“It all depends on the directors. Working closely with a director is the main job of a film composer. Interpreting what he perceives as a color, an emotion or mood is very abstract. A director tells you something he wants and then you have to run back...” WantRunningJobsFilmEmotionColorDependsDirectorsMoodPerceiveAbstractComposerInterpretingFilm Composers Author:Danny Elfman
“The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."” IfsWantNeedsGivingFirstsKindHappensRunningTogetherGuyDirectorsLikesProducersSeatsPackagesThat GuyInput Author:Brett Ratner
“The thing I absolutely hate is when directors don't know what they want, and then they ask you to do it this way, and then maybe that way, and maybe that way, because they haven't made up their minds what they want. So you're running around in circles trying to give them what they want.” KnowsWayWantGivingTryingMindMadeRunningHateAsksHavensDirectorsCircles Author:Diana Rigg
“Musicians ought to reclaim some of the power in the houses of production. The opera houses are run either by managers or by stage directors, never by musicians.” RunningHouseStageOughtDirectorsMusicianProductionsManagersOperaOpera House Author:Laurence Equilbey
“The great power in America is the corporations - we`re a corporate country. We`re run by a CEO and the stockholders have very little to say on how the corporation is run. Fine, the board of directors run it and the stockholders can just be disgruntled, but who gives a damn?” GivingLittlesCountryRunningAmericaFineDirectorsCorporateCorporationsDamnBoardsCeoGreat PowerBoard Of DirectorsDisgruntled Author:Norman Mailer
“I love the variety of films. In theater, you go into a room and the director runs the room, so you all work to his or her method. On film, if an actor or an actress is in for a day or two, the director has to get out of that actor what they need, so they have to change and adapt to that actor's technique.” IfsNeedsTwoRunningFilmActorsRoomsDirectorsTheaterMethodActressesTechniqueVariety Author:Eddie Redmayne
“I like to be cast well and then I like to be left alone. And good directors, that's generally what they do when they hire you because you have something that's useful to the part, and then they leave you alone. The times that I've run into trouble is when, very rare actually, but you get hired and then there's some sort of makeover involved.” WellsRunningLeftTroubleInvolvedDirectorsCastsLeft AloneGood DirectorsMakeovers Author:Christopher Walken
“It might sound crazy, but filming in a conflict zone, in Afghanistan, and being a female filmmaker was the easy part. I found people open and understanding of the importance and beauty of filmic storytelling. I never had to explain why Jake Bryant, my Director of Photography, and I were climbing up a ladder to get a high shot, or running ahead to get an arrival shot, or filming weeks after weeks, months after months, collecting so much material. The process was respected and honored.” PeopleMightRunningFoundEasyProcessUnderstandingSoundWeekCrazyMaterialsMonthsDirectorsConflictPhotographyShotsFemaleImportanceStorytellingFilmmakerZoneClimbingAfghanistanHonoredLaddersCollectingArrivalsJakeClimbing Up Author:Pietra Brettkelly
“I'm not really a director or producer for hire. There's lots of big gigs out there, but I'm not looking to do that. Usually, when I'm directing or producing, I've written it myself. I'm not really trying to get on some big horse that's running through town. I just make my own stuff.” TryingBigsRunningStuffMy OwnWrittenDirectorsHorseTownsProducersGigs Author:Mike White
“And if I'm running away from something, I try to make myself face it and overcome that initial fear. As a director, I don't think it's possible to make a movie that you really don't want to make.” IfsThinkingWantTryingRunningFacesDirectorsOvercomingRunning AwayInitials Author:Takashi Miike
“I'm not imprisoned in any one medium. In films I use techniques that are not necessarily what other directors attempt. When I write novels I also use techniques which can run counter to those that a novelist would use.” WritingUseRunningFilmNovelDirectorsTechniqueMediumsNovelists Author:Philippe Claudel
“As a first time director it's interesting, but not all that different from what I did before. A lot of parts of this job seem to be very similar to running a big company.” FirstsDifferentBigsSeemsRunningJobsInterestingCompanyDirectorsFirst TimeBig Companies Author:Timothy Miller
“I've come to the possible conclusion that being a comedic writer/director is like running track. You do it for a certain amount of time and then you have to stop. Or you at least have to accept that you're not going to be at the top of your game. And that's OK.” RunningCertainGamesAcceptingAmountDirectorsTrackConclusionComedicRunning Track Author:David Wain
“It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive.” PersonsRunningWantedFeltSpaceInterestingNumbersTalkingVisionAudienceNiceTelevisionDirectorsExcitedShipsProducersReally NiceRatingHelm Author:Taylor Schilling
“One of the young production assistants (on 'Terminator: Salvation') stepped over to my chair and said, 'Mr. Ironside, are you any relation to the Ironside who was in 'Top Gun'?' And I said, 'I am, yes.' And she grinned and said, 'I knew it! Talent must run in your family!' And she walked away. And all of the producers and directors kind of looked at me uncertainly, and I said, 'What are you guys so uncomfortable for? That's an incredible compliment. I do look like the father of that guy, for Christ's sake!'” LooksKindSaidRunningYoungGuyFatherChristTalentDirectorsGunRelationSalvationIncrediblesSakeProductionsProducersOur FamilyUncomfortableChairsComplimentThat GuyAssistants Author:Michael Ironside
“Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."” PeopleIfsDoeHardRunningAsksLevelsGroupsHard WorkQuietDirectorsEqualHappeningsPhonesIntenseChecksCellsBoardsLunchDedicationCell PhoneImmersion Author:Greta Gerwig
“I don't think Roger Ebert has ever mentioned a screenplay. He assigns every auctorial move to the director, which makes some sense since the director has run a one-off game, but if Hamlet were written last year and had been only performed once as a film, and it didn't come off well on screen for whatever reason, it would be gone forever as a literary work, and never would have been considered as one.” IfsThinkingYearsWellsHas BeensReasonWould BeRunningLastsFilmMovingGamesGoneForeverWrittenDirectorsScreensLast YearScreenplaysRogerLiterary Works Author:William Monahan
“Look, if I were running the FBI, you know, I probably would want to have backdoors as well, so I'm sympathetic to the director's view. But there is risk if you put that backdoor in. There's no question you enhance the risk, number one. Number two, there are the privacy implications that are of concern to parties.” IfsKnowsWantWellsLooksTwoRunningViewsPartyNumbersRiskDirectorsConcernPrivacyImplicationsSympatheticFbiBackdoor Author:Rod Beckstrom
“I was very obsessed with Ruth Gordon. I really didn't foresee me having any type of career as a leading lady at all because it was just blonds. I just wasn't the type - I was told that by casting directors. I auditioned for Running on Empty [1988] and The Mosquito Coast [1986], and Martha Plimpton was just killing me.” RunningCareersTypeDirectorsEmptyKillingObsessedCoastCastingMosquitoesRuthCasting DirectorsLeading Ladies Author:Winona Ryder