“Usually you talk about directors in terms of the way they choose camera lenses or a kind of light to create a certain effect. But to me the most valuable commodity for a movie to create is a feeling of life, and that's what A Hard Day's Night has in spades.” WayKindHardFeelingsLightNightCertainTermEffectsDirectorsCamerasValuableCommodityLensesSpadesHard DaysCamera Lenses Author:Michael Patrick Jann
“I find that in the process of making a film you're constantly discovering things that you never even imagined would work at the beginning. Actors come into the film and do things you never even imagined. Production designers come in, the director of photography lights it in a way that you never imagined. So, it's always evolving, always exciting.” WayLightFilmActorsProcessDirectorsPhotographyExcitingProductionsEvolveDesignerDiscoveringDiscovering Things Author:Peter Jackson
“When I came out here, my manager thought that casting directors might think I'm a girl, and when I did Threat Matrix, they thought Jamie was a little light.” ThinkingLittlesLightMightGirlDirectorsThreatManagersCastingJamieCasting Directors Author:James Denton
“As a director, you've got to have quite a few projects going because you never know which one will actually come together with the financing and get the green light.” KnowsLightTogetherDirectorsProjectsGreenFinancingGreen Lights Author:Catherine Hardwicke
“I wrote a comedy, which hopefully [Rick director] Curtiss Clayton will bring to the screen, that I thought was the antithesis of all my work. I thought it was light and sunshiny, and Mr. Clayton reminded me that it is the story of a woman kidnapped and forced to do things against her will, which is not what most people think of as light and sunshiny.” PeopleThinkingStoriesLightComedyDirectorsScreensHopefullyAntithesisKidnapped Author:Daniel Handler
“Composition is what's similar between being photographer and director. As a photographer, you're sort of doing everything - you're directing the lights and you're framing and you're moving around. The hardest thing to learn as a director is how cameras have to move. You have to have patience, you have to learn how to look through the lens and then you have to learn to combine all of the compartments into one great image.” LooksLightMovingDirectorsCamerasPhotographerHardestCompositionLensesHardest ThingHaving PatienceFraming Author:Russell James
“If you fill your time as a director talking about lights and technique with the crew then it's frightening for the actors to be left alone. Somebody has to keep them safe from the mess that is the machinery.” IfsLightActorsLeftTalkingDirectorsSafeTechniqueMessFrighteningCrewMachineryLeft Alone Author:Pirjo Honkasalo
“I remember coming on my first set and it being a playground of things I wanted to ask questions about: cameras and lenses and what the lenses do, what's the focus puller doing and how does that work? Why is there less margin for error when there's less light? I was always asking questions and watching directors closely.” FirstsDoeLightWantedRememberAsksFocusDirectorsAskingCamerasErrorsLensesMarginsAsking QuestionsPlaygrounds Author:Paul Bettany
“First and foremost, my hats off to our directors and camera department. That is something I will miss after Longmire. I can't imagine working on another show that looks like this. We'll get the whole crew out on location and have a hundred people standing around, waiting for about 40 minutes, so that sun is just a little bit further in the sky and the light is hitting the cloud, in the perfect way.” PeopleWayFirstsLooksLittlesI CanWholeShowsLightBitsWaitingPerfectSunImagineSkyMinutesMissingDirectorsLittle BitHundredStandingCamerasCloudsDepartmentHatsHittingLocationCrewHats Off Author:Bailey Chase
“Sometimes if you're a director, you want to believe that you're great and capable at all aspects - the technical side, the lights, everything - but I'm not.” IfsWantBelieveSometimesLightSidesDirectorsCapableAspect Author:Steven Knight
“It's very, very technical, what we do in film. While all of the lights are there and all of the crew members and directors are staring right at you, you have to be honest. It's a very difficult, but technical medium.” LightFilmDifficultHonestDirectorsMembersMediumsBeing HonestStaringCrew Author:Jeffrey Donovan
“The director of the [Grimm] pilot called me in. I had worked on a pilot called Love Bites with him, and the producers I worked on with on Hot In Cleveland, so they knew me from comedic worlds, and they wanted someone who could be light too. Because it is pretty heavy.” WorldLightWantedDirectorsHotHeavyProducersBitesPilotsComedicClevelandGrimmWanted Someone Author:David Giuntoli
“Yes, there was a massive difference between their styles. David is a very technical director and Chris is an actor's director, in the sense of emotion. With David, he's done horror films, so Eclipse is much darker, whereas I found New Moon really light and poetic. I didn't have as much interaction with David because the casting process was already done.” DoneLightFilmActorsFoundProcessDifferencesEmotionStyleHorrorMoonDirectorsMassivePoeticInteractionCastingEclipseHorror FilmNew Moon Author:Tinsel Korey
“My favorite part about costume designing is the artistry of the job. You meet with a director and a visionary to discuss ideas. You research the characters and figure out the components of their look through your own vision. You create a color palette for a film, television or stage medium and discuss it with the director of photography who then lights your colored subjects.” LooksIdeasCharacterLightJobsFilmVisionSubjectsStageFiguresDesignTelevisionColorDirectorsPhotographyResearchMy FavoriteMediumsCostumesComponentsVisionariesArtistryPalette Author:Ruth E. Carter