phosphorescent seacrabs clambered back. Passing through the salt grass he looked back. The horse had not moved. A ship's light winked in the swells. The colt stood against the horse with its head down and the horse was watching, out there past men's knowing, where the stars are drowning and whales ferry their vast souls through the black and seamless sea.”

“E'en in mid-harvest, while the jocund swain Pluck'd from the brittle stalk the golden grain, Oft have I seen the war of winds contend, And prone on earth th' infuriate storm descend, Waste far and wide, and by the roots uptorn, The heavy harvest sweep through ether borne, As light straw and rapid stubble fly In dark'ning whirlwinds round the wintry sky.”

“The entrances I make now, when we kick in the door of a high-risk warrant, eighty percent of the homes we're kicking into, it's dark in there for some reason. That's just the way the bad guys are doing it now. So now all of my sights are night sights; I've also put special light rails on the bottom of all of them so I can put a special light on them that's combination white light/laser.”

“In Western culture, there's a dichotomy between the easy narratives of God and the Devil. I now believe in this greater overarching spiritual thing. We are the light and the dark, and have to own the darkness. It's part of us. It's not evil. It's needed. You need to own both of them to be whole. Absorb it, and live it as part of your life.”

“The real tragedy of life is when men are afraid of the light.”