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Dies Quotes

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Dies Quotes

“Prostrate on earth the bleeding warrior lies, And Isr'el's beauty on the mountains dies. How are the mighty fallen! Hush'd be my sorrow, gently fall my tears, Lest my sad tale should reach the alien's ears: Bid Fame be dumb, and tremble to proclaim In heathen Gath, or Ascalon, our shame Lest proud Philistia, lest our haughty foe, With impious scorn insult our solemn woe.”

“Die Hard represents the class of modern action pictures and the standard by which they must be judged. Few films falling into the "mindless entertainment" genre have as much going for them as this movie. Not only is it a thrill-a-minute ride, but it has one of the best film villains in recent memory, a hero everyone can relate to, dialogue that crackles with wit, and a lot of very impressive pyrotechnics.”

“War is a thing of fearful and curious anomalies ... It has shown that government by men only is not an appeal to reason, but an appeal to arms; that on women, without a voice to protest, must fall the burden. It is easier to die than to send a son to death.”

“... where do they go when they die? We hear of the elephant graveyards, where the elephants go to die, but how much more curious it is that birds are not falling out of the sky all the time, on our heads, at our feet, dying and falling and flopping to the ground. I rarely see a dead bird on the ground.”

“See that unfortunate soldier who is falling hurt to death ("tombe blessé à...", Fr.) on the battlefield; he learns that his folks have vanquished and dies happy. He detached himself from himself (s'est détacher de lui-même", Fr.), has identified himself with something greater and more lasting than himself; his homeland ("patrie", Fr.); thus, while dying as an individual, he has the certainty to survive in a larger existence.”

“All solitary enjoyments, quickly fall, or become painful, so that, perhaps, no more insufferable misery can be conceived than that which must follow incommunicable privileges. Only imagine a human being condemned to perpetual youth while all around him decay and die. O, how sincerely would he call upon death for deliverance!”

“O Prosperina, For the flowers now that, frighted, thou let'st fall From Dis's wagon; daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength--a malady Most incident to maids; bold oxlips and The crown imperial; lilies of all kinds, The flower-de-luce being one.”

“To hold happiness is to hold the understanding that the world passes away from us, that the petals fall and the beloved dies. No amount of mockery, no amount of fashionable scowling will keep any of us from knowing and savoring the pleasure of the sun on our faces or save us from the adult understanding that it cannot last forever.”

“Tears are tears, but I don't want to draw tears that aren't proactive. The feeling "Ahh, it's so sad" when people die and it's all over, it doesn't feel quite right. Even though a lot of people died in Gintama. Even if people die, it's not the end. I don't want to draw tears that fall and stay at the same place, but droplets that sprinkle along the road to one's future.”

“So while you're getting ripped apart head to toe as you fall into a black hole, you will also extrude through the fabric of space and time, like toothpaste squeezed through a tube. To all the words in the English language that describe ways to die (e.g., homicide, suicide, electrocution, suffocation, starvation) we add the term spaghettification.”

“The Forgotten Man... works, he votes, generally he prays-but he always pays-yes, above all, he pays. He does not want an office; his name never gets into the newspaper except when he gets married or dies. He keeps production going on.... He does not frequent the grocery or talk politics at the tavern. Consequently, he is forgotten.... All the burdens fall on him, or on her, for it is time to remember that the Forgotten Man is not seldom a woman.”

“How old the world is! I walk between two eternities.... What is my fleeting existence in comparison with that decaying rock, that valley digging its channel ever deeper, that forest that is tottering and those great masses above my head about to fall? I see the marble of tombs crumbling into dust; and yet I don't want to die!”