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“I think the arts has great potential to create citizens. Citizenship is about the direction your imagination travels. We can't plan or calculate or examine citizenship; it's an imagined thing. Community is an imagined thing. And if your imagination isn't working - and, of course, in oppressed people that's the first thing that goes - you can't imagine anything better. Once you can imagine something different, something better, then you're on your way.”

“The main reason for civilization is that life is more comfortable. In a way, houses are there to protect us from rain, cold, and heat; cars are there to overcome distances. Culture is the exception. Music, art, and all of the different cultural expressions are not going in that direction. They're not about comfort; they're about understanding each other.”

“There is no best anything in art. Phillip [Hoffman] isn't better than Heath [Ledger]; Joaquin [Phoenix] isn't better than David [Strathairn] or Terence [Howard]. They aren't better than me. We all do different things. It's more of a celebration of a lot of great work than to give the gold to somebody. The underappreciated factor certainly has gone away.”

“The painters have no copyright on modern art!... I believe in, and make no apologies for, photography: it is the most important graphic medium of our day. It does not have to be, indeed cannot be - compared to painting - it has different means and aims.”

“This art of conservation is strength, and makes the masterpiece a masterpiece. Otherwise, the man who simply brought all the different colors obtainable, and squeezed them out upon the canvas to give it 'full force,' would be the greatest master, instead of being merely extravagant.”

“There's a very famous Miyamoto Musashi quote. "Once you understand the way broadly, you can see it in all things." The idea is once you understand what excellence is all about, whether it's in painting, or carpentry or martial arts, that you see how that excellence manifests itself in any discipline. I think that all the different things that I do enhance all the other things that I do.”

“The art of war is at once comprehensive and complicated; ... it demands much previous study; and ... the possession of it, in its most improved and perfect state, is always a great moment to the security of a nation. This, therefore, ought to be a serious care of every government; and for this purpose, an academy, where a regular course of instruction is given, is an obvious expedient, which different nations have successfully employed.”

“In the sixties, the recycling of pop culture turning it into Pop art and camp had its own satirical zest. Now we're into a different kind of recycling. Moviemakers give movies of the past an authority that those movies didn't have; they inflate images that may never have compelled belief, images that were no more than shorthand gestures and they use them not as larger-than-life jokes but as altars.”

“The great Christian art did not die because all possible forms had been used up; it died because faith was being transformed into piety. Now, the same conquest of the outside world that brought in our modern individualism, so different from that of the Renaissance, is by way of relativizing the individual. It is plain to see that man's faculty of transformation, which began by a remaking of the natural world, has ended by calling man himself into question.”

“In the potential of absurdity, hiding in the disparate combination of the various different subjects which in themselves are nothing but daily items equally in the exclusive representation of a normal item taken out of their usual context, is by far the most radical - in its effect comparable to a Japanese Zen koan - paradox to be witnessed, which modern art has produced, one of the most forceful impulses that generated from it.”